Schilke

collapse expand iconDescription

Renold O. Schilke had a profound influence on the development of brass mouthpiece design and pedagogy in the 20th century. His wisdom and insight have influenced several generations of performers, educators and students while setting the standard for other manufacturers. Today, Schilke Music Products continues to offer the highest level of expertise in assisting musicians when determining what mouthpiece might work best for their playing needs. A mouthpiece is created of several components or variables that greatly influence a player’s sound. These variables include rim contour or rim shape, inner rim diameter or cup diameter, cup shape or cup volume, the throat, the backbore and shank or stem. All of these components play a major role in the final sound production on a brass instrument. General knowledge of these concepts and how they work can only assist the player in selecting equipment that improves their sound.

Open Box Schilke Standard Series Trumpet Mouthpiece Group I Level 2 14A4a, Silver 197881269661

collapse expand iconFeatures

  • Available sizes: 5A4, 6A4a, 7B4, 8A4, 8E2, 9, 9C4, 10A4a, 10A4, 10B4, 11A, 11Ax, 11C2, 11, 11D4, 1E, 12A4a, 12A4, 12B4, 12, 13A4a, 13B, 13, 13C4, 13D4, 14A4a, 14A4, 14A4x, 14B, 14C2, 14
  • Model number: The model number references 4 areas—Cup Diameter, Cup Volume, Rim Contour, and Backbore
  • Cup Diameter: Smallest numbers are the smallest diameter; diameter sizes increases as the number increases Cup Volume: A—Small, shallow; B—Medium Small; C—Standard, medium; D—Medium Large; E—Large
  • Rim Contour: 1—Roundest; 2—Semi-Round; 3—Standard; 4—Semi-Flat; 5—Flattest
  • Backbore: a—Tight; b—Straight, slightly more open; c—Standard; d—Medium-Large, slightly curved out; e—Large; x—Piccolo, Extra Large
  • Finish: Silver plate

collapse expand iconSpecs

  • • 5A4: 15.84 mm, .624" cup diameter; 26 throat. Small cup diameter which aids upper register. Popular for use as a piccolo trumpet mouthpiece.

  • • 6A4a: 15.99 mm, .630" cup diameter; 27 throat. Shallow A cup with cushion number 4 rim for extreme high register work.
  • • 7B4: 16.08 mm, .633" cup diameter; 26 throat. Excellent for the player with thin lips. Number 4 rim provides good endurance with a brilliant tone.
  • • 8 mmA4: 16.25 mm, .640" cup diameter; 26 throat. The slightly funnel-shape cup at the entrance to the throat provides a good tone and the number 4 semi-flat rim gives superior endurance.
  • • 8 mmE2: 16.15 mm, .636" cup diameter; 26 throat. The deep funnel-shaped cup provides a smooth tone and is very flexible in all registers. Recommended for cornet players
  • • 9: 16.33 mm, .643" cup diameter; 26 throat. Standard characteristics allow for a full penetrating tone quality.
  • • 9C4: 16.36 mm, .644 in cup diameter; 26 throat. Like the 9 mouthpiece, however the 4 semi-flat rim provides excellent endurance.
  • • 10A4a: 16.43 mm, .647" cup diameter; 27 throat. The combination of the shallow A cup, semi-flat number 4 rim and tight a-backbore assists with upper register work.
  • • 10A4: 16.43 mm, .647" cup diameter; 27 throat. Same as the 10A4a but with a standard c-backbore, which offers less resistance.
  • • 10B4: 16.43 mm, .643" cup diameter; 26 throat. A medium-small funnel-shaped B cup offers both a quality sound and support in the register.
  • • 11A: 16.51 mm, .650" cup diameter; 26 throat. This rim size and contour is similar to the model 11 mouthpiece, but with a shallower A cup.
  • • 11AX: 16.51 mm, .650" cup diameter; 27 throat. This model was developed for the Schilke piccolo trumpets. The x-backbore improves the ease of playing and opens up the sound on a piccolo trumpet. 
  • • 11C2: 16.51 mm, .650" cup diameter; 26 throat. Similar to the model 11 featuring a slightly rounded number 2 rim contour.
  • • 11: 16.53 mm, .653" cup diameter; 26 throat. A superior mouthpiece with standard characteristics for a free-blowing mouthpiece.
  • • 11D4: 16.58 mm, .653" cup diameter; 26 throat. Slightly deeper than the model 11 with a number 4 semi-flat rim, which provides a definite cushion feel for endurance.
  • • 11E: 16.58 mm, .653" cup diameter; 26 throat. The large funnel-shaped cup encourages a big round tone, ideal for cornet.
  • • 12A4a: 16.71 mm, .658" cup diameter; 27 throat. Similar to the 12B4, but with a shallow A cup and tight a-backbore, which adds both endurance and range.
  • • 12A4: 16.71 mm, .658" cup diameter; 27 throat. This mouthpiece is the same as a 12A4a, but with a standard c-backbore.
  • • 12B4: 16.71 mm, .658" cup diameter; 26 throat. This medium-small conical B cup provides a full tone and the number 4 semi-flat rim allows for more endurance.
  • • 12: 16.69 mm, .657" cup diameter; 26 throat. A traditional medium size mouthpiece that includes a number 3 standard rim and c-backbore, which allows the player a full spectrum of sound.
  • • 13A4a: 16.76 mm, .660" cup diameter; 27 throat. The shallow A cup, semi-flat number 4 rim and tight a-backbore creates an ideal lead mouthpiece.
  • • 13A4: 16.76 mm, .660" cup diameter; 27 throat. Same as the 13A4a, but with a standard c-backbore which allows a free-blowing feel.
  • • 13B: 16.77 mm, .660" cup diameter; 26 throat. This mouthpiece has a B cup that is slightly deeper than the 13A4 and also offers a narrower round rim.
  • • 13: 16.8 mm9mm, .665" cup diameter; 26 throat. Ideal choice for a student or developing player with standard number 3 rim contour. The rounder rim provides increased flexibility and quick response. The C cup offers volume for tone.

collapse expand iconReviews

4.15

185 Reviews

81%

of respondents would recommend this to a friend

Most Liked Positive Review

4

A very cool guitar, if you're into the 1980's shred thing!

I have been in the market for an 80's style shredder for a few years now. As a big fan of George Lynch, in particular the stuff he did from 1985 to 1990, I've been looking for a used ESP Skulls and Snakes model. That said, they are hard to find on the used market, and they command a premium price. Enter the Friedman Cali model. With its high-output humbuckers, Floyd Rose tremolo, and single volume knob, it's got similar specs as the Skulls and Snakes, and with a much lower point of entry. So, I jumped on it, and I am glad I did. I've spent the last few days getting to know my new Friedman Cali and I can say with confidence this is an excellent guitar for the price. That said, it does have some minor drawbacks that I will gladly look past given how amazing the guitar feels and sounds. My particular guitar was a scratch and dent, which in my case means pre-owned. I say this because when I took delivery of the guitar, I noticed a tremolo stop had been installed, poorly I might add. I confirmed with Friedman they did not install these at the factory; hence my opinion the guitar was previously sold to another customer. In any case, there are no other blemishes or visual imperfections to speak of other than, of course, the factory relic job. After my initial inspection, I put the guitar back in the case to chill out for 24 hours to acclimate to the environment. After that, I remove the old strings, cleaned and polished the frets, lubricated the hardware, applied contact cleaner to the pot and switch, put on fresh strings, and gave it a proper set-up. Some things I noticed during the whole process: the b-string tuner doesn't seem to work as smoothly as the other tuners. These appear to be Hipshot open gear locking tuners, similar to what I have on my Tyler, and I know they usually work very well. Next time I change strings, i will pull the tuner and take it apart for inspection. Another thing I noticed is the screw-in style tremolo bar on the Floyd Rose. This is simply an antiquated design and needs to go the way of the rest of the dinosaurs: extinction. I much prefer the convenience, feel, and adjustability of the drop-in replacement bar, so that is what I installed. Now the tremolo feels expressive and smooth, and the bar drops in quickly. Once I got the Cali set up, I was amazed how comfortable it is to play. Let's first talk materials and craftsmanship. The relic job on the maple neck and fingerboard, combined with the rolled fret edges and slick fret crowning, make this guitar feel like you've been playing it for decades. It's really quite special and something you have to play to understand. because of the compound radius and excellent fretwork, I am able to set the action very low without excessive buzzing. I use 9-gauge strings, and two tremolo springs are sufficient to ensure the tremolo sits parallel to the body while keeping low tension on the strings. Bending is super easy and very smooth, and the tremolo feels so expressive. The guitar just feels slinky and rather addicting to play. On the tone front, it's an absolute monster. The Friedman Classic pickups feature Alnico 5 magnets, which happen to be my favorite for hard rock tones. The bridge pickup sounds thick with gobs of sustain, while the neck pickup is round and fat. Both pickups are articulate and clear, and allow single notes in complex chords to shine through. Rolling back the volume knob will clean up your tone nicely, especially with a good tube amp. These guitars were a collaboration between Dave Friedman and Grover Jackson. Unfortunately, they are no longer working together, and Grover has moved to the Nashville, TN area. I do believe Friedman guitars will be hitting the market again soon, made by someone other than Grover. With that said, the Grover-era are pretty amazing guitars, and may become harder to find. So, if you are in the market for a 1980's super-Strat style shredder, I'd recommend checking out a Grover-era Friedman while you can.

VS

Most Liked Negative Review

3

Amazing bass with a major flaw

Being mainly a guitarist, this bass is perfectly ideal for what my needs are. A great bass with a great sound/tone for recording, and many option with the knobs to fine tune and tweak that sound to my preference. However, my biggest gripe is that the string action is ridiculously tight for this bass. I like to play with ticker gauge strings, as I typically go for lower tunings, but this bass is (ironically with it being a 5 string) is simply not made for it. The action towards the neck of the fretboard makes thicker strings unplayable. They make contact with the fretboard at around the 2nd-3rd fret, and raising the bridge to compensate isn't enough. To make matters worse, the screws that are used to raise the strings on the bridge are very easily stripped, and I'm struggling to find any sort of replacements for them.

Filters

Best Uses

  1. Practice4
  2. Recording3
  3. Metal songs1
  4. Rock songs1
  5. fun. and looking cool shredding for the normies1

Cons

  1. None5
  2. Poor Quality2
  3. Virtually no low end warmth.1
  4. Kind of expensive1
  5. Shipping box arrived damaged1

Describe Yourself

  1. Beginner2
  2. 74 years old, been playing 60 years.1
  3. Jazz, rock, classical player for 60 years1
  4. Metal,hard rock and instrumental rock1
  5. Retired 64 YO beginning amateur1

Pros

  1. Sound4
  2. Attractive3
  3. Stays in Tune2
  4. Stays in tune2
  5. Tone2
  • Sounds really good

    5

    submitted24 days ago

    byTrenton

    fromGladwin county

    This pedal sounds quite good. It is quite customizable. If you do buy this, if you do not have the cord used to power it, there is a battery adapter under the actual pedal part. you just put the black pins on the pedal in and take the pedal off. anyways, really good sound if you want a proper rock or metal distortion/overdrive for an affordable price.

  • Not too bad for the price

    3

    submitteda month ago

    byJeff

    fromNashville TN

    Typical Chinese bling, the sound is lacking.

  • This drum is just like the vintage ones

    5

    submitteda month ago

    byJeff

    fromSeattle, WA

    Play with freelance jazz and rock standards groups. All kinds of gigs and shows. I want to buy one of the sets.

  • Love this guitar.

    5

    submitteda month ago

    byLarry

    fromMinnesota

    Love this guitar. Easy/Good tuning, very playable, thin neck is fast.

  • Its so good it fits my church setting well

    5

    submitteda month ago

    byjordan

    fromHamilton, new jersey

    This product is the best drums i've ever played on because the shells are a nice color and when you tune the drums up, it sounds so good. When you play it in a open space it fills the room and when you play it in an enclosed space it sounds even better. All Im saying is that this is hands down one of the best drum sets.

  • 23862 SYCAMORE DR

    1

    submitted2 months ago

    byETHAN

    fromMission Viejo, CA

    Electronics are really good. Was going to use it for jamming and professional playing. However, I could not lower the action due to stripped saddle screws

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