The Solina V is Arturia's latest venture into classic keyboards. The Solina V is physically modeled and faithfully reproduces the classic Arp/Eminent Solina string ensemble to generate those warm and fuzzy string sounds that graced so many hit records.Arturia began by modeling the original Solina MK1 from Eminent making sure that the Violin, viola,... Click To Read More About This Product
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The Solina V is Arturia's latest venture into classic keyboards. The Solina V is physically modeled and faithfully reproduces the classic Arp/Eminent Solina string ensemble to generate those warm and fuzzy string sounds that graced so many hit records.
Arturia began by modeling the original Solina MK1 from Eminent making sure that the Violin, viola, cello, horn and trumpet sounds was as rich and warm as the original. The renowned ENSEMBLE effect (from both the mono MK1 and stereo MK2 versions) was carefully modeled and is a thing of beauty that cannot be found in any of the sample-based string machines.
Besides the original features of the Solina, Arturia took it all a step further and expanded the sonic pallet beyond anything the original designers could have imagined. Additions like the Vox Humana and Resonators from the Polymoog synthesizer, original paraphonic and new polyphonic modes of operation, a 24dB per octave filter on the bass section, LFO, Arpeggiator, etc. all add up to creating the biggest and baddest string machine ever.
Compatibility Notice: OS X 10.11 El Capitan (release date 9/30/15)
As with all major operating system updates, it is vital to check the compatibility of your hardware and software before upgrading your system. For new computer owners, it' highly advised to check with manufacturers on when they expect their products to be fully compatible with the latest operating system.
All the original parameters of the Arp/Eminent Solina string ensemble
Vox Humana sound modeled after the original Polymoog synthesizer
Classic Paraphonic operation as well as separate Polyphonic mode
Polymoog resonator section on Upper Section
24dB per octave resonant filter on Bass Section
Arpeggiator on Bass Section
LFO for Vibrato, Tremolo and filter modulations
Aftertouch and velocity modulations
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