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Anglo Music Press Tuba Concerto (Score Only) Concert Band

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$77.00
Item #: 
1500000106455
Product Description:

Philip Sparke's Tuba Concerto was commissioned by the German brass instrument manufacturer, Miraphone. It was dedicated to the composer's longtime friend Markus Theinert, who gave the first performance in 2006 with the Brass Band Oberschwaben-Allgäu. The idea for a tuba concerto had been discussed many times between soloist and composer, with the g...  Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
$77.00
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Overview

Philip Sparke's Tuba Concerto was commissioned by the German brass instrument manufacturer, Miraphone. It was dedicated to the composer's longtime friend Markus Theinert, who gave the first performance in 2006 with the Brass Band Oberschwaben-Allgäu. The idea for a tuba concerto had been discussed many times between soloist and composer, with the goal of the piece being a true concerto with material that would suit the instrument without resorting to caricature. To this end the solo part covers almost 3-1/2 octaves and uses the instrument's technical and vocal qualities to the full. The concerto consists of two connected movements, each of which can both be programmed individually. The first movement starts slowly with a noble tune and gathers momentum until a cadenza heralds the return of the opening material. The second is in the form of a scherzo that starts in a determined mood and gradually lightens in character until, again, the opening material closes the work robustly.

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