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Alliance Images / Masques 34

Item #: 
1500000231913
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Product Description:

Release Date:04/13/2018;Notes:In this new album, Cathy Krier takes an original step and goes entirely against the grain of her previous programmatic approach. In her two most recent albums she had juxtaposed the apparently divergent styles of Rameau and Ligeti, or Liszt vs. Berg/Shoenberg, uncovering astounding new connections among them. The curre...  Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Price: $29.99
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Overview

Release Date:04/13/2018;Notes:In this new album, Cathy Krier takes an original step and goes entirely against the grain of her previous programmatic approach. In her two most recent albums she had juxtaposed the apparently divergent styles of Rameau and Ligeti, or Liszt vs. Berg/Shoenberg, uncovering astounding new connections among them. The current release now takes the opposite path. At first glance, Claude Debussy- the inventor of musical Impressionism- and Karol Szymanowski- often called the 'Polish Impressionist'- would seem to have much in common. Both composers even use the same title in French: Masques (masks). Cathy Krier affirms, nevertheless, that she is much more interested in the differences one can observe between these two works written roughly during the same period. This listening experience is thus enriched thanks to a new, fascinating aesthetical perspective. "Krier steers her own path between sentimental and spiky, with a bright, forthright tone and an approach that underlines the music's depth to Schumann and Brahms." (Boston Globe)

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