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iZotope Ozone 5 Complete Mastering System

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iZotope's complete mastering system in a single integrated plug-in includes eight essential mastering tools: Maximizer, Equalizer, Multiband Dynamics, Multiband Stereo Imaging, Post Equalizer, Multiba... Click To Read More About This Product

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iZotope's complete mastering system in a single integrated plug-in includes eight essential mastering tools: Maximizer, Equalizer, Multiband Dynamics, Multiband Stereo Imaging, Post Equalizer, Multiband Harmonic Exciter, Reverb, and Dithering.

Mastering makes the difference between a good-sounding mix and a professional-sounding master. With Ozone 5, iZotope has delivered the biggest update ever to its critically-acclaimed software mastering system, making it easier than ever for anyone to master their audio simply and efficiently.

Setting a new industry standard for mastering tools, the all-new Ozone 5 Advanced extends the standard version of Ozone 5 for greater flexibility, precision, and control. Based on feedback and requests gathered from mastering professionals, Ozone 5 Advanced includes exclusive controls and features like the Meter Bridge suite and 6 individual component plug-ins based on Ozone's mastering modules.


Maximizer features
Multiple modes of Intelligent Release Control technology for transparent limiting
New "Intelligent III" mode provides exceptional handling of transients without side effects
Stereo link control lets you unlink stereo channels to process left and right separately
Predictive limiting of "inter-sample clipping" keeps true analog levels in check
Adjustable threshold/margin, release and character controls
Visual feedback provided through Gain Reduction Trace meters, a loudness histogram, and Mini-Spectrum display

Equalizer features
Analog-modeled EQ or digital linear phase filtering
Spectrum analyzer that offers real-time and average modes, critical or third octave bands, and snapshots
Matching EQ takes snapshots of recordings to create "automatic" EQ curves
Unique new visualizations of phase delay and group delay by frequency
Mid/Side mode provides independent, superimposed EQ curves for center and edges of the stereo image
EQ left and right channels independently, and make precise EQ tweaks by zooming in and out both in time and frequency

Improved Plate and Room modes and a brand-new Hall mode.
Control room size, pre-delay, width, frequency cutoff and more
Special controls to adjust the high and low decay times, solo wet signal, and adjust the frequency response.
Mid/Side processing lets you "dry out" the center of your mix while adding space to the edges, and much more

Choose from three types of dither algorithms with six different noise-shaping options.
New dither curves for 44.1 kHz and 48 kHZ, as well as design improvements to existing 44.1 kHz curves
New Dither Shape view helps provide quick recognition of desired settings.
Integrated DC offset filtering, auto-blanking and dither harmonic suppression
Bit scopes and DC level meters provide a complete view of the digital bitstream and conversion process

Retro, Tape, Warm or Tube exciter modes
New circuit-modeled Tube saturation
New Saturation Spectrum display shows excitation by frequency
Post filter that allows you to sculpt the Exciter's frequency output.
Natural-sounding Peak Saturation adds harmonics without drastic gain changes.
Multiband time offset controls for tightening and adding "attack" to bass and kick.

Analog modeled, linear phase, and hybrid crossover filters with adjustable bandwidth and Q
Learn mode that automatically sets crossover frequencies based on incoming audio
New Soft compression via a Hard/Soft knee mode
Color-coded All Bands mode
Gain Reduction Trace view--plots gain reduction of all dynamics bands on top of a scrolling waveform
Visualizatio of dynamics within each band for gain reduction meters, level histograms, spectrum analyzer, and X-Y compression curves.

Stereo Imaging
Visualize stereo image with Phase/Channel meter display
Stereo Width Spectrum view
Antiphase Prevention
Multiband channel delay controls
Operating system requirements
Windows (XP Service Pack 2 or later, x64, Vista, 7) Mac OS X 10.5.8 or later (Intel-based Macs only)

Plug-in formats
Pro Tools 7.4+ (RTAS/AudioSuite), VST, MAS, Audio Unit, DirectX

Plug-in host compatibility
Pro Tools, Cubase, Nuendo, WaveLab, GarageBand, Logic, Audition, SONAR, ACID, REAPER, Sound Forge, Peak, Ableton Live, and many more

Graphics card requirements
For use of the scrolling 3D Spectrogram, Ozone 5 Advanced requires a graphics card that supports Open GL 2.0.
  • Customer Reviews

Review Snapshot

by PowerReviews
iZotopeOzone 5 Complete Mastering System

(based on 3 reviews)

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Reviewed by 3 customers

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(4 of 5 customers found this review helpful)


Mastering with Ozone 5

By Andrew Steinborn

from Las Vegas, Nevada

Comments about iZotope Ozone 5 Complete Mastering System:

This product worked great right out of the box even before you read through the manual. I put it in as a plug in on the output channel, turned it on, picked a setting and the result was immediate. Volume, compression, excellent eq settings. This was a good buy and a major help with mastering. I had paid for mastering before from some really respected professionals and didn't get the results I wanted. This product kicks it big time.

(2 of 3 customers found this review helpful)


DIY mastering


from Mountain View, CA

Comments about iZotope Ozone 5 Complete Mastering System:

While this software won't replace mastering done by Bob Ludwig and other top mavens of mastering, it's a quick way to add sparkle to your mixes. With the many presets available, you can dial-in a country rock mix, or a smooth jazz mix. Do a whole album with one preset, and all the songs will sound like they were recorded and mixed in one session, eliminating 'off-sounding' tracks that don't fit with the others on the album. I love it!!

(1 of 2 customers found this review helpful)




from Cartersville, GA

Comments about iZotope Ozone 5 Complete Mastering System:

I downloaded the trial version to give it a test drive and purchased it within 10 minutes. This puts any DAW on steroids. It is clean and uses less processing power that other plugins. Also, they don't tell you that it has more uses than just mastering. It is awesome for use on individual tracks as well. The reverb alone is worth the price, let alone the EQ and Compressor. Very user friendly.

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