Skip to main content

Yamaha MG16/6FX 16-Input 6-Bus Mixer with DSP

Item #: 
  • Write a Review

The Yamaha MG16/6FX 16-Input 6 Bus Mixer with DSP has all the Yamaha pro quailities with a straightforward and intuitive layout. 16 input channels Eight mono microphone/line inputs and four stereo lin... Click To Read More About This Product

We're sorry—we no longer carry this item.

Find a similar product below or contact us for a recommendation of a great alternative.

Call: 866-498-7882 Email

Recommended Products

The Yamaha MG16/6FX 16-Input 6 Bus Mixer with DSP has all the Yamaha pro quailities with a straightforward and intuitive layout.

16 input channels

Eight mono microphone/line inputs and four stereo line inputs. Two of the stereo inputs also offer mono microphone input capability.

Ten low-noise, high-precision mic preamps

Ten high-performance head amplifiers offer superior performance with any dynamic or condenser microphone.

Phantom power

All ten mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. A single switch turns phantom power on or off for all ten channels.

Insert I/O

All mono input channels feature insert I/O patch points so you can add extra signal processing to the channels as required.

Four buses (stereo and group)

In addition to the main stereo bus, the MG12/4 features a stereo group bus and outputs that can be used for convenient channel grouping.

Three-band channel EQ & HPF

Smooth musical-response three-band equalizers on all input channels. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

Two aux sends and stereo aux return

Two auxiliary sends on each channel-”one postfader and one switchable for pre- or post-fader operation-”provide plenty of flexibility for external signal processing and monitoring. A stereo auxiliary return is also provided.

Illuminated switches

Illuminated on (ST buss assign), PFL (pre-fader listen), and phantom-power switches provide easy visual confirmation of critical console settings.

Rackmount adapters included

Use your MG mixer on a desktop or mounted in a rack-”adapters are provided.


16 input channels: 8 mono microphone/line inputs
4 stereo line inputs, 2 of which double as mono mic inputs
10 high-precision mic preamps with switchable phantom power
16 editable DSP effects
I/O patch points on all mono inputs
4 buses (stereo and group)
Main stereo bus plus stereo group bus
3-band channel EQ & HPF on all input channels
Switchable high-pass filters
2 aux sends on each channel
Stereo auxiliary return
Illuminated switches
Rackmount adapters included
Less than .1% THD+N, 20Hz to 20kHz @ +14dB 600 ohms (ST out)
Frequency response: 20Hz to 20kHz @ + 4dB 600 ohms (ST out)
10 mic XLR inputs
8 mono line TRS inputs
2 stereo TRS/RCA inputs
4 TRS insert I/O
2 TRS sends
1 stereo return TRS
Pro Coverage
  • Customer Reviews

Review Snapshot

by PowerReviews

(based on 3 reviews)

Ratings Distribution

  • 5 Stars



  • 4 Stars



  • 3 Stars



  • 2 Stars



  • 1 Stars



Reviewed by 3 customers

Displaying reviews 1-3

Back to Top


Blue Without Getting The Blues

By frequency09

from Inver Grove Heights, MN

I'm amazed at the quality of this mixer. At first this was going to be a temporary fixture in my setup. Until I put it to work. It totally impressed me. This Blue Bad Boy works great in my setup. The eq's are very nice. Much better than expected. The faders are smooooooth. This is one solid mixer that performs to most peoples standards. This is a mixer that is much more than what you pay for.



By Schrammy

from Los Angeles

I bought this mixer a year ago, and I love it. It makes for easy recording and when I need to take it to play live it works even better.


Best value for the price

By Vic Ramirez

from Houston, Tx.

I've been using this board in a 4-piece group for two years and have had zero problems. The EQ and grouping features are as good as boards over twice the price. The built-in effects work great and lend to a much faster, simpler setup. I recently performed with a 6-piece group who was using a separate 32 channel monitor board that failed during the first set. Against the sound engineer's judgment, we substituted the Yamaha board in 10 minutes and used it for the remainder of the show. Although we didn't have all the individual aux controls, this board performed perfectly. The band was totally impressed with what this little board could do. For the Money, this is one of the best values on the market.

Displaying reviews 1-3

Back to Top

You are changing the Ship-To country.

Our product catalog varies by country due to manufacturer restrictions. If you change the Ship-To country, some or all of the items in your cart may not ship to the new destination.