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Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation

Item # 106717556 | Customer Ratings: Ratings (Based on 6 reviews)

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Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation

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      Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation (106717556)
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1217 Voices and 355MB of waveforms taken directly from the Motif XS, plus cross-platform virtual instruments, and audio interface.

The Yamaha MOX8 combines a MOTIF XS sound engine, a MIDI keyboard controller with extensive DAW and VST control, multi-channel USB audio interfacing, onboard sequencing, and an extensive DAW / VST software bundle. The MOX8 is the most powerful, mobile and affordable Yamaha music workstation ever.

MOTIF XS sound engine
MOX has the exact same 1,270 sounds as the acclaimed MOTIF XS covering a wide variety of music styles. Starting with the Yamaha's acclaimed Concert Grand Piano CFIII grand piano sound; all the acoustic instrument sounds (strings, brass, guitar, bass, drums and more) that made the MOTIF XS so popular are included.. Of course the 8 element Voices, 18 different filter types and extensive effects section are also great for creating the vintage analog and modern digital synthesizer sounds that are used in the electronic and hip hop music scenes. All the sounds you'll need for both live performance and music production in a variety of styles are contained in the MOX.

Performance mode to enhance your creativity
You can combine multiple Voices together (up to 4 parts) and play them on one MIDI channel in performance mode, allowing you to play dynamic layered sounds or play solos along with drums and bass backing tracks. With the interactive Arp engine, even playing simple chords or just one finger gives you complete musical performances to spark your creativity. The MOX has 256 preset performances in a wide variety of music style including Rock, World, Hip Hop Jazz, etc.

Easy operation and comprehensive controls
Category search mode makes it fast and intuitive get to your ideal instrument. 16 different instrument categories with sub-categories make it quick to get the sound you need. With the Performance Creator (a new feature taken from the S90 XS, you can easily build up layer or split Performances by a single button press. Start with a Voice you like, press LAYER and a suitable layer sound will be chosen. Press SPLIT and a left hand Bass sound is called up automatically. Go to DRUM ASSIGN and you can play along with the tons of built in rhythm patterns.
Plenty of Effets including Virtual Circuitry Modeling effects

MOX has a wide variety of effects for both the internal keyboard sounds and for use with the A/D inputs including a Vocoder for vocal formant controlled synth sounds.. Also Yamaha's proprietary VCM (Virtual Circuitry Modeling) technology that, rather than simply attempting to approach the desired sound using conventional digital audio methods, actually models the original analog circuitry — right down to the last resistor and capacitor. With the MOX, the high-quality effects found in our industry-standard digital recording consoles are at your fingertips. MOX also includes the award-winning "REV-X" reverb, the same professionally renowned reverb found in the SPX2000.

Sequencer mode to build up your inspiration as quickly as possible
MOX features a built-in sequencer which lets you produce high-quality music productions without the need for a computer or any other external devices. The sequencer features both real-time recording, which records your performance data as you play it, and Step recording, which is suitable for recording precise phrases or other difficult passages. Moreover, you can use the creative inspiration from Performances and directly record them to a Song/Pattern simply by pressing the [REC] button. After creating the outline in a matter of seconds you can easily edit and refine your song to final completion right on the MOX. MOX features 6,720 types of arppegiator patterns which contains all the phrase of instruments, so you can easily add additional part onto your song data.

A single USB cable for both Audio and MIDI connections
A single USB cable lets you integrate both Audio and MIDI with your MAC or PC computer. MOX has a built-in 4-in 2-out USB audio interface so you can record MOX's internal sound directly to your MAC or PC. Two dedicated audio inputs can be used to recording guitars and vocals into your computer. Compatible with all the major DAWs including Cubase, you can digitally record the sounds of the MOX and anything connected to the stereo analog inputs directly to your favorite DAW. Not only for music production, the USB connectivity and in-depth keyboard controller functionality lets you also playback and control your VST soft synths via the audio outputs of your MOX, allowing you to easily integrate VSTs into your live stage shows with no extra gear- just add computer and play.
Bundled software and editors

The MOX comes bundled with a 48-track version of Steinberg's Cubase AI software, Prologue, Steinberg's VA soft synth for vintage analog synth sounds and a new Yamaha Organ YC-3B "Clonewheel" organ emulation VST. (The installer package of Soft synthesizers is available at yamahasynth.com) Dedicated Editor Software lets you easily edit your MOX just like a soft synthesizer. In fact, by using the MOX Editor VST, you can turn the MOX into a hardware accelerated VSTi. Combined with Media Bay in Cubase, you can categorize and select MOX's sound from a unified universal library of all your VST sounds. There is even a special editor for setting up the MIDI keyboard controls and remote functions. The MOX is the latest and best example of Yamaha's commitment to integrating our keyboards into the computer music production environment.
88-key Graded Hammer Standard(GHS) action, and new 61-key semi-weighted action

The MOX8 features an 88-key GHS keyboard. This feature provides authentic, realistic keyboard response—much like the playing feel of an acoustic piano—with the lower keys being heavy in touch, the higher keys light, and all the natural gradations in between. The keyboard has been designed and adjusted so that you easily and expressively play the rich variety of sounds of the instrument.

Mobility – Light and easy to carry
The MOX8's lightweight body (32.6 lbs, 14.8kg) makes it easy to carry it to rehearsals or gigs, making it pound-for-pound the most powerful workstation Yamaha has ever made. Both the MOX6 and MOX8 are 50% lighter in weight than the comparable MOTIF models.

With our Guaranteed Lowest Price, you can be assured of complete satisfaction and the lowest available price, or your money back!

Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation Features:

  • 1,217 Voices and 355 MB of waveforms taken from the MOTIF XS
    XA (Expanded Articulation) tone generation system
    More than 256 Performances that spark your musical inspiration
    Virtual Circuitry Modeling (VCM) effects
    6,720 arpeggiator patterns and the 4-part interactive arpeggio engine
    Direct Performance recording
    Performance Creator for quick setting of Splits, Layers, and Drum Parts
    Category Search provides instant access to the Voices you want
    Comprehensive sequencer including step recording
    88-key Graded Hammer-Action keyboard
    Lightweight body
    Built-in 4-in 2-out USB Audio/MIDI interface
    Bundled with YC-3B Organ Emulator soft synth, Prologue analog synth, and Cubase AI
    Advanced Integration with P-


Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation Specifications:

  • Dimensions: Width 52"W x 3-3/4"H x 16"D (1,320 x 168 x 405 mm)
    Weight: 32.6 lb. (14.8kg)
    Control Interface

    Keyboard
    Number of keys: 88
    Type: GHS keyboard
    Initial touch: Yes (A/V Only)

    Tone generator
    Tone Generator: AWM2, with Expanded Articulation
    Maximum polyphony: 64 notes
    Multi timbral capacity: 16 parts (Internal), A/D input part
    Wave: 355MB (when converted to 16-bit linear format), 2,670 waveforms
    Voices Preset: 1,024 Normal Voices + 64 Drum Kits, GM: 128 Normal Voices + 1 Drum Kit, User: 128 x 3 (selected and copied from Preset bank), Normal Voice + 32 drum kits
    Performance: User 128 x 2 (up to 4 parts)
    Filter: 18 types
    Effects: reverb x 9 types, chorus x 22 types, insertion (A, B) x 54 types x 3 parts, vocoder x 1 (uses both Insertion Effect A and B blocks), master effect x 9 types, master EQ (5 bands), part EQ (3 bands, stereo)

    Sequencer
    Note capacity: Approx. 226,000 notes
    Note resolution: 480 ppq (parts per quarter note)
    Maximum polyphony: 124 notes
    Tempo (BPM): 5 – 300
    Song recording type: Real time replace, Real time overdub (with the exception of the Pattern Chain), Real time punch in/out (Song only), Step (with the exception of the Pattern Chain)
    Song tracks: Pattern: 16 Phrase Tracks, Pattern Chain: Pattern Track, Tempo Track, Scene Track, Song: 16 sequence Tracks (Loop on/off can be set for each Track), Tempo Track, Scene Track
    Songs: 64 Songs, Mixing Voices: 16 Voices per Song and up to 256 Voices for all Patterns, Mixing Templates: 32 for all Songs and Patterns
    Patterns: 64 patterns (x 16 sections), measures: 256 maximum
    Phrases: user phrases: 256 per pattern
    Arpeggio: Preset: 6,720 types, User: 256 types (MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set.)
    Scene memory: 5 per song
    Sequence formats: Original format, SMF format 0, 1 (Format 1 load only)

    Other
    Master: User - 128 (each master includes master keyboard settings with 4 zones, assignable knob/slider settings, program change table.)
    Sequence software compatible with the remote control function: For Windows: Cubase 5.5, SONAR 8; for Macintosh: Cubase 5.5, Logic 9, Digital Performer 6, 7 (Functions to be controlled differ depending on the software.)
    Controllers Pitch Bend wheel, Modulation wheel, Assignable Knob x 8, [DATA] dial x 1, Assignable Function buttons x 2
    Display 240 x 64 dot, backlit LCD
    Connectors OUTPUT [L/MONO]/[R] (standard phone jack), A/D INPUT [L]/[R] (standard phone jack), [PHONES] (standard stereo phone jack), [FOOT CONTROLLER], FOOT SWITCH [ASSIGNABLE]/[SUSTAIN], MIDI [IN]/[OUT]/[THRU], USB [TO HOST]/[TO DEVICE], DC IN
    Power Supply 10W
    Accessories AC adaptor (PA-150 or an equivalent recommended by Yamaha), USB cable, Owner’s Manual, Online Manual CD-ROM x 1 (containing Reference Manual, Synthesizer Parameter Manual, and Data List), DVD-ROM x 1 (containing DAW software)


Yamaha MOX8 88-Key Graded Hammer Action Music Production Synthesizer Workstation

5 Years

 

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Product Reviews
Based on 6 reviews)
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Viewing Reviews 1 - 3 of 6 |
  • Perfect performance workstation

    As reviewed by Tom on 6/3/2011

    I am new to the world of electronic performance and song composition but have been playing classical acoustic piano for 20 years. The piano sounds are superb and I have tweaked the sound to match my concert grand. The recording functions are easy to learn. The voices are truly excellent. The addition of the A/D input is just what I was looking for so I can input voice and guitar to the mixes. If you are a beginner, this is really worth the money. The computer USB connection and DAW plus the voices make this an easy choice for both performance and composition

    4 of 4 people found this review helpful.
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  • Good outwieght minor deficiencies

    As reviewed by Edward Wright on 11/23/2011

    At the time of this review, the internet is full of promotional reviews and videos, but I have found few reviews written by average Joes. This MOX8 was originally purchased to replace a Fatar SL-880 Pro (4 zone master) because I wanted something portable and self-contained. So far, the good outweighs the bad. I will start with the coolest things: easy recording and looping, fat voices, and an endless variety of arpeggiators. Also, in the Master mode, the 4 zone midi controller of the MOX8 can store many zone configurations. Right out of the box, based only on videos I have seen, I was able to quickly lay down a 16 bar blues pattern with four variations. There was no clumsy fumbling around with controls or menus. It was simple. When you combine this looping and recording feature with the arpeggiators, you get the sense of unlimited creative possibilities. My second favorite thing is the fat analog synth sounds. ?Lucky,? for example sounds like Emerson?s large Moog with many oscillators running at once. This is by far the closest I?ve heard to an analog synth coming from a digital box. Enough has been said about the array of Motif voices that are included, so I will leave it at that. However, with all due respect to the Motif sound engine, in my humble opinion, the default "Full Concert Grand" is nowhere near as realistic and bright as the Kurzweil (PC3 or Micro Ensemble voices 1 or 2). In fact, the piano has three problems. First, compared to the SL-880 Pro, the action feels a bit sluggish. Like most hammer-action boards (except maybe the high-end Rolands), it is not ideal for organ trills and paradiddles. The stiffness could be partly because of its newness and it is not a deal breaker; I have no compunction about making the switch. My second reservation is the sound. The multi-dynamic effect is excellent and the lower sounds are rich and wonderful. However, as mentioned above, it lacks the brightness and realism of a Kurzweil. Third and most infuriating is the sustain function for the pianos (this is why I only gave it 4 stars). There is absolutely no decay. You cannot hear the new notes over the old notes. The workaround suggested by the manual is that you buy a special Yamaha FC3 peddle if you want the sustain to sound like a real piano. This is a bit insulting because every synth and tone module I have used that came with piano samples has always, by default, sustained like a real piano. This includes Roland, Korg, and even a cheaper Yamaha that I own. I?m not sure what the thinking was here, but it is by far the biggest design blunder I have come across. My own workaround for both the sound and the sustain is to use the midi-out to drive a separate Micro Ensemble for pianos. With respect to the missing after touch, I wont go into that. I can work around it. These few little imperfections (which, except for the sustain thing, are matters of preference) in no way make me regret the purchase. The MOX8 is a versatile master controller, a brilliant synth, and a powerful easy-to-use workstation. The majority of the voices are first rate. The synth sounds are the best I have heard from a digital keyboard, and the thousands of arpeggiators combined with the ease of looping and recording far outweigh the minor deficiencies.

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  • Amazing Keyboard

    As reviewed by Caleb on 8/24/2011

    This keyboard is truly amazing,such a big jump from going to this from my non weighted crappy 50 some key, keyboard . this is awesome you can layer stuff, split, when your bored of doing the same old stuff just go into the performance modes go to techno mode and you wont have the problem of being bored haha. i make beats with this the sound is so warm and theres so many sounds . this is so light and i can take it to church gigs and it sounds amazing, im in love with the full grand piano and usually layer it with a violin solo mode which sounds amazing you got to have this!

    3 of 3 people found this review helpful.
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