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Item # 630138 | Customer Ratings: Ratings ( 5 Based on 15 reviews)

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Yamaha MG102C 10-Input Stereo Mixer with Compression Blemished - Like New
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      Yamaha MG102C 10-Input Stereo Mixer with Compression Blemished - Like New (630138)
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Ideal for small-group recording or live sound.

The Yamaha 10-Input stereo mixer offers sonic quality that will satisfy the most critical listener, surprising flexibility and ease-of-use, and some advanced features you normally wouldn't find in this type of compact mixer.

Inputs & Channels

Flexible 10-Input Channel Configurations
The Yamaha mixer has a total of 10 input channels comprised of two mono microphone/line channels and four stereo line channels. The stereo channel can be used as mono microphone inputs, providing a total of four microphone inputs when necessary. Gain trim covers a wide -60dB - -16dB range for microphone input, and -34dB - +10dB for line input.

Comprehensive, Easy-access Connector Panel
Top-mounted input and output connectors make setting up and re-patching your system quick and easy. The Yamaha mixer features high-quality Neutrik balanced XLR connectors on both mono microphone/line channels and two of the stereo channels. The XLR-equipped stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining two stereo channels on the Yamaha 10-Input stereo mixer provide phone jack and pin jack connectors for compatibility with a wide range of sources. The two mono input channels also feature insert I/O connectors that let you patch external signal processing gear into those channels as required. Separate pin-jack 2TR inputs are provided to accept the output from a CD player or similar stereo source.

Four High-Performance Microphone Preamplifiers with Switchable Phantom Power
Microphone preamplifiers are critical in any mixer, and a performance bottleneck in many. That's why pros often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the MG mixers inherit technology from Yamaha's top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any dynamic or condenser microphone. All four microphone preamps also feature switchable phantom power so you can take advantage of the natural, extended response of high quality condenser microphones. A single switch turns phantom power on or off for all four channels.

Built-in Channel Compressors
This advanced feature can be a tremendous advantage in achieving great vocal sound. It can also be used to refine the sound of bass, guitar, and other sources. You won't find built-in channel compression on too many other mixers in this class, but in the Yamaha mixer you have Yamaha's innovative one-knob compression feature on mono input channels 1 and 2. Conventional audio compressors with their threshold, ratio, knee, makeup gain and other controls can be complex and time-consuming to set appropriately for a given source. Yamaha's one-knob compressor eliminates the need for an engineering degree with a single control that lets you simply dial in the amount of compression you want.

3-band Channel EQ and High-pass Filter
Building a truly useful, musical-sounding channel equalizer is no easy task, but Yamaha has decades of experience in building pro consoles to draw on, and you reap the benefits in the MG-series mixers. Channels 1, 2, 3/4, and 5/6 feature full 3-band equalizers with LOW, MID, and HIGH controls, while channels 7/8 and 9/10 have 2-band EQ for smooth equalization of stereo sources.

Master & output section

Effect/Aux Sends
The Yamaha MG102C stereo mixer has AUX send controls on all channels, and these adjust the level of the signal sent from the corresponding channel to the AUX SEND jack that can be used to feed external effects or a monitor system. A RETURN control in the master section of both models adjusts the level of the signal returned from external processors via the RETURN jacks.

Stereo, Control Room, Monitor, and Headphone Outputs
Located above the audio mixer's master controls, on the convenient easy-access connector panel, are the main stereo output connectors, phone-jack monitor output connectors, pin-jack recording outputs, and a stereo headphone jack. They may be compact, but these mixers offer plenty of connectivity for a wide range of applications

Lightweight, Portable Design
The Yamaha MG102C weighs only 1.6 and 1.5 kilograms. That's small enough to pop into your briefcase or shoulder bag and easily take with you anywhere. But the performance you'll get at the studio, club, outdoors, or anywhere you choose to use these fine mixers is far from lightweight.

Bright Meters for Visual Level Monitoring
Accurate visual level monitoring can help you achieve maximum signal-to-noise ratio without distortion. The MG mixer's bright, easy-to-read 12-segment LED meters make it easy to control system levels for optimum overall performance.

Easy Operation

All switches, controls, and displays have been designed and laid out for intuitive access and smooth, reliable operation with positive tactile and visual feedback.

Yamaha MG102C 10-Input Stereo Mixer with Compression Features:

  • 10-input, 2-bus design
    2 mic mono, 2 mic/line stereo, 2 line stereo channels
    2 channels of single-knob compression
    3-band EQ on mic input channels
    Microphone stand mountable (requires BMS-10A)


Yamaha MG102C 10-Input Stereo Mixer with Compression Specifications:

  • Frequency Response: Effect, Effect Send (Aux Send*), Monitor Out, Rec Out
    Gain: min (CH 1/5/6) 20Hz — 20Hz Nominal output level @ 1kHz: -3.0 — 1.0dB
    Total Harmonic Distortion (THD + N) Effect, +14dBu @ 20Hz-20 kHz, Input Gain Control at minimum : 0.1%
    Hum & Noise:
    CH Input 1,2 MIC, EIN (Equivalent Input Noise): Rs = 150 Ohms, Gain: maximum (CH. 1, 2): -128dBu
    Effect, Stereo Master control at nominal level and all channel Level controls at minimum: -87dBu
    Effect Send (Aux Send), all CH. Effect (Aux) controls at minimal: 85dBu
    Effect, Stereo Master Control and one CH fader at nominal level (Ch1,2) : -64dBu
    Effect Residual Output Noise —100dB
    Crosstalk (1 kHz): Adjacent Input CH 1, 2: -70dB; Input to Output Stereo L/R, CH 1-2, PAN: panned hard left or right: -70dB
    Phantom Voltage MIC: + 48V
    Input HPF: CH 1-5/6, 80Hz, 12dB/oct
    Input equalization CH 1-5/6 HIGH: 10 kHz (shelving), MID: 2.5 kHz (peaking), LOW: 100Hz (shelving); CH 7/8, 9/10 HIGH: 10 kHz (shelving), LOW: 100Hz (shelving)
    PEAK Indicator: Red LED turns on when post EQ signal (either post MIC HA or post EQ signal for CH 3/4, 5/6) reaches -3dB below clipping (+17dBu).
    Internal Digital Effect*: 16 Program, Parameter control, Foot Switch (Digital Effect On/Off)
    LED Level Meter, Pre Monitor Level, 2 x 7 points LED meter (PEAK, +6, +3, 0, -5, -10, -20dB), PEAK lights if the signal level reaches 3dB below the clipping level.
    Power Supply Adaptor PA-10: AC 35 VCT, 0.62 A, Cable Length = 3.6m
    Power Consumption: 21W
    Dimensions (WxHxD): 10.10" x 2.4" x 11.9" (256.6mm x 62.2mm x 302.5mm)
    Net Weight: 3.4lb. (1.5kg)


Yamaha MG102C 10-Input Stereo Mixer with Compression Blemished - Like New

5 Years

 

Choose from the folowing Yamaha Warranties:

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 15 reviews)
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Viewing Reviews 1 - 3 of 15 |
  • Great Mixer

    As reviewed by CoheedandorCambria on 6/23/2008

    This is a great mixer for a small home studio setup, which is what I use it for. It is very low noise when recording and monitoring. Has phantom power, although Ive never used it. Very durable, ive taken it back and forth to practices and nothing has been broken. Great Mixer for small bands, microphones, home audio, and small gigs.

    18 of 18 people found this review helpful.
    Was this review helpful?
  • Nice little board-good for acoustic guitar and vocals

    As reviewed by FLAKCA - Florida Alaska California on 7/31/2009

    I bought this mixer because I didn't want to haul around my big rack for small venues, and I wanted to have something at the house that was easy to use and had a good sound. This mixer has a warm, sweet sound, much better than my little Mackie Omni, though probably not as good as my Allen Heath wizard. The best thing about it is the compression and eq. Some of the layout is a little quirky. The only thing i would change is give it two auxes. Right now you can't control monitors and effects on a channel by channel basis, but it is not a deal breaker. Nothing else touches it for the money. I'd buy it again. I'm using a TC Electronics echo/reverb unit and sending the output into some Mackie SRM350's. It is a great sound for acoustic guitar and vocals. Good job Yamaha. I play out at gigs or open mics 3 or 4 times a week.

    16 of 16 people found this review helpful.
    Was this review helpful?
  • Solid mixing board, nice price

    As reviewed by loganizer on 10/4/2009

    Probably the best you will find in this price range.... very solidly constructed. The comp was kind of a let down for me, as it is only one knob that automatically compensates for certain parameters as it is turned.... still, may be useful on location (this thing is nice and portable)

    6 of 6 people found this review helpful.
    Was this review helpful?
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