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Waves Silver Bundle Native Boxed Version  

Item #: 
1274115060648
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Waves Silver Native Plug-In Bundle is an affordable collection of plug-ins designed with personal audio production studios in mind. With reverb, compression, equalization, level maximization, and more... Click To Read More About This Product

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Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Price:
$6000.00

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Overview

Waves Silver Native Plug-In Bundle is an affordable collection of plug-ins designed with personal audio production studios in mind. With reverb, compression, equalization, level maximization, and more, Silver features 16 essential plug-ins that will take your music to the pro level. Now, you can join the ranks of the engineers and producers that count on Waves Gold, Platinum, Diamond, and Mercury to deliver hit after hit after hit.

Below you'll find a brief description of all 16 plug-ins.

TrueVerb
With a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

L1 Ultramaximzer
The plug-in that started it all: Look-ahead peak limiting, level maximization, and high-resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

Q10 Paragraphic Equalizer
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

C1 Parametric Compander
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

IR-L
When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as Waves IR1, using a simple, streamlined interface for maximum ease and efficiency.

SuperTap
Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

Doubler
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

DeEsser
When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

S1 Stereo Imager
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

Renaissance Axx
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

Renaissance Compressor
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.

Renaissance Equalizer
Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

MaxxBass
When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.

MondoMod
MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

Enigma
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

PAZ Analyzer
Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.

Features
  • TrueVerb Controls
  • Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
  • Dimension: 1.00 to 3.99
  • Room Size: 50m3 to 20,000m3
  • Distance: 0.5m to 40m
  • Link: Links the Reverb, Room Size and Pre-delay parameters
  • Balance: -48dB to +12dB
  • Decay Time: 0.2s to 100s
  • Pre-delay: 10.5ms to 160ms
  • Density: 0.000 to 1.000
  • Room-Size/Distance Markers: Graphic control over Size and Distance
  • ER Low Cut: 16Hz to 512Hz
  • ER Low Cut Bypass
  • Reverb High Shelf: -12dB to 0dB
  • ER Absorb: -6dB to 0dB
  • Frequency: 1,600Hz to 21,000Hz
  • Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Input Gain: -inf. to 0dB
  • Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
  • Output Meter: -24dB to 0dB with peak hold and clip indicator
  • L1 Ultramaximzer Controls
  • Input Gain Faders: -20dB to 0dB
  • Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
  • Output Meter: -30dB to 0dB with an integrated
  • Output Ceiling: control, Peak Hold indicators
  • Link: Links Threshold and Output Ceiling
  • Release: 0.01ms to 1,000ms
  • Attenuation Meter: 0dB to 30dB with peak hold indicator
  • IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
  • Domain: Analog or Digital
  • Q10 Paragraphic Equalizer Controls
  • Input Gain Fader: -24dB to 0dB
  • Input Phase Invert: +/-
  • On/Off: Switch per band
  • Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q: 0.5 to 100 per band
  • Frequency Band Markers: Graphic control over Frequency and Gain per band
  • Output Gain Fader: -24dB to +12dB
  • Trim: Output gain adjustment
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Control Mode: Link Left + Right, Left Only, Right Only
  • C1 Parametric Compander Controls
  • Compressor/Expander
  • Bypass: Enables or disables the module
  • LowRef Mode: Low Level Reference Conventional compressor operating mode
  • PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
  • Make-up Gain: -40dB to +40dB
  • Threshold: -100dB to 0dB
  • Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
  • Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
  • Attack: 0.01ms to 1,000ms
  • Release: 1ms to 10,000ms
  • PDR: Program Dependant Release
  • EQ Mode: Wideband, Sidechain or Split
  • Gain Reduction Meter: -36dB to +24dB
  • Control Level Meter: -100dB to 0dB
  • Gate/Expander
  • Bypass Enables or disables the module
  • Gate/Expander Control Switches between Gate and Expander modes
  • Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity Expander mode
  • Gate Thresholds Gate Open and Gate Close
  • Attack 0.01ms to 1,000ms
  • Release 1ms to 10,000ms
  • Hold 0.01ms to 5,000ms
  • EQ Mode Wideband, Sidechain or Split
  • Gain Reduction Meter -108dB to +12dB
  • Control Level Meter -100dB to 0dB
  • Parameter Linking Links the Compressor/Expander and Gate/Expander controls
  • Filter/EQ
  • Two Complementary Bands: Active/Sidechain path, and passive path
  • Crossover Slope: 18dB/octave to 36dB/octave
  • Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
  • Frequency: 16Hz to 21Khz
  • Q: 0.1 to 0.6
  • Lookahead: Yes/No
  • Key Mode: Stereo, Left keys Right, Right keys Left
  • Monitor: Audio, Sidechain, or Passive
  • Output Gain Fader: -40dB to +18dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • IR-L Controls
  • CPU Mode: Full CPU or Low CPU
  • IR Graph:
  • (Gain and Time) -90dB to 0dB, 0s to 10s, (Zoom) In and out on the time axis, (Zoom Reset Defaults) to 6s display
  • Reverb Time Section
  • Convolution Start: 0s to 1s
  • Convolution Length: 0s to 6s
  • RT60 Indicator: 0.1s to 10s
  • Ratio: 0.25 to 1.00
  • Latency: shows the current latency in ms
  • Dry: 0ms to 30ms delay of the dry signal
  • Dry/Wet; 0% to 100%
  • Crosstalk: 0 to 100 (IR-L Efficient module only)
  • Direct: On/Off
  • Direct Pre-delay: 0ms to 500ms
  • Output Gain Fader: -50dB to 0dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • SuperTap Controls
  • Tempo
  • BPM: 40BPM to 1200BPM
  • MS: 50ms to 1,500ms
  • Tap Pad: Manual Tap input
  • Tap Pad Mode: Tempo or Pattern
  • Sync: Auto or Manual
  • Modulation Controls
  • On/Off: Switch
  • Sync: Manual or Tempo
  • Rate: 0Hz to 20Hz
  • Depth: 0ms to 10ms
  • On/Off: Switch for Direct Signal, Taps and Feedback
  • Direct Signal Gain: -42dB to 0dB
  • Tap Gain: -48dB to 0dB
  • Feedback Amount: 0% to 100%
  • Rotate: -45 to +45 of Direct Signal, Taps, and Feedback
  • Taps and Feedback Delay Sliders: 0ms to 5,944ms or by Tempo Grid
  • Feedback Mode: Normal or Tap
  • Snap: On/Off snap to grid
  • Grid resolution: Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths
  • Grid Mode: BPM or ms
  • EQ Controls
  • On/Off: Switch per Taps and Feedback
  • Tap Filter Type: Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
  • Feedback Filter Type: include Low Pass, Low Shelf and Low Decay
  • Frequency: 0.1kHz to 20kHz per Taps and Feedback
  • Gain: -12dB to +12dB for Taps; -12dB to 0dB for Feedback
  • Output Gain Fader: -12dB to +12dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Doubler Controls
  • Gain: -48dB to 0dB per voice and for the direct signal
  • Pan: -45 to +45 per voice and for the direct signal
  • Align: Delays the direct signal according to the latency of the voices
  • FB High Pass Filter: 16Hz to 21,357Hz
  • Range: 20Hz or 80Hz detune frequency boundary
  • Modulation Reset: Resets Rate and Depth values
  • Delay: 0ms to 100ms per voice
  • Feedback: 0% to 100% per voice
  • Octave: On/Off (Shifts the voice one octave down)
  • Detune: -100 to +100 cent
  • Depth: -200 to +200 cent
  • Rate: 0.1Hz to 400H
  • Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
  • High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
  • Output Gain Fader: -24dB to 0dB
  • Output Meters: -30dB to 0dB, with peak hold and clip indicators
  • In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
  • In 2-4: R, R+L, R-L. Input signal for voices 2 and 4
  • DeEsser Controls
  • Audio: Split or Wideband modes
  • Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
  • Sidechain Filter Type: High-Pass or Band-Pass
  • Monitor: Audio or Sidechain
  • Threshold: -80dB to 0dB integrated with the Input Energy Meter
  • Attenuation Meter: -30dB to 0dB with peak hold indicator
  • Output Meter: -30dB to 0dB with peak hold indicator
  • S1 Stereo Imager Controls
  • Gain: -24dB to 0dB
  • Width: 0.0 to 3.0
  • Shuffle: 1.0 to 3.0
  • Frequency: 350Hz to 1400Hz
  • Input Mode: M/S or L/R
  • Left/Right Phase: +/-
  • Input Channel Swap
  • Bass Trim: -3dB to +3dB
  • Asymmetry: -90 to +90
  • Rotation: -45 to +45
  • Output Mode: MS or L/R
  • Output Meter: -24dB to 0dB with peak hold and clip indicators
  • Stereo Image Graph: Graphic control over all image parameters
  • Renaissance Axx Controls
  • Threshold: -60dB to 0dB
  • Input Meter: -60dB to 0dB
  • Attack: 0ms to 50ms
  • Attenuation Meter: 0dB to -30dB
  • Output Gain Fader: -30dB to 0dB
  • Clip-Guard Output Limiter
  • Output Meter: -60dB to 0dB with peak hold and clip indicators
  • Renaissance Compressor Controls
  • ARC: Automatic Release Control or Manual
  • Compressor Behavior: Opto or Electro
  • Character: Warm or Smooth
  • Input Meter: -60dB to 0dB with peak hold indicators
  • Threshold: -60dB to 0dB
  • Ratio: 0.50:1 to 50.00:1
  • Attenuation Meter: -20dB to +6dB with peak hold
  • Attack: 0.5ms to 500ms
  • Release: 5ms to 5,000ms
  • Output Gain: -30dB to +30dB
  • Output Meter: -60dB to 0dB with peak hold and clip indicators
  • Clip-Guard Output Limiter
  • Renaissance Equalizer Controls
  • Gain: -18dB to +18dB per band
  • Frequency: 16Hz to 21,357Hz per band
  • Q Factor: 0.26 to 6.5 per band
  • Filter Types: Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
  • In/Out: Switch per band
  • Frequency Band Marker: Graphic control over Frequency and Gain per band
  • Output Gain Fader: -24dB to +12dB
  • Output Meter: -30dB to 0dB with peak hold and clip indicators
  • Trim: Output gain adjustment
  • Link: Left+Right, Left or Right
  • MaxxBass Controls
  • Cutoff Frequency Fader: 32Hz to 256Hz
  • Ratio: 1.00:1 to 4.00:1
  • Response: 10ms to 30ms
  • High-Pass Filter Slope: 6dB/oct, 12dB/oct, and 24dB/oct
  • Decay: -24dB to -9dB
  • Input Gain Fader: -inf. to 0dB
  • Original Bass Fader: ”inf. to +12dB
  • MaxxBass Fader: ”inf. to +12dB
  • Output Meter: -40dB to 0dB with peak hold and clip indicators
  • Monitor Section: Audio, MaxxBass and Original Bass
  • MondoMod Controls
  • Tempo Sync: Manual or Auto
  • Modulation Rate: 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
  • Modulation Rate BPM: 0.5 BPM to 3600 BPM (Disabled when Sync is in Auto mode)
  • X-Factor: Modulation Multiplier, 0.25 to 100
  • Waveform: Sine, Square, Saw Up, Saw Down or Triangle
  • AM Depth Fader: 0% to 100%
  • AM Meter: Graphic display of Rate and Depth
  • AM On/Off: Enables or disables AM module
  • AM Phase: 0, 90, 180, and 270 (Applied to modulation only)
  • Rotation Center: -180 to +180
  • Rotation Range 0 to 360
  • Rotation Meter Graphic display of Center position and Range
  • Rotation On/Off Enables or disables AM module
  • FM Depth Fader 0% to 100%
  • FM Meter Graphic display of Rate and Depth
  • FM On/Off Enables or disables AM module
  • FM Phase 0, 90, 180, and 270 (Applied to modulation only)
  • Output Gain -12dB to +12dB Mix 0% to 100%
  • Output Meter -30dB to 0dB with peak hold and clip indicators
  • Enigma Controls
  • Notch
  • Notches: 1 to 6 pairs (2 to 12)
  • +1/2: Adds half a pair of notches to the high-end
  • Phase Polarity reverse switch
  • Depth: 0 to 200
  • Stereo: 0 to 100
  • On/Off: per filter
  • Notch Filters
  • Graph Markers: for Frequency and X-Factor adjustment
  • Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
  • X-Factor: filter slope 0.10 to 2.00
  • Modulator
  • Modulation: Play or Pause Sync Auto or Manual
  • Waveform: Sawtooth up, Sawtooth down, Triangle, Sine and Square
  • Rate: 0.01s to 20s
  • BPM: 0.6 to 1,200
  • Min/Max Frequency: 16Hz to 21,357Hz
  • Feedback
  • Feedback: On/Off switch for the feedback component
  • Phase Polarity reverse switch
  • Decay Time: 10ms to 5000ms
  • Delay: 0.01ms to 200ms
  • Density: 0 to 100
  • Feedback Filters
  • Graph Markers for Frequency and X-Factor adjustment
  • Frequency: (Low-band filter) 16Hz to 16kHz, (High-band filter) 16kHz to 21kHz
  • X-Factor: filter slope 0.10 to 2.00
  • Gain: -24dB to 0dB
  • Mix: 0% to 100%
  • Pre-Delay: 0ms to 200ms
  • Wet: output mode; Stereo, Mono, and Mono + phase reverse
  • Output Meter: -30dB to 0dB, with peak hold and clip indicators
  • PAZ Analyzer Controls
  • LF Resolution: 40Hz, 20Hz and 10Hz
  • Weight: Unweighted, dBA, dBB or dBC
  • Freeze: Freezes the display
  • Show: L and R independently, or L+R (summed)
  • Peak Hold: On/Off
  • Clear: Clears the peak hold
  • Detect: Peak or RMS
  • Response: 50ms to 5,000ms
  • Frequency Gain Graph: -80dB to 0dB, 6Hz to 20,660Hz
  • Navigate: Scrolls the screen when zoomed in
  • Zoom: Horizontal and Vertical +/-
  • Reset Zoom
  • Phase Graph: -80dB to 0dB, -90 to +90
  • Output Meter: L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
Specifications
  • TrueVerb
    TrueVerb Controls
    Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
    Dimension: 1.00 to 3.99
    Room Size: 50m3 to 20,000m3
    Distance: 0.5m to 40m
    Link: Links the Reverb, Room Size and Pre-delay parameters
    Balance: -48dB to +12dB
    Decay Time: 0.2s to 100s
    Pre-delay: 10.5ms to 160ms
    Density: 0.000 to 1.000
    Room-Size/Distance Markers: Graphic control over Size and Distance
    ER Low Cut: 16Hz to 512Hz
    ER Low Cut Bypass
    Reverb High Shelf: -12dB to 0dB
    ER Absorb: -6dB to 0dB
    Frequency: 1,600Hz to 21,000Hz
    Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
    Frequency Band Marker: Graphic control over Frequency and Gain per band
    Input Gain: -inf. to 0dB
    Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
    Output Meter: -24dB to 0dB with peak hold and clip indicator

    L1 Ultramaximzer Controls
    Input Gain Faders: -20dB to 0dB
    Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    Output Meter: -30dB to 0dB with an integrated
    Output Ceiling: control, Peak Hold indicators
    Link: Links Threshold and Output Ceiling
    Release: 0.01ms to 1,000ms
    Attenuation Meter: 0dB to 30dB with peak hold indicator
    IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
    Domain: Analog or Digital

    Q10 Paragraphic Equalizer Controls
    Input Gain Fader: -24dB to 0dB
    Input Phase Invert: +/-
    On/Off: Switch per band
    Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q: 0.5 to 100 per band
    Frequency Band Markers: Graphic control over Frequency and Gain per band
    Output Gain Fader: -24dB to +12dB
    Trim: Output gain adjustment
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Control Mode: Link Left + Right, Left Only, Right Only

    C1 Parametric Compander Controls
    (Compressor/Expander)
    Bypass: Enables or disables the module
    LowRef Mode: Low Level Reference Conventional compressor operating mode
    PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
    Make-up Gain: -40dB to +40dB
    Threshold: -100dB to 0dB
    Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
    Attack: 0.01ms to 1,000ms
    Release: 1ms to 10,000ms
    PDR: Program Dependant Release
    EQ Mode: Wideband, Sidechain or Split
    Gain Reduction Meter: -36dB to +24dB
    Control Level Meter: -100dB to 0dB

    (Gate/Expander)
    Bypass Enables or disables the module
    Gate/Expander Control Switches between Gate and Expander modes
    Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
    Gate Thresholds Gate Open and Gate Close
    Attack 0.01ms to 1,000ms
    Release 1ms to 10,000ms
    Hold 0.01ms to 5,000ms
    EQ Mode Wideband, Sidechain or Split
    Gain Reduction Meter -108dB to +12dB
    Control Level Meter -100dB to 0dB
    Parameter Linking Links the Compressor/Expander and Gate/Expander controls

    (Filter/EQ)
    Two Complementary Bands: Active/Sidechain path, and passive path
    Crossover Slope: 18dB/octave to 36dB/octave
    Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
    Frequency: 16Hz to 21Khz
    Q: 0.1 to 0.6

    Lookahead: Yes/No
    Key Mode: Stereo, Left keys Right, Right keys Left
    Monitor: Audio, Sidechain, or Passive
    Output Gain Fader: -40dB to +18dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    IR-L Controls
    CPU Mode: Full CPU or Low CPU
    IR Graph:
    (Gain and Time) -90dB to 0dB, 0s to 10s, (Zoom) In and out on the time axis, (Zoom Reset Defaults) to 6s display

    Reverb Time Section
    Convolution Start: 0s to 1s
    Convolution Length: 0s to 6s
    RT60 Indicator: 0.1s to 10s
    Ratio: 0.25 to 1.00

    Latency: shows the current latency in ms
    Dry: 0ms to 30ms delay of the dry signal
    Dry/Wet; 0% to 100%
    Crosstalk: 0 to 100 (IR-L Efficient module only)
    Direct: On/Off
    Direct Pre-delay: 0ms to 500ms
    Output Gain Fader: -50dB to 0dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    SuperTap Controls
    Tempo
    BPM: 40BPM to 1200BPM
    MS: 50ms to 1,500ms
    Tap Pad: Manual Tap input
    Tap Pad Mode: Tempo or Pattern
    Sync: Auto or Manual

    Modulation Controls
    On/Off: Switch
    Sync: Manual or Tempo
    Rate: 0Hz to 20Hz
    Depth: 0ms to 10ms

    On/Off: Switch for Direct Signal, Taps and Feedback
    Direct Signal Gain: -42dB to 0dB
    Tap Gain: -48dB to 0dB
    Feedback Amount: 0% to 100%
    Rotate: -45 to +45 of Direct Signal, Taps, and Feedback
    Taps and Feedback Delay Sliders: 0ms to 5,944ms or by Tempo Grid
    Feedback Mode: Normal or Tap
    Snap: On/Off snap to grid
    Grid resolution: Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths
    Grid Mode: BPM or ms

    EQ Controls
    On/Off: Switch per Taps and Feedback
    Tap Filter Type: Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
    Feedback Filter Type: include Low Pass, Low Shelf and Low Decay
    Frequency: 0.1kHz to 20kHz per Taps and Feedback
    Gain: -12dB to +12dB for Taps; -12dB to 0dB for Feedback

    Output Gain Fader: -12dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    Doubler Controls
    Gain: -48dB to 0dB per voice and for the direct signal
    Pan: -45 to +45 per voice and for the direct signal
    Align: Delays the direct signal according to the latency of the voices
    FB High Pass Filter: 16Hz to 21,357Hz
    Range: 20Hz or 80Hz detune frequency boundary
    Modulation Reset: Resets Rate and Depth values
    Delay: 0ms to 100ms per voice
    Feedback: 0% to 100% per voice
    Octave: On/Off (Shifts the voice one octave down)
    Detune: -100 to +100 cent
    Depth: -200 to +200 cent
    Rate: 0.1Hz to 400H
    Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader: -24dB to 0dB
    Output Meters: -30dB to 0dB, with peak hold and clip indicators
    In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
    In 2-4: R, R+L, R-L. Input signal for voices 2 and 4

    DeEsser Controls
    Audio: Split or Wideband modes
    Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
    Sidechain Filter Type: High-Pass or Band-Pass
    Monitor: Audio or Sidechain
    Threshold: -80dB to 0dB integrated with the Input Energy Meter
    Attenuation Meter: -30dB to 0dB with peak hold indicator
    Output Meter: -30dB to 0dB with peak hold indicator

    S1 Stereo Imager Controls
    Gain: -24dB to 0dB
    Width: 0.0 to 3.0
    Shuffle: 1.0 to 3.0
    Frequency: 350Hz to 1400Hz
    Input Mode: M/S or L/R
    Left/Right Phase: +/-
    Input Channel Swap
    Bass Trim: -3dB to +3dB
    Asymmetry: -90 to +90
    Rotation: -45 to +45
    Output Mode: MS or L/R
    Output Meter: -24dB to 0dB with peak hold and clip indicators
    Stereo Image Graph: Graphic control over all image parameters

    Renaissance Axx Controls
    Threshold: -60dB to 0dB
    Input Meter: -60dB to 0dB
    Attack: 0ms to 50ms
    Attenuation Meter: 0dB to -30dB
    Output Gain Fader: -30dB to 0dB
    Clip-Guard Output Limiter
    Output Meter: -60dB to 0dB with peak hold and clip indicators

    Renaissance Compressor Controls
    ARC: Automatic Release Control or Manual
    Compressor Behavior: Opto or Electro
    Character: Warm or Smooth
    Input Meter: -60dB to 0dB with peak hold indicators
    Threshold: -60dB to 0dB
    Ratio: 0.50:1 to 50.00:1
    Attenuation Meter: -20dB to +6dB with peak hold
    Attack: 0.5ms to 500ms
    Release: 5ms to 5,000ms
    Output Gain: -30dB to +30dB
    Output Meter: -60dB to 0dB with peak hold and clip indicators
    Clip-Guard Output Limiter

    Renaissance Equalizer Controls
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q Factor: 0.26 to 6.5 per band
    Filter Types: Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
    In/Out: Switch per band
    Frequency Band Marker: Graphic control over Frequency and Gain per band
    Output Gain Fader: -24dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators
    Trim: Output gain adjustment
    Link: Left+Right, Left or Right

    MaxxBass Controls
    Cutoff Frequency Fader: 32Hz to 256Hz
    Ratio: 1.00:1 to 4.00:1
    Response: 10ms to 30ms
    High-Pass Filter Slope: 6dB/oct, 12dB/oct, and 24dB/oct
    Decay: -24dB to -9dB
    Input Gain Fader: -inf. to 0dB
    Original Bass Fader: ”inf. to +12dB
    MaxxBass Fader: ”inf. to +12dB
    Output Meter: -40dB to 0dB with peak hold and clip indicators
    Monitor Section: Audio, MaxxBass and Original Bass

    MondoMod Controls
    Tempo Sync: Manual or Auto
    Modulation Rate: 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
    Modulation Rate BPM: 0.5 BPM to 3600 BPM (Disabled when Sync is in Auto mode)
    X-Factor: Modulation Multiplier, 0.25 to 100
    Waveform: Sine, Square, Saw Up, Saw Down or Triangle
    AM Depth Fader: 0% to 100%
    AM Meter: Graphic display of Rate and Depth
    AM On/Off: Enables or disables AM module
    AM Phase: 0, 90, 180, and 270 (Applied to modulation only)
    Rotation Center: -180 to +180
    Rotation Range 0 to 360
    Rotation Meter Graphic display of Center position and Range
    Rotation On/Off Enables or disables AM module
    FM Depth Fader 0% to 100%
    FM Meter Graphic display of Rate and Depth
    FM On/Off Enables or disables AM module
    FM Phase 0, 90, 180, and 270 (Applied to modulation only)
    Output Gain -12dB to +12dB Mix 0% to 100%
    Output Meter -30dB to 0dB with peak hold and clip indicators

    Enigma Controls
    Notch
    Notches: 1 to 6 pairs (2 to 12)
    +1/2: Adds half a pair of notches to the high-end
    Phase Polarity reverse switch
    Depth: 0 to 200
    Stereo: 0 to 100
    On/Off: per filter
    Notch Filters
    Graph Markers: for Frequency and X-Factor adjustment
    Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
    X-Factor: filter slope 0.10 to 2.00
    Modulator
    Modulation: Play or Pause Sync Auto or Manual
    Waveform: Sawtooth up, Sawtooth down, Triangle, Sine and Square
    Rate: 0.01s to 20s
    BPM: 0.6 to 1,200
    Min/Max Frequency: 16Hz to 21,357Hz
    Feedback
    Feedback: On/Off switch for the feedback component
    Phase Polarity reverse switch
    Decay Time: 10ms to 5000ms
    Delay: 0.01ms to 200ms
    Density: 0 to 100
    Feedback Filters
    Graph Markers for Frequency and X-Factor adjustment
    Frequency: (Low-band filter) 16Hz to 16kHz, (High-band filter) 16kHz to 21kHz
    X-Factor: filter slope 0.10 to 2.00

    Gain: -24dB to 0dB
    Mix: 0% to 100%
    Pre-Delay: 0ms to 200ms
    Wet: output mode; Stereo, Mono, and Mono + phase reverse
    Output Meter: -30dB to 0dB, with peak hold and clip indicators

    PAZ Analyzer Controls
    LF Resolution: 40Hz, 20Hz and 10Hz
    Weight: Un-weighted, dBA, dBB or dBC
    Freeze: Freezes the display
    Show: L and R independently, or L+R (summed)
    Peak Hold: On/Off
    Clear: Clears the peak hold
    Detect: Peak or RMS
    Response: 50ms to 5,000ms
    Frequency Gain Graph: -80dB to 0dB, 6Hz to 20,660Hz
    Navigate: Scrolls the screen when zoomed in
    Zoom: Horizontal and Vertical +/-
    Reset Zoom
    Phase Graph: -80dB to 0dB, -90 to +90
    Output Meter: L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
    Summed Loudness Meter: (L + R -6dB) -40dB to 0dB
  • Customer Reviews
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Review Snapshot

by PowerReviews
WavesSilver Bundle Native Boxed Version
 
5.0

(based on 1 review)

Ratings Distribution

  • 5 Stars

     

    (1)

  • 4 Stars

     

    (0)

  • 3 Stars

     

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  • 1 Stars

     

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Reviewed by 1 customer

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(1 of 1 customers found this review helpful)

 
5.0

Great way to get "THE BASICS"

By ian elias

from portland OR

Comments about Waves Silver Bundle Native Boxed Version:

there are so many plug-ins out there and I have tried and used a lot. The Silver set is still the best way to get REALLY GOOD reverbs, EQs, compressors, modulators, etc at a really good price. I know I would love to have all the top plug-ins and I have a few, but if you are starting off and you understand how to use and EQ and COMP and know how to use a real room reverb, then these effects will get you closer to that pro sound. We all know no matter what brands are out there, good and bad, WAVES is still used by the pros. If you play around with these and are serious about getting good sound, this is a great tool box! I also have the CLA set which is AWESOME!!! but of course they are not as versatile as the Silver bundle. The Producer packs are better to get after you have learned to get your own sound with the basics. then they are icing you can add in, or an idea you can build on. I have worked in pro studios in NY and LA, and I do know useful from pure marketing, and this is no joke. These are pro level, pro sounding tools that will make your mixing experience more pleasant a you mixes better, if you know how to use these tools. they are not a magic wand, they are tools good tools that if used right will yield excellent results. and if you are just beginning and learning to got your sound, they should be an pleasure to learn on and make it easier to get the sound in your head.

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