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Waves Horizon Bundle TDM Boxed Version

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Waves Horizon TDM is a collection of over 50 plug-ins for Pro Tools that gives computer-based engineers a versatile collection of music production tools to bring out the best of each and every perform... Click To Read More About This Product

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Overview

Waves Horizon TDM is a collection of over 50 plug-ins for Pro Tools that gives computer-based engineers a versatile collection of music production tools to bring out the best of each and every performance. If you need the warm incomparable sound of vintage compressors for punch and power. It's in here. You need precision-modeled EQs that add color and character? It's in here. You need state-of-the-art sound mastering processors to give your projects that final shimmer and shine? You guessed it. It's in here. Check out the Horizon Bundle and you'll see it is a panoramic array of music software plug-ins that'll help you be a more complete audio production professional.



AudioTrack

AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.



C1 Parametric Compander

With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true audio production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.



C4 Multiband

The ultimate multiband dynamics processor, the C4 does it all: 4 bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from Waves' acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.



Waves Center

Ideal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.

Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically rebalance your spatial imagery. Adjustable punch, high-frequency, and low-frequency controls let you enhance detail with maximum impact.

Get centered or get sidetracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.



CLA-2A Compressor/Limiter

Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original's smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-'60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge's personal presets, and seemingly limitless instantiations, and you've got a compressor/limiter that surpasses its inspiration.



CLA-3A Compressor Limiter

Based on the early '70s solid-state compressor known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And, just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle.



CLA-76 Blacky & Bluey Compressors/Limiters

Inspired by two highly-desirable revisions of the famed mid-'60s Class A line-level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the superfast attack (as quick as 50 microseconds) that made the originals studio legends. With an exclusive "ALL" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.



DeBreath

Singers insist on breathing”even when it spoils a perfectly good take. With DeBreath, you can truly take their breath away. The DeBreath plug-in uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath. Now you can control how much breath you want on your vocal track, and how you want it processed. You can even add room tone where breaths have been removed or reduced. And DeBreath isn't just for singers; it's also a great time-saver for voiceovers and multimedia.



DeEsser

When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser plug-in. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.



Doppler

Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With the Doppler plug-in, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.



Doubler

When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.



Enigma

Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.



GTR Amp Modeler

From Fender to Marshall, Mesa Boogie to Vox, and more, Waves has captured the world's hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is an amazing collection of guitar tones. With GTR3's host-free Standalone ToolRack, all you need to do is plug in and play.



H-Comp Hybrid Compressor

H-Comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.



H-Delay

From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.



IR-L

When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.



L1 Ultramaximizer Limiter

This is the plug-in that started it all. The limiter plug-in provides look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.



L2 Ultramaximizer Limiter

For mixing, mastering, and more, the L2's legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra-high resolution give you the power and extra gain you need with crystal-clear results every single time.



L3 Multimaximizer Limiter

When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That's where the L3 Multimaximizer comes in: The world's first auto-summing multi-band limiter for all-in-one mastering.



L3 Ultramaximizer Limiter

The L3 Ultramaximizer is a special edition of the L3. It delivers the same great sound as the L3 Multimaximizer, using an intuitive, streamlined interface.



L3LL Multimaximiser Limiter

Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL's PLMixer Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5-band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.



L3LL Ultramaximizer Limiter

The L3-LL Ultramaximizer is a special edition of the L3-LL which is included with Mercury, Diamond, and Platinum bundles covered by Waves Update Plan. It delivers the same great sound as the L3-LL Multimaximizer using an intuitive, streamlined interface.



L316 Multimaximizer Limiter

Presenting the newest member of Waves' acclaimed L-Series: the L3-16 Multimaximizer, a 16-band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer Peak Limiting Mixer technology, the L3-16 maximizes your sound with pin-point precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you'll stand out from the crowd, loud and clear.



Linear Phase Equalizer

Conceived and created with mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.



Linear Phase Multiband

Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.



MaxxBass

When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.



MaxxVolume

The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and audio mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
It's a Vocal tool, with automatic level riding that keeps your vocal in focus.
It's an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.
It's a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.=
When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.



MetaFlanger

There's never been anything quite like the sound of great vintage tape flanging and phaser emulation”until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.



MondoMod

MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.



Morphoder

Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.



MV2

With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it's never been easier to maximize your volume.



PAZ Analyzer

Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.



PS22 Stereo Maker

Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.



PuigChild 660 & 670 Compressor/Limiter

Throughout the vinyl era, the original Fairchild 670 compressor was ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We've captured every distinctive nuance of Jack Joseph Puig's Fairchild 670 along with every detail of its rich harmonic complexity.



PuigTec EQP-1A Program Equalizer

The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig's original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic! At The Disco.



PuigTec MEQ-5 Midrange Equalizer

The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full-range vintage EQ chain.



Q10 Paragraphic Equalizer

The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.



Q-Clone EQ Modeler

There's nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.



Renaissance Axx Compressor

Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.



Renaissance Axx Bass

Renaissance Bass delivers Waves patented MaxxBass psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier.



Renaissance Axx Channel

A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers extreme flexibility and performance.



Renaissance Compressor

Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.




Renaissance DeEsser

Nothing ruins a great vocal track like excess "ess" and "shh" sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.



Renaissance Equalizer

Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.



Renaissance Reverb

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers quality sound and performance with extraordinary density and texture.



Renaissance Vox

A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.



S1 Stereo Imager

Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.



SoundShifter

The world's most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.



SuperTap

Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.



TransX

Perfect for breathing new life into drum loops, accentuating, or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.



TrueVerb

Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.



Waves Tune LT

Waves Tune LT is a special edition of Waves Tune that delivers the same great sound as Waves Tune, yet uses an intuitive interface with simplified controls.



UltraPitch

When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.



UM225/UM226 Stereo-to-Surround Processors

From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today's full, multi-speaker environments. And when the original multitrack sessions aren't available, they have to work with stereo mixes.

Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.

Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360 mix.

Using patented center- and rear-channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.

For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are incredibly versatile, stereo-to-surround processors that give you exceptional audio quality.



V-Comp Compressor

Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.



Vocal Rider

Vocal Rider is the first of Waves pioneering series of Mix tools. Simply put, Vocal Rider rides the levels of vocal tracks, automatically.

Instead of manually riding the physical mixing console fader, or tediously drawing in each individual level change on a DAW track, Vocal Rider does it for you, making it a true timesaver.

All you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. And, unlike everyday compression, Vocal Rider adds absolutely no additional coloring to the track.

The Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

FEATURES

Over 50 plug-ins covering a wide range of music production tools for creating polished projects
All are PC and Mac compatible and support TDM

AudioTrack
Peak reference compression with automatic gain compensation
Double precision bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

C1 Parametric Compander Controls
3 Plug-in Modules: Compressor/Expander, Gate/Expander, Filter/EQ
Split-band dynamics
Internal sidechaining
External sidechaining (Pro Tools only)
Look-ahead feature for precision transient processing
Up to 24-bit/192kHz resolution (Compressor and Gate only)
Mono and Stereo components

C4 Multiband
4 parametric bands
ARC Auto Release Control
Double precision bit resolution processing
Up to 24-bit/192kHz resolution (TDM 24/96 Accel only)
Mono and Stereo components

Waves Center
Post Production:
Enhance dialog or narration
Control the ambience/reverb of stereo location recordings
Improve mono compatibility

Mixing and Mastering:
Bring out the lead vocals in a finished mix
Re-image stereo drum overheads
Balance stereo recordings of individual or groups of acoustic instruments
Widen or narrow the stereo spread

DJ:
Remove vocals for karaoke

CLA-2A Compressor/Limiter
Compressor and Limiter modes
Zero latency
Sidechain frequency filter
Up to 24-bit/192kHz resolution
Mono and Stereo components
Remove instrumental tracks for remixes and mash-ups
Manipulate samples and drum loops

CLA-3A Compressor Limiter
Compressor and Limiter modes
Zero latency
Sidechain frequency filter
Up to 24-bit/192kHz resolution
Mono and Stereo components

CLA-76 Blacky & Bluey Compressors/Limiters
Superfast attack
Exclusive ALL control
Pre-amp distortion modeling
Zero latency
Up to 24-bit/192kHz resolution
Mono and Stereo components

DeBreath
Unique template-matching algorithm for breath detection
Breath and Energy display graphs
Voice-only or Breath-only monitoring
Up to 24-bit/96kHz resolution
Mono only
Supports RTAS, Audio Suite, VST, AU

DeEsser
Sharp sidechain filters
Wide-band or Split compression modes
Audio or Sidechain monitoring
Up to 24-bit/192kHz resolution
Mono and Stereo components

Doppler
Auto-detection or manual triggering
Creative click-and-drag simplicity
Energy, Manual, Continuous Cycling, and One-shot modes
Reverb with Time and Brightness controls
Up to 24-bit/48kHz resolution
Mono-to-Stereo and Stereo components

Doubler
2 Plug-in Components: Two-Voice and Four-Voice
Up to 24-bit/192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
Mono, Mono-to-Stereo, and Stereo components

Enigma
3 Plug-in Modules: Notch, Modulator, and Feedback
Tempo Sync
Up to 24-bit/192kHz resolution
Mono, Mono-to-Stereo and Stereo components

GTR
25 guitar amps
7 bass amps
29 cabs
26 stomps
Multiple mics and mic settings
Custom hardware interface
Realistic dynamic response
Expert presets and FX chains
Sync-to-Host BPM effects
Drag-and-drop simplicity
Realtime MIDI control
Standalone or DAW ready

H-Comp Controls
Analog modeled release behavior
Wet/Dry mix for easy parallel compression
Unique transient pass-through punch control
Exclusive BPM-sync release function
Analog character modes
Output limiter/clipper modes
External sidechain support

H-Delay
Up to 3500ms delay time
Variable pitch delay time behavior
Analog character and LoFi modes
Infinite feedback support
LFO-controlled pitch modulation
Tap Pad for easy delay time setting
Sync-to-host or manual BPM
HiPass and LoPass filters
Full MIDI support

IR-L
RT60 extends reverb time up to four times while preserving natural
envelope and frequency content
Over 100 Impulse Responses
Upgradeable to IR1 or IR360
Double precision bit resolution processing
Up to 24-bit/96kHz resolution
Mono, Mono-to-Stereo and Stereo components

L1 Ultramaximzer Controls
2 Plug-in Components: L1 Ultramaximizer and L1 Ultramaximizer+
IDR Increased Digital Resolution dither with noise shaping filter
Double precision bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

L2 Ultramaximizer
Manual and ARC Automatic Release Control
IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
Double precision bit-resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

L3 Multimaximizer
PLMixer Peak Limiting Mixer Technology
Linear Phase EQ for sweet highs and punchy lows
IDR Increased Digital Resolution with double precision bit
re-quantization and dither with 9th-order noise shaping filter
Master and Individual ARC Automatic Release Controls
Also includes the L3 Ultramaximizer
Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
Mono and Stereo components

L3LL Multimaximiser
5-Band crossover with phase-compensated filters
IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
Complete L3 preset sharing and saving
ARC Automatic Release Control
Double precision bit resolution processing
Up to 24-bit/96kHz resolution (TDM 24/48 Accel only)
Mono and Stereo components

L316 Multimaximizer
Intuitive Paragraphic interface
Built-in linear phase equalizer
ARC Automatic Release Control
IDR Increased Digital Resolution with double precision bit re-quantization
and dither with 9th-order noise shaping filter
Linear phase filtering for maximum output, free of phase distortion
Up to 24-bit, 96kHz resolution
Mono and Stereo components
Supports

Linear Phase Equalizer
2 plug-in components: Low-band component and Broadband component
Nine linear phase filter types
Five bands of paragraphic equalization, plus dedicated low frequency band
+/- 30dB per band gain change range
Double precision bit resolution processing
Up to 24-bit/96kHz resolution (TDM 24/96 Accel mono only)
Mono and Stereo components

Linear Phase Multiband
5 discrete bands
ARC Automatic Release Control
Double precision-bit resolution processing
Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
Mono and Stereo components

MaxxBass
Extends perceived bass response by up to 1.5 octaves
Preserves the dynamic range and character off the original bass
Mixed Output, MaxxBass, and Original bass monitoring
Up to 24-bit/192kHz resolution
Mono and Stereo components

MaxxVolume
High-level compression
Low-level compression
Gating
Leveling (Auto Gain Control)
Double precision bit resolution processing
Up to 24bit 192kHz resolution (TDM 24/96 only)
Mono and Stereo components

MetaFlanger
Tape delay emulation switch
LFO depth and waveform display
Modulation Stop switch to freeze the LFO
Extensive presets including emulations of vintage gear
Tempo sync
Up to 24-bit/192kHz resolution
Mono and Stereo components

Morphoder
8-Voice stereo synthesizer
Formant control
Modulator with Linear Phase EQ
MIDI control
Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
Mono, Mono-to-Stereo and Stereo components

MV2
High-level compression
Low-level compression
Double precision-bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

PAZ Analyzer
3 Plug-in Components: Position, Frequency, and Meter components
Peak or RMS frequency analysis modes
L/R peak and RMS displays, with individually resettable peak hold values
Optional resolution in 10Hz steps for precise analysis below 250Hz
52- or 68-band analysis
Save Graphic output to memory
Save results as text file
Realtime vector display with zoom
Up to 24-bit/192kHz resolution
Mono and Stereo components

PS22 Stereo Maker
3 components: PS22-Spread, PS22-Split, and PS22-XSplit
Psycho-acoustic spatial enhancement and phase-compensation
Retains mono compatibility
Preserves original frequency response
Left/right or MS meter monitoring
Up to 24-bit/192kHz resolution
Mono-to-Stereo and Stereo components
TDM only

PuigChild 660 & 670
Lateral Vertical Mode (MS Compression) for Optimal Stereo Imaging
Linked & Unlinked Modes
Up to 24-bit/192kHz resolution
Mono and Stereo components

PuigTec EQP-1A
Unique resonant low shelf boost
Digidesign Icon support
Up to 24-bit/96kHz resolution
Mono and Stereo components

PuigTec MEQ-5
Midrange complement to EQP-1A
Digidesign Icon support
Up to 24-bit/96kHz resolution
Mono and Stereo components

Q10 Paragraphic Equalizer
7 Plug-in Components 1, 2, 3, 4, 6, 8, and 10 bands
Separate or Linked processing and parameter control
Advanced noise-shaping for optimum fidelity
Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
Crossovers, Hum Removal, and More
Up to 24-bit/192kHz resolution
Mono and Stereo components

Q-Clone EQ Modeler
2 Plug-in Components: Q-Clone and Q-Capture
Double precision bit resolution processing
Up to 24-bit/96kHz resolution
Mono and Stereo components

Renaissance Axx Controls
Threshold: -60dB to 0dB
Input Meter: -60dB to 0dB
Attack: 0ms to 50ms
Attenuation Meter: 0dB to -30dB
Output Gain Fader: -30dB to 0dB
Clip-Guard Output Limiter
Output Meter: -60dB to 0dB with peak hold and clip indicators

Renaissance Axx Bass
Extends perceived bass response by up to 1.5 octaves
Delivers bigger bass for any system
Clip-free performance
Up to 24-bit/192kHz resolution
Mono and Stereo components

Renaissance Axx Channel
4 processors in 1
Independent Gate and Compression
Double precision-bit resolution
Selectable EQ/Dynamics signal flow
Stereo Rotation control
Up to 192kHz sample rate (TDM up to 96kHz)
Mono, Mono-to-Stereo, and Stereo components

Renaissance Compressor
Vintage Opto and modern Electro compression modes
Internal brickwall limiting for clip-free output
ARC Auto Release Control for increased RMS levels
Double precision bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

Renaissance DeEsser
Ideal for tracking, mastering, live sound, and broadcast
Adaptive Threshold and Adjustable Gain Reduction
Phase compensated crossover
Audio or Sidechain monitoring
Double precision bit resolution processing
Up to 24-bit/192kHz resolution (TDM 24/192 Mono only)
Mono and Stereo components

Renaissance Equalizer
2-, 4-, and 6-band versions
Filter-curves based on vintage analog equalizers
Double precision bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

Renaissance Reverb
12 reverb types
De-correlation for subtle early reflections changes and fine tuning
Negative Predelay value delays the dry signal
Up to 24-bit/96kHz resolution (TDM 24/96 Compact component only)
Mono-to-Stereo and Stereo components

Renaissance Vox
Soft-knee compressor with auto make-up gain
Gentle downward expander for noise gating
Double precision bit resolution processing
Up to 24-bit/192kHz resolution
Mono and Stereo components

S1 Stereo Imager
3 Components: Shuffler, Imager, and MS Matrix
Left/Right and MS io modes and metering
Double precision bit-resolution processing
Up to 24-bit/192kHz resolution
Mono-to-Stereo and Stereo components

SoundShifter
3 Components: Parametric, Graphic, and Real Time
Punchy, smooth, transient, and sync modes
Multiple link, display, and control options
Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency controls
support Pro Tools TCE
Up to 24-bit/96kHz resolution
Mono and Stereo components

SuperTap
2-Tap and 6-Tap components
Tap-Pad for tempo tapping or pattern switching
Global LFO modulation and 2 feedback modes
Spatial positioning vector display
Up to 24-bit/192kHz resolution (TDM 24/96 Accel only)
Mono, Mono-to-Stereo and Stereo components

TransX
2 Components: Trans-X Multi (4-Band) and Trans-X Wide (Wide Band)
Adds punch, softens edges, highlights sustain
Multi-features individual Range and Sensitivity for each band
Up to 24-bit/192kHz resolution (TDM Wide only)
Mono and Stereo components

TrueVerb
Thru and Send modes
Independent and Linked distance and reverb modes
Time and Frequency Response graphic interface
Up to 24-bit/96kHz resolution
Mono and Stereo components

Waves Tune LT
Operates in sync and controls host transport using ReWire
Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
Three timeline modes including bars/beats, minutes/seconds and samples
Up to 24-bit/96kHz resolution
Mono and Stereo components

UltraPitch
3 Plug-in Modules: Shift, 3-Voice, and 6-Voice
Pitch Detector and Voice Character graphs
Random asynchronicity using Animation Amount control
Linked or Free formant correction curves
Up to 24-bit/48kHz resolution
Mono and Stereo components

UM225/UM226
Profile modes for music and movies
Enhanced clarity and separation of frontal center
LFE channel LoAir enrichment with cutoff-frequency control
Adjustable rear-channel ambience and delay
Intuitive surround graph

V-Comp Compressor
Modeled on the acclaimed 2254 compressor
Up to 24-bit/96kHz resolution
Mono and Stereo components

Vocal Rider
Keep steady vocal & dialog levels automatically
Save time by automating the vocal riding part of the mixing process
Write the automatic riding to an automation track for fine tuning
Real time means no latency and no pre-scan needed
Dedicated Vocal Rider Live component
Up to 24-bit/96kHz resolution
SPECIFICATIONS
AudioTrack Controls
Input Gain Fader: -inf. to 0dB
4-Band EQ:
On/Off Switch per band
Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
Gain: -18dB to +18dB per band
Frequency: 16Hz to 21,357Hz per band
Q: 0.5 to 30 (bell filter only)
Compressor/Expander:
Threshold: -52dB to 0dB
Ratio: 0.5:1 to 40:1
Attack: 0.1ms to 1,000ms
Release: 1ms to 10,000ms
Gate:
Threshold: -inf. to 0dB
Floor: -inf. to 0dB
Attack: 0.1ms to 1,000ms
Release: 1ms to 10,000ms
Input Energy Meter: -80dB to 0dB, Post EQ including compressor and gate threshold indicators
Attenuation/Expansion Meter: -48dB to +12dB
Output Gain Fader: -24dB to +12dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

C1 Parametric Compander Controls
(Compressor/Expander)
Bypass: Enables or disables the module
LowRef Mode: Low Level Reference Conventional compressor operating mode
PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
Make-up Gain: -40dB to +40dB
Threshold: -100dB to 0dB
Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
Attack: 0.01ms to 1,000ms
Release: 1ms to 10,000ms
PDR: Program Dependant Release
EQ Mode: Wideband, Sidechain or Split
Gain Reduction Meter: -36dB to +24dB
Control Level Meter: -100dB to 0dB
Gate/Expander:
Bypass: Enables or disables the module
Gate/Expander Control: Switches between Gate and Expander modes
Floor: -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
Gate Thresholds: Gate Open and Gate Close
Attack: 0.01ms to 1,000ms
Release: 1ms to 10,000ms
Hold: 0.01ms to 5,000ms
EQ Mode: Wideband, Sidechain or Split
Gain Reduction Meter: -108dB to +12dB
Control Level Meter: -100dB to 0dB

Parameter Linking: Links the Compressor/Expander and Gate/Expander controls
Filter/EQ:
Two Complementary Bands: Active/Sidechain path, and passive path
Crossover Slope: 18dB/octave to 36dB/octave
Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
Frequency: 16Hz to 21Khz
Q: 0.1 to 0.6

Lookahead: Yes/No
Key Mode: Stereo, Left keys Right, Right keys Left
Monitor: Audio, Sidechain or Passive

C4 Multiband Controls
Input Gain Fader: -inf. to 0dB
Range: -24dB to +18dB per band
Gain: -18dB to +18dB per band
Attack: 0.5ms to 500ms per band
Release: 5ms to 5,000ms per band
Threshold: -80dB to 0dB per band
Energy Level Meter: -80dB to 0dB per band
Solo: per band Bypass per band
DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
Frequency Band Marker: Graphic control over Frequency/Gain per band
Master Controls: Global control of threshold, gain, range, attack and release settings
Release Type: ARC or Manual
Behavior: Opto or Electro
Knee Type: Soft to Hard, 0.00 to 0.75
Crossover:
Low: 40Hz - 250Hz
Mid: 100Hz - 5993Hz
High: 2kHz - 16kHz
Q: 0.1 to 0.75
Output Gain Fader: -18dB to +18dB
Output Meter: -80dB to 0dB with peak hold and clip indicators
Output Gain Fader: -40dB to +18dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

Waves Center Controls
High: Controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
Low: Controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
Punch: Controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
Center: Controls the Center gain. +6dB to Off
Sides: Controls the Sides gain +6dB to Off
Master Gain: Controls the overall stereo gain. +6dB to -24dB
Output Meters: Displays the stereo output after processing. 0 dBFS to -36 dBFS
Center Detection Meter: Displays the Center content of the stereo source

CLA-2A Compressor/Limiter Controls
Gain: 0 to 100
Peak Reduction: 0 to 100
Compressor Mode: Comp, Limiter
HF Freq: 0 to 100
Analog: Off, 50Hz, 60Hz
VU Display: Input, Gain Reduction, Output

CLA-3A Compressor Limiter
Gain: 0 to 10
Peak Reduction: 0 to 10
Compressor Mode: Comp, Limiter
HF Freq: 0 to 100
Analog: Off, 50Hz, 60Hz
VU Display: Input, Gain Reduction, Output

CLA-76 Blacky & Bluey Compressors/Limiters Controls
Input: Inf to 0
Output: Inf to 0
Attack: 1 to 7 (1 millisecond to 50 microseconds)
Release: 1 to 7 (1 second to 50 milliseconds)
Ratio: 4:1, 8:1, 12:1, 20:1, ALL
Comp Off: Comp On, Comp Off
Analog: Off, 50Hz, 60Hz
VU Display: Input, Gain Reduction, Output

DeBreath Controls
Breath: 0% to 100% breath threshold
Energy (Gate): -64dB to 0dB energy threshold
Reduction: -inf. to 0dB gain reduction
Reduction Meter: -inf. to 0dB
Fade Out: 0.1ms to 200ms
Fade In: 0.1ms to 200ms
Monitor: Voice or Breath
Room Tone: White noise on/off

DeEsser Controls
Audio: Split or Wideband modes
Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
Sidechain Filter Type: High-Pass or Band-Pass
Monitor: Audio or Sidechain
Threshold: -80dB to 0dB integrated with the Input Energy Meter
Attenuation Meter: -30dB to 0dB with peak hold indicator
Output Meter: -30dB to 0dB with peak hold indicator

Doppler Controls
Gain Modulation: 0% to 200%
Pan Modulation: 0% to 200%
Pitch Modulation: 0% to 200%
Air Damping: 0% to 200% high frequency damping
Reverb: 0% to 200% reverb level mix
Reverb Time: 0.1s to 10s
Brightness: Dark to Bright, 0.0 to 1.0
Bypass: for Gain, Pan, Pitch, Air Damping, and Reverb
Graphic Display Controls: Direction arrows, Start/End position marker, Movement Curve, Elapsed time
Mode: Continuous or One-shot
Trigger: Energy or Manual
Track Time: 0.5s to 60s
Center Time: 0s to 30s
Output Gain Fader: -12dB to +12dB
Output Meter: -100dB to 0dB

Doubler Controls
Gain: -48dB to 0dB per voice and for the direct signal
Pan: -45 to +45 per voice and for the direct signal
Align: Delays the direct signal according to the latency of the voices
FB High Pass Filter: 16Hz to 21,357Hz
Range: 20Hz or 80Hz detune frequency boundary
Modulation Reset: Resets Rate and Depth values
Delay: 0ms to 100ms per voice
Feedback: 0% to 100% per voice
Octave: On/Off (Shifts the voice one octave down)
Detune: -100 to +100 cent
Depth: -200 to +200 cent
Rate: 0.1Hz to 400H
Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
Output Gain Fader: -24dB to 0dB
Output Meters: -30dB to 0dB, with peak hold and clip indicators
In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
In 2-4: R, R+L, R-L. Input signal for voices 2 and 4

Enigma Controls
Notch
Notches: 1 to 6 pairs (2 to 12)
+1/2: Adds half a pair of notches to the high-end
Phase Polarity reverse switch
Depth: 0 to 200
Stereo: 0 to 100
On/Off: per filter
Notch Filters
Graph Markers: for Frequency and X-Factor adjustment
Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
X-Factor: filter slope 0.10 to 2.00
Modulator
Modulation: Play or Pause Sync Auto or Manual
Waveform: Sawtooth up, Sawtooth down, Triangle, Sine and Square
Rate: 0.01s to 20s
BPM: 0.6 to 1,200
Min/Max Frequency: 16Hz to 21,357Hz
Feedback
Feedback: On/Off switch for the feedback component
Phase Polarity reverse switch
Decay Time: 10ms to 5000ms
Delay: 0.01ms to 200ms
Density: 0 to 100
Feedback Filters
Graph Markers for Frequency and X-Factor adjustment
Frequency: (Low-band filter) 16Hz to 16kHz, (High-band filter) 16kHz to 21kHz
X-Factor: filter slope 0.10 to 2.00

Gain: -24dB to 0dB
Mix: 0% to 100%
Pre-Delay: 0ms to 200ms
Wet: output mode; Stereo, Mono, and Mono + phase reverse
Output Meter: -30dB to 0dB, with peak hold and clip indicators

H-Comp Controls
Threshold: 0 to -48 dB
Ratio: 1 to 50
Punch: 0 to 30
Attack: 0.5 to 100 ms
Release: 3 to 3000 ms | 1/64T to 2 Bar
BPM (manual): 30 to 300 BPM
Mix:(Dry/Wet) 0 to 100
Sync: BPM/Host/MS
Analog: Off, Modes 1 to 4
Limiter: On/Off
Output: +/- 18 dB
Meter Mode: In\GR\Out, 0 to -48 dB

H-Delay Controls
Delay: 1 to 3500 ms or BPM Multiples (note values)
Delay Sync: Host/BPM/MS
BPM (manual): 30 to 300 BPM
Modulation Depth: 0 to 100
Modulation Rate: 0.1 to 6000 Hz / Beat
Ping Pong: On/Off
Feedback: 0 to 200
Phase Reverse L/R: In/Out
LP Filter: 20Hz to 20kHz
HP Filter: 20Hz to 20kHz
LP/HP Filter Link
Dry/Wet Mix: 0 to 100
Analog: Off, Modes 1 to 4
LoFi: On/Off
Output: +/-18dB
Output Meter: -48 to 0 dBFS
Tap Pad

IR-L Controls
CPU Mode: Full CPU or Low CPU
IR Graph:
Gain and Time: -90dB to 0dB, 0s to 10s
Zoom: In and out on the time axis
Zoom Reset Defaults: to 6s display
Reverb Time Section:
Convolution Start: 0s to 1s
Convolution Length: 0s to 6s
RT60 Indicator: 0.1s to 10s
Ratio: 0.25 to 1.00
Latency: Shows the current latency in ms
Dry: 0ms to 30ms delay of the dry signal
Dry/Wet: 0% to 100%
Crosstalk: 0 to 100 (IR-L Efficient module only)
Direct: On/Off
Direct Pre-delay: 0ms to 500ms
Output Gain Fader: -50dB to 0dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

L1 Ultramaximzer Controls
Input Gain Faders: -20dB to 0dB
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated
Output Ceiling: control, Peak Hold indicators
Link: Links Threshold and Output Ceiling
Release: 0.01ms to 1,000ms
Attenuation Meter: 0dB to 30dB with peak hold indicator
IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
Domain: Analog or Digital

L1 Ultramaximizer Controls
Input Gain Faders: -20dB to 0dB
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated
Output Ceiling control, Peak Hold indicators
Link: Links Threshold and Output Ceiling
Release: 0.01ms to 1,000ms
Attenuation Meter: 0dB to 30dB with peak hold indicator
IDR Controls:
Quantize: None, 24, 20, 16, 12 or 8-bit
Dither: Type 1, 2 or none
Shaping: Moderate, Normal, Ultra, or None
Domain: Analog or Digital

L2 Ultramaximizer Controls
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Link: Links Threshold and Output Ceiling
Release: 0.01ms to 1,000ms
ARC: Auto Release Control
Attenuation Meter: 0dB to 30dB with peak hold indicator
IDR Controls:
Quantize: None, 24, 22, 20, 18, or 16bit
Dither Type: 1, 2, or none
Shaping: Moderate, Normal, Ultra, or None

L3 Multimaximizer Controls
Peak Limiter:
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Attenuation Meter: -30dB to 0dB
Master Release: ARC, Aggressive, Warm, Scaled, Manual
Master Release Link: Links per band release control
Crossover Controls:
Low: 40Hz - 351Hz
Low Mid: 150Hz - 2997Hz
High Mid: 1022Hz - 4757Hz
High: 4kHz - 16kHz
Separation: 0 to 100
DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
Gain: -12dB to +12dB per band
Priority: -12 to +12 per band
Release: 0.1ms to 2,500ms per band
Gain: and Priority Link Switch
IDR Controls:
Quantize: 24-, 22-, 20-, 18-, or 16-bit
Dither Type: 1, 2, or None
Shaping: Moderate, Normal, Ultra, or None

L3LL Multimaximiser Controls
Peak Limiter:
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Attenuation Meter: -30dB to 0dB
Master Release: ARC, Aggressive, Warm, Scaled, Manual
Master Release Link: Links per band release control
Crossover Controls:
Low: 20Hz - 350Hz
Low Mid: 150Hz - 3,000Hz
High Mid: 1,000Hz - 5,000Hz
High: 3,000Hz - 11,000Hz

Separation: 0 to 100
DynamicLine Graph: Shows reduction curve -24dB to +12dB, 16Hz to 20kHz
Frequency Band Markers: Graphic control over Frequency, Gain and Priority
Gain: -12dB to +12dB per band
Priority: -12 to +12 per band
Release: 0.1ms to 2,500ms per band
Gain and Priority Link Switch
IDR Controls:
Quantize: 24, 22, 20, 18, or 16bit
Dither Type: 1, 2, or None
Shaping: Moderate, Normal, Ultra, or None

L316 Multimaximizer Controls
Peak Limiter:
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Attenuation Meter: -30dB to 0dB

Release 0.10ms to 10.00ms
Release Character: Release and priority factory presets
Separation: Low, Medium, High
Priority / Gain Controls:
Priority: -18dB to +18dB per band
Gain: -18dB to +18dB per band
Gain and Priority Link
Freq: 16Hz to 21,357Hz per band
Q: 0.5 to 2.0 per band
Filter Type: Bell, Low Shelf, High Shelf per band
In/Out: per band
DynamicLine Graph: Shows reduction curve -18dB to +15dB, 16Hz to 20kHz
Frequency Band Markers: Graphic control over EQ and Priority curves
IDR Controls:
Quantize 24-, 22-, 20-, 18-, or 16-bit
Dither Type: 1, 2, or None
Shaping: Moderate, Normal, Ultra, or None

Linear Phase Equalizer Controls
Gain: -30dB to +30dB per band
Frequency:
Low Frequency Band: 10Hz to 600Hz (Lowband), 21Hz to 1,000Hz (Broadband)
Mid and High Frequency Bands: 32Hz to 600Hz (Lowband), 258Hz to 21,963Hz (Broadband)

Filter Type:
Lowband: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf
Broadband Low Frequency: Bell, Low Shelf, High Shelf, Low Pass, and High Pass
Broadband Mid and High Frequency: Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf, Resonant High Pass, V-Slope High Pass, Resonant Low Pass and V-Slope Low Pass

Q:
Lowband: 0.26 to 6.5
Broadband Low Frequency: 0.60 to 2
Broadband Mid and High Frequency: 0.26 to 6.5

On/Off: Per Band
Output Gain Fader: -30dB to 0dB
Output Meter: -30dB to 0dB with peak hold and clip indicators
Trim: Output gain adjustment
Dither: On/Off
Graph Scale: 12dB or 30dB
Frequency Band Markers: Graphic control over Frequency and Gain

Linear Phase Multiband Controls
Xover:
Low: 40Hz - 350Hz
Low-Mid: 150Hz - 3,000Hz
High-Mid: 1kHz - 8kHz
High: 4kHz - 16kHz
Threshold: 0dB to -80dB Per band

Gain: -18dB to +18dB Per band
Range: -24dB to +18dB Per band
Attack: 0.5ms to 500ms Per band
Release: 5ms to 5000ms Per band
Solo: per band
Bypass: per band
Master Link Controls: Threshold, gain, range, attack and release
DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
Frequency Band Marker: Graphic control over Frequency/Gain per band
Dither: On/Off
Makeup: Manual or Auto makeup gain
Adaptive: -80dB to +12dB
Release: ARC or Manual
Behavior: Opto or Electro
Knee: Soft to Hard, 0.01 to 1.00
Output Gain Fader: -30dB to 0dB
Output Meter: -30dB to 0dB with peak hold and clip indicators
Trim: Output gain adjustment

MaxxBass Controls
Cutoff Frequency Fader: 32Hz to 256Hz
Ratio: 1.00:1 to 4.00:1
Response: 10ms to 30ms
High-Pass Filter Slope: 6dB/oct, 12dB/oct, and 24dB/oct
Decay: -24dB to -9dB
Input Gain Fader: -inf. to 0dB
Original Bass Fader: -inf. to +12dB
MaxxBass Fader: -inf. to +12dB
Output Meter: -40dB to 0dB with peak hold and clip indicators
Monitor Section: Audio, MaxxBass and Original Bass

MaxxVolume Controls
Low Level:
Threshold: -96dB to 0dB
Threshold On/off
Gain: 0dB to +48dB
Gain Meter: 0dB to +48dB

Gate:
Threshold: -96dB to 0dB
Threshold On/off

Energy Meter: -96dB to 0dB
Leveler:
Threshold: -48dB to 0dB
Threshold: On/off

High Level:
Threshold: -48dB to 0dB
Threshold On/off
Gain: -48dB to 0dB
Gain Meter: -48dB to 0dB

Output Meter: -96dB to 0dB with peak hold and clip indicators

MetaFlanger Controls
Mix: 0% to 100%
Mix Phase: Wet signal phase inversion on/off
Feedback: 0% to 100%
Feedback Phase: Phase inversion on/off\
Filter Type: Low Pass or High Pass
Filter Frequency: 0.1kHz to 20kHz
Filter: On/Off
Delay: 0.1ms to 50ms Tape Wet/Dry signals delay alignment
Modulation Rate: 0Hz to 20Hz
Tempo Sync: Manual or Auto
Modulation Depth: 0% to 100%
Link: Links Modulation Rate and Depth controls
Waveform: Sine or triangle
Modulation Meter: Graphic display of Rate and Depth
Stop: Freezes the modulation effect
Stereo: 0 to 180
Output Gain Fader: -12dB to +12dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

MondoMod Controls
Tempo Sync: Manual or Auto
Modulation Rate: 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
Modulation Rate BPM: 0.5 BPM to 3600 BPM (Disabled when Sync is in Auto mode)
X-Factor: Modulation Multiplier, 0.25 to 100
Waveform: Sine, Square, Saw Up, Saw Down or Triangle
AM Depth Fader: 0% to 100%
AM Meter: Graphic display of Rate and Depth
AM On/Off: Enables or disables AM module
AM Phase: 0, 90, 180, and 270 (Applied to modulation only)
Rotation Center: -180 to +180
Rotation Range 0 to 360
Rotation Meter Graphic display of Center position and Range
Rotation On/Off Enables or disables AM module
FM Depth Fader 0% to 100%
FM Meter Graphic display of Rate and Depth
FM On/Off Enables or disables AM module
FM Phase 0, 90, 180, and 270 (Applied to modulation only)
Output Gain -12dB to +12dB Mix 0% to 100%
Output Meter -30dB to 0dB with peak hold and clip indicators

Morphoder Controls
Modulator: Left, Right, Left+Right, and Sidechain
Carrier: Internal, Track, Left, Right or Sidechain
Noise Filter: High Pass, Low Pass, and Bypass
Noise Filter Frequency: 50Hz to 10,000Hz
Synthesizer Section:
Synth: 10 factory presets
Tune: 220Hz to 880Hz
Spread: 0.0 to 1.0

Gain (G): -30dB to +30dB gain per band
Frequency (F): 86Hz to 16,020Hz per band
Q: 0.26 to 6.50 per band
In/Out: Switch per band
Frequency Band Marker: Graphic control over Frequency and Gain per band
Pressure: 0dB to 50dB
Formant: 0.50 to 2.00
Smoothing: 50 to 800
Release: 50ms to inf.
MIDI: Input On/Off
Note Sustain: On/Off
Keyboard: 4-octave virtual keyboard
Output Mixer:
Carrier: -inf. to 0dB
Modulator: -inf. to 0dB
Noise: -inf. to 0dB
Morph: -inf. to +6dB
Solo/Mute: per output parameter
Output Meter: -30dB to 0dB with peak hold and clip indicators

PAZ Analyzer Controls
LF Resolution: 40Hz, 20Hz and 10Hz
Weight: Un-weighted, dBA, dBB or dBC
Freeze: Freezes the display
Show: L and R independently, or L+R (summed)
Peak Hold: On/Off
Clear: Clears the peak hold
Detect: Peak or RMS
Response: 50ms to 5,000ms
Frequency Gain Graph: -80dB to 0dB, 6Hz to 20,660Hz
Navigate: Scrolls the screen when zoomed in
Zoom: Horizontal and Vertical +/-
Reset Zoom
Phase Graph: -80dB to 0dB, -90 to +90
Output Meter: L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
Summed Loudness Meter: (L + R -6dB) -40dB to 0dB

PS22 Stereo Maker Controls
Input Gain Fader: -24dB to 0dB
Width: 0.0 to 1.0
Rotation: -45 to +45
Spread Graph: Stereo Vector Display
Spread: 0.0 to 1.0
Freq: 32Hz to 16,384Hz
Shape: 0.00 to 1.25
Delay: 5ms to 20ms
XFeed: 0.0 to 1.0
LFSpread: 0.0 to 3.0
FCenter: 80Hz to 15,262Hz
FDensity: -0.85 to 0.85
Tweak: -0.85 to 0.85
Sweeps: 2 to 10
L/R or M/S: Monitoring of the stereo effect
Output Meter: -30dB to 0dB with peak hold and clip indicators

PuigChild 660 & 670 Controls
Input Gain -20 to 0
Threshold 0 to 10 (0.1 steps)
Time Constant 1, 2, 3, 4, 5, 6
On/Off On, Off
Mains Off, 50Hz, 60Hz
Link Left/Right, Linked, Lateral/Vertical
Output -18dB to 18dB (0.1 steps)

PuigTec EQP-1A Controls
Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
Low Band Frequency: 20Hz, 30Hz, 60Hz, 100Hz
High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
High Bell Bandwidth (Q): 0 to 11 (0=sharp 11=wide, 0.1 steps)
High Bell Frequency: 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz
High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
High Shelf Frequency: (Atten Sel) 5kHz, 10kHz, 20kHz
In: In/Out
Output: -18dB to 18dB (0.1 steps)
Mains: Off, 50 Hz, 60 Hz

PuigTec MEQ-5 Controls
Low Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz, 1000Hz
Low Mid Peak: 0 to 11 (10dB boost, 0.1 steps)
Mid Frequency: 200Hz, 300Hz, 500Hz, 700Hz,1000Hz, 1.5kHz, 2kHz, 3kHz,4kHz, 5kHz, 7kHz
Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
High Mid Frequency: 1.5kHz, 2kHz, 3kHz, 4kHz, 5kHz
High Mid Peak: 0 to 11 (10dB boost 0.1 steps)
In: In/Out
Output: -18dB to 18dB (0.1 steps)
Mains: Off, 50Hz, 60Hz

Q10 Paragraphic Equalizer Controls
Input Gain Fader: -24dB to 0dB
Input Phase Invert: +/-
On/Off: Switch per band
Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
Gain: -18dB to +18dB per band
Frequency: 16Hz to 21,357Hz per band
Q: 0.5 to 100 per band
Frequency Band Markers: Graphic control over Frequency and Gain per band
Output Gain Fader: -24dB to +12dB
Trim: Output gain adjustment
Output Meter: -30dB to 0dB with peak hold and clip indicators
Control Mode: Link Left + Right, Left Only, Right Only

Q-Clone EQ Modeler Controls
Graph Scale: 16dB or 30dB
Frequency/Gain Response Graph: 25Hz to 16,000Hz, 30dB to +30dB
Mode Control Buttons: Capture, Hold and Add
Output Gain Fader: -48dB to +12dB
Output Meter: -50dB to 0dB with peak hold and clip indicators
Trim: Output gain adjustment

Q-Capture Controls
Receiving and Transmiting Meters: Shows Impulse Status
In/Out Meters: -50dB to 0dB with peak hold indicators and a clip indicator
Headroom Fader: -32dB to 0dB

Renaissance Axx Bass Controls
Frequency Cutoff: 32Hz to 256Hz
In/Out: Adds or removes the original bass from the output signal
Original Bass Meter: -30dB to 0dB
Harmonic Intensity: -24dB to +24dB
Harmonics Meter: -30dB to 0dB
Output Gain Fader: -30dB to 0dB
Output Meter: -30dB to 0dB with numeric peak hold and clip indicators

Renaissance Axx Channel Controls
4-Band Paragraphic:
EQ On/Off: Switch per band and for the EQ module
Filter Type: Bell, Resonant Low/High Shelf, Low/High Pass
Gain: -18dB to +18dB per band
Frequency: 16Hz to 21,357Hz per band
Q: 0.26 to 6.50 per band
Frequency Band Marker: Graphic control over Frequency and Gain per band

Routing Switch: EQ>Dynamics, Dynamics>EQ
Gate/Compressor Sidechains:
Source: Internal, Pre-EQ or External
On/Off: Filter Activate
Filter Type: Hi Pass, Band Pass, Low Pass and Band Reject
Frequency: 16Hz to 21,357Hz
BW (Q): 0.10 to 8.00
Listen: Monitor the sidechain signal
Energy Meters: Displays the sidechain signal level, integrated Threshold control

Compressor/Expander:
RVox or RComp: Dynamic behavior
On/Off: Switch
Threshold: -60dB to +18dB
Ratio: 0.50:1 to 50.0:1
Attack: 0.00ms to 500ms
Release: 5.00ms to 5,000ms
ARC: Manual or Auto

Expander/Gate:
Gate or Exp: Dynamic behavior
On/Off: Switch
Threshold: -inf. to +18dB
Floor: -inf. to 0dB
Release: 10ms to 5,000ms

Overall Attenuation Meters: -Inf. to +6dB
Output Gain Fader: -30dB to +30dB
Clip-Guard Output Limiter
Output Meter: -30dB to 0dB with peak hold and clip indicators
Phase Inversion Switch
Rotation: -45 to +45

Renaissance Compressor Controls
ARC: Automatic Release Control or Manual
Compressor Behavior: Opto or Electro
Character: Warm or Smooth
Input Meter: -60dB to 0dB with peak hold indicators
Threshold: -60dB to 0dB
Ratio: 0.50:1 to 50.00:1
Attenuation Meter: -20dB to +6dB with peak hold
Attack: 0.5ms to 500ms
Release: 5ms to 5,000ms
Output Gain: -30dB to +30dB
Output Meter: -60dB to 0dB with peak hold and clip indicators
Clip-Guard Output Limiter

Renaissance DeEsser Controls
Frequency: 2kHz to 16kHz
Filter Type: High Pass or Band Pass
Compression Mode: Split or Wideband
Range: 0dB to -48dB
Threshold: 0dB to -80dB
Monitor: Audio or Sidechain
Output Meter: -40dB to 0dB with peak hold and clip indicators

Renaissance Equalizer Controls
Gain: -18dB to +18dB per band
Frequency: 16Hz to 21,357Hz per band
Q Factor: 0.26 to 6.5 per band
Filter Types: Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
In/Out: Switch per band
Frequency Band Marker: Graphic control over Frequency and Gain per band
Output Gain Fader: -24dB to +12dB
Output Meter: -30dB to 0dB with peak hold and clip indicators
Trim: Output gain adjustment
Link: Left+Right, Left or Right

Renaissance Reverb Controls
Damping Controls:
Low Freq: 16Hz to 1,600Hz
Low Ratio: 0.10 to 2.00
High Freq: 1,000Hz to 21,000Hz
High Ratio: 0.10 to 2.00
Frequency Band Marker: Graphic control over Frequency and Ratio per band

Reverb Type: Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb

Decorrelation Variation: 0 to 6

EQ Controls:
Low Freq: 16Hz to 1,600Hz
Low Gain: -24dB to +12dB
High Freq: 1,000Hz to 21,000Hz
High Gain: -24dB to +12dB
Frequency Band Marker: Graphic control over Frequency and Gain per band

Pre-delay: -160ms to +160ms
Time: 0.1s to 20s
Size: 1 to 100
Diffusion: 0 to 100
Decay: 0.04 to linear
Early Reflections: Off to 0dB
Reverb: Off to 0dB
Wet/Dry: 0% to 100% wet
Gain: -24dB to 0dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

Renaissance Vox Controls
Gate Threshold: -inf. to 0dB
Input Energy Meter: -80dB to 0dB with peak hold indicators
Comp: 0dB to -36dB
Attenuation Meter: -36dB to 0dB
Output Gain: -36dB to 0dB
Output Meter: -40dB to 0dB with peak hold indicators
Clip-Guard Output Limiter

S1 Stereo Imager Controls
Gain: -24dB to 0dB
Width: 0.0 to 3.0
Shuffle: 1.0 to 3.0
Frequency: 350Hz to 1400Hz
Input Mode: M/S or L/R
Left/Right Phase: +/-
Input Channel Swap
Bass Trim: -3dB to +3dB
Asymmetry: -90 to +90
Rotation: -45 to +45
Output Mode: MS or L/R
Output Meter: -24dB to 0dB with peak hold and clip indicators
Stereo Image Graph: Graphic control over all image parameters

SoundShifter Controls
Parametric Component:
Global Controls:
SMPTE Format: 24fps,25fps, 29.97fps, 29.97fpsDrop, 30fps, 30fpsDrop
Meter: Musical time signature 4/1, 4/2, 4/4, 4/8, 4/16, 4/32
Mode: Transient, Smooth, Sync and Punch
Reference Link Mode: Unlinked, Time, Pitch and Strapped

Time Controls:
Bypass: On/Off
Ratio: 0.5 to 2.0
Source/Destination Table: Input Value for Time, Tempo, Bars, Samples, SMPTE and Feet+Frame

Pitch Controls:
Bypass: On/Off
Ratio: 0.5 to 2.0
Semitones: -12 to +12
Cents: -99 to 99
Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
Reference Frequency: source and destination value

Pitch Component:
Ratio: 0.5 to 2.0
Semitones: -12 to +12
Cents: -99 to 99
Interval: +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
Reference Frequency: source and destination value
Input Mode: Transient, Smooth, Sync and Punch

Graphic Component:
Graphical Editor: Up to 999 edit points
Edit: Pitch or Time
Bypass Switch: Pitch or Time
Zoom Control: Up to x1,000 horizontal (X) and vertical (Y)
Zoom Reset
View: Time, Bars, Samples, SMPTE and Feet+Frames
View Properties: Tempo, Musical time signature, SMPTE Format (Acording to View select)
Link Mode: Link to Time, Pitch or Unlinked
Input Mode: Transient, Smooth, Sync and Punch
Start: Shows the selection's start time as in the host application
Edit Point Info: Value Input for Source Time, Destination and Cents controls per edit point
Total Time: Input and Output values
Reset Graph: button
Load Waveform: Loads the current region selection to the Edit Graph

SuperTap Controls
Tempo
BPM: 40BPM to 1200BPM
MS: 50ms to 1,500ms
Tap Pad: Manual Tap input
Tap Pad Mode: Tempo or Pattern
Sync: Auto or Manual

TransX Controls
Xover: Crossover Cutoff (Multi module only) Low 40Hz to 250Hz, Mid 100Hz to 6,000Hz, High 2,000Hz to 16,000Hz
Frequency Band Marker: Graphic control over Frequency and Range per band (Multi module only)
Range: -24dB to +18dB
Sensitivity: -10dB to +10dB
On/Off: Switch per band (Multi module only)
Duration: 0.01ms to 500ms transients attack time
Release: 0.50ms to 500ms Output Gain Fader -18dB to +18dB
Output Meter: -80dB to 0dB with peak hold and clip indicators
Trim: Output gain adjustment

TrueVerb Controls
Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
Dimension: 1.00 to 3.99
Room Size: 50m3 to 20,000m3
Distance: 0.5m to 40m
Link: Links the Reverb, Room Size and Pre-delay parameters
Balance: -48dB to +12dB
Decay Time: 0.2s to 100s
Pre-delay: 10.5ms to 160ms
Density: 0.000 to 1.000
Room-Size/Distance Markers: Graphic control over Size and Distance
ER Low Cut: 16Hz to 512Hz
ER Low Cut Bypass
Reverb High Shelf: -12dB to 0dB
ER Absorb: -6dB to 0dB
Frequency: 1,600Hz to 21,000Hz
Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
Frequency Band Marker: Graphic control over Frequency and Gain per band
Input Gain: -inf. to 0dB
Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
Output Meter: -24dB to 0dB with peak hold and clip indicator

Waves Tune LT Controls
Global Controls:
Reference Pitch: 220Hz to 880Hz
Formant: Corrected/Non-Corrected
Pitch Shift Meter: -100 cents to 100 cents
Timeline and Display Preferences Menu

Edit Window Controls:
Piano Roll: 2 octave display
Select All
Clear Selection
Auto Scrolling: On/Off
Horizontal/Vertical Zoom: +/-
Reset Zoom

Segmentation Controls:
RootNote: Semi-tone Scale
Scale: 43 Pre-defined presets

Edit Tools: Note, Zoom
Undo/Redo: 2 levels

Correction Controls
Speed: 0ms to 800ms
NoteTransition: 0ms to 800ms
Ratio: 0% to 100%

UltraPitch Controls
Input Gain Fader: -24dB to 0dB
Input Gain Meters: -30dB to 0dB with peak hold and clip indicators
Animation: 0ms to 100ms
Voice Section:
On/Off: per voice and global
Gain: -24dB to 0dB per voice and global
Pan: -45 to +45 per voice and global
Delay: 0ms to 100ms per voice and global (Live mode on TDM)
Pitch: -Octave to Octave per voice
Formant: -12 to 12 per voice
Voice Markers: Graphic control over Pan, Pitch and Format

Pitch and Formant Link modes: Free, Voice, Song, Brass, Woods, Strings, Linear and Inverted

Pitch Detector Section:
Scrolling Speed: Slow to Fast
Min Pitch Limiter: 35Hz to 800Hz
Max Pitch Limiter: 100Hz to 1200Hz
Detection Mode: Default, Voice Steady, Voice Stressed, Voice Opera, Music Steady, Clear Tones. and Bass

UM225/UM226 Controls
Profile Mode: 1 to 8
LF Profile: L/R to C Balance
HF Profile: L/R to C Balance
Punch: L/R to C Balance
L/R Width: 1 to 2
UpMix Amount: 0 to 100 (2.0 to 5.0/5.1)
Rear LPF: 20kHz to 1kHz
Rear Ambience: 0 to 100
Rear Delay: 3 to 75
LFE LPF: 40Hz to 120Hz
LFE LoAir: On/Off
Output Trims: L-R/Center/LsRs/LFE +/- 12dB
Master Output: 0 to -24 dB
Left/Center/Right/Ls/Rs/LFE Speaker: On/Off
Left/Right Input Meters: -60dBFS to 0dBFS
Left/ Center/Right /Ls /Rs/LFE Output Meters: -60dBFS to 0dBFS
Surround Graph

V-Comp Compressor Controls
Input: -18dBu to +18dBu
Output: -18dBu to +18dBu
Meter switch: Input, Output or Gain Reduction
Meter display: Displays input, output, or gain reduction levels
Analog switch: Off, 25%, 50% and 100%
Limiter Section:
Limiter: On/Off
Limit level: +4dBu to +12dBu
Attack: Fast or Slow
Release: ms, 200 ms, 800 ms and Auto

Compressor Section:
Compress: On/Off
Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
Release: 400ms, 800ms, 1.5s and Auto
DeEsser: On/Off

Vocal Rider Controls
Target: sets the reference range for vocal mix positioning
Vocal Sensitivity: differentiates vocal content from noise floor and ambience
Vocal Activity LED: indicates when vocal activity is detected
Spill: differentiates between vocal signal and unwanted ambient stage noise (Vocal Rider Live component only)
Attack: sets the vocal detection attack behavior
Music Sensitivity: determines the amount Vocal Rider adapts to instrumental levels
Music Sensitivity LED: indicates Vocal Rider's response to instrumental levels
Range Min/Max: set the boundaries of the Rider Fader movement range.
Effective Range: displays the total gain range available for automatic riding
Idle Arrow sets the Rider Fader value when there is no vocal activity
Rider Fader is Vocal Rider's automatic control
Automation Mode controls the Rider Fader operation
Output trims the vocal output gain, post-auto riding
Clip LED shows when output is clipping
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