Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Damage due to normal wear and tear
Damage caused by lightning/power surge
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Waves Silver Native Plug-In Bundle is an affordable collection of plug-ins designed with personal audio production studios in mind. With reverb, compression, equalization, level maximization, and more, Silver features 16 essential plug-ins that will take your music to the pro level. Now, you can join the ranks of the engineers and producers that count on Waves Gold, Platinum, Diamond, and Mercury to deliver hit after hit after hit.
Below you'll find a brief description of all 16 plug-ins.
TrueVerb With a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.
L1 Ultramaximzer The plug-in that started it all: Look-ahead peak limiting, level maximization, and high-resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.
Q10 Paragraphic Equalizer The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.
C1 Parametric Compander With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.
IR-L When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as Waves IR1, using a simple, streamlined interface for maximum ease and efficiency.
SuperTap Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.
Doubler When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.
DeEsser When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.
S1 Stereo Imager Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.
Renaissance Axx Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
Renaissance Compressor Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.
Renaissance Equalizer Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.
MaxxBass When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.
MondoMod MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.
Enigma Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.
PAZ Analyzer Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.
Waves Silver Native Plug-In Bundle
Features:
TrueVerb Controls Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1 Dimension: 1.00 to 3.99 Room Size: 50m3 to 20,000m3 Distance: 0.5m to 40m Link: Links the Reverb, Room Size and Pre-delay parameters Balance: -48dB to +12dB Decay Time: 0.2s to 100s Pre-delay: 10.5ms to 160ms Density: 0.000 to 1.000 Room-Size/Distance Markers: Graphic control over Size and Distance ER Low Cut: 16Hz to 512Hz ER Low Cut Bypass Reverb High Shelf: -12dB to 0dB ER Absorb: -6dB to 0dB Frequency: 1,600Hz to 21,000Hz Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00 Frequency Band Marker: Graphic control over Frequency and Gain per band Input Gain: -inf. to 0dB Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch Output Meter: -24dB to 0dB with peak hold and clip indicator
L1 Ultramaximzer Controls Input Gain Faders: -20dB to 0dB Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators Output Meter: -30dB to 0dB with an integrated Output Ceiling: control, Peak Hold indicators Link: Links Threshold and Output Ceiling Release: 0.01ms to 1,000ms Attenuation Meter: 0dB to 30dB with peak hold indicator IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None Domain: Analog or Digital
Q10 Paragraphic Equalizer Controls Input Gain Fader: -24dB to 0dB Input Phase Invert: +/- On/Off: Switch per band Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band Gain: -18dB to +18dB per band Frequency: 16Hz to 21,357Hz per band Q: 0.5 to 100 per band Frequency Band Markers: Graphic control over Frequency and Gain per band Output Gain Fader: -24dB to +12dB Trim: Output gain adjustment Output Meter: -30dB to 0dB with peak hold and clip indicators Control Mode: Link Left + Right, Left Only, Right Only
C1 Parametric Compander Controls Compressor/Expander Bypass: Enables or disables the module LowRef Mode: Low Level Reference Conventional compressor operating mode PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain) Make-up Gain: -40dB to +40dB Threshold: -100dB to 0dB Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion) Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals Attack: 0.01ms to 1,000ms Release: 1ms to 10,000ms PDR: Program Dependant Release EQ Mode: Wideband, Sidechain or Split Gain Reduction Meter: -36dB to +24dB Control Level Meter: -100dB to 0dB Gate/Expander Bypass Enables or disables the module Gate/Expander Control Switches between Gate and Expander modes Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity Expander mode Gate Thresholds Gate Open and Gate Close Attack 0.01ms to 1,000ms Release 1ms to 10,000ms Hold 0.01ms to 5,000ms EQ Mode Wideband, Sidechain or Split Gain Reduction Meter -108dB to +12dB Control Level Meter -100dB to 0dB Parameter Linking Links the Compressor/Expander and Gate/Expander controls Filter/EQ Two Complementary Bands: Active/Sidechain path, and passive path Crossover Slope: 18dB/octave to 36dB/octave Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass Frequency: 16Hz to 21Khz Q: 0.1 to 0.6
Lookahead: Yes/No Key Mode: Stereo, Left keys Right, Right keys Left Monitor: Audio, Sidechain, or Passive Output Gain Fader: -40dB to +18dB Output Meter: -30dB to 0dB with peak hold and clip indicators
IR-L Controls CPU Mode: Full CPU or Low CPU IR Graph: (Gain and Time) -90dB to 0dB, 0s to 10s, (Zoom) In and out on the time axis, (Zoom Reset Defaults) to 6s display
Reverb Time Section Convolution Start: 0s to 1s Convolution Length: 0s to 6s RT60 Indicator: 0.1s to 10s Ratio: 0.25 to 1.00
Latency: shows the current latency in ms Dry: 0ms to 30ms delay of the dry signal Dry/Wet; 0% to 100% Crosstalk: 0 to 100 (IR-L Efficient module only) Direct: On/Off Direct Pre-delay: 0ms to 500ms Output Gain Fader: -50dB to 0dB Output Meter: -30dB to 0dB with peak hold and clip indicators
SuperTap Controls Tempo BPM: 40BPM to 1200BPM MS: 50ms to 1,500ms Tap Pad: Manual Tap input Tap Pad Mode: Tempo or Pattern Sync: Auto or Manual
Modulation Controls On/Off: Switch Sync: Manual or Tempo Rate: 0Hz to 20Hz Depth: 0ms to 10ms
On/Off: Switch for Direct Signal, Taps and Feedback Direct Signal Gain: -42dB to 0dB Tap Gain: -48dB to 0dB Feedback Amount: 0% to 100% Rotate: -45° to +45° of Direct Signal, Taps, and Feedback Taps and Feedback Delay Sliders: 0ms to 5,944ms or by Tempo Grid Feedback Mode: Normal or Tap Snap: On/Off snap to grid Grid resolution: Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths Grid Mode: BPM or ms
EQ Controls On/Off: Switch per Taps and Feedback Tap Filter Type: Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass Feedback Filter Type: include Low Pass, Low Shelf and Low Decay Frequency: 0.1kHz to 20kHz per Taps and Feedback Gain: -12dB to +12dB for Taps; -12dB to 0dB for Feedback
Output Gain Fader: -12dB to +12dB Output Meter: -30dB to 0dB with peak hold and clip indicators
Doubler Controls Gain: -48dB to 0dB per voice and for the direct signal Pan: -45° to +45° per voice and for the direct signal Align: Delays the direct signal according to the latency of the voices FB High Pass Filter: 16Hz to 21,357Hz Range: 20Hz or 80Hz detune frequency boundary Modulation Reset: Resets Rate and Depth values Delay: 0ms to 100ms per voice Feedback: 0% to 100% per voice Octave: On/Off (Shifts the voice one octave down) Detune: -100 to +100 cent Depth: -200 to +200 cent Rate: 0.1Hz to 400H Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz Output Gain Fader: -24dB to 0dB Output Meters: -30dB to 0dB, with peak hold and clip indicators In 1-3: L, L+R, L-R. Input signal for voices 1 and 3 In 2-4: R, R+L, R-L. Input signal for voices 2 and 4
DeEsser Controls Audio: Split or Wideband modes Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter Sidechain Filter Type: High-Pass or Band-Pass Monitor: Audio or Sidechain Threshold: -80dB to 0dB integrated with the Input Energy Meter Attenuation Meter: -30dB to 0dB with peak hold indicator Output Meter: -30dB to 0dB with peak hold indicator
S1 Stereo Imager Controls Gain: -24dB to 0dB Width: 0.0 to 3.0 Shuffle: 1.0 to 3.0 Frequency: 350Hz to 1400Hz Input Mode: M/S or L/R Left/Right Phase: +/- Input Channel Swap Bass Trim: -3dB to +3dB Asymmetry: -90° to +90° Rotation: -45° to +45° Output Mode: MS or L/R Output Meter: -24dB to 0dB with peak hold and clip indicators Stereo Image Graph: Graphic control over all image parameters
TrueVerb TrueVerb Controls Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1 Dimension: 1.00 to 3.99 Room Size: 50m3 to 20,000m3 Distance: 0.5m to 40m Link: Links the Reverb, Room Size and Pre-delay parameters Balance: -48dB to +12dB Decay Time: 0.2s to 100s Pre-delay: 10.5ms to 160ms Density: 0.000 to 1.000 Room-Size/Distance Markers: Graphic control over Size and Distance ER Low Cut: 16Hz to 512Hz ER Low Cut Bypass Reverb High Shelf: -12dB to 0dB ER Absorb: -6dB to 0dB Frequency: 1,600Hz to 21,000Hz Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00 Frequency Band Marker: Graphic control over Frequency and Gain per band Input Gain: -inf. to 0dB Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch Output Meter: -24dB to 0dB with peak hold and clip indicator
L1 Ultramaximzer Controls Input Gain Faders: -20dB to 0dB Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators Output Meter: -30dB to 0dB with an integrated Output Ceiling: control, Peak Hold indicators Link: Links Threshold and Output Ceiling Release: 0.01ms to 1,000ms Attenuation Meter: 0dB to 30dB with peak hold indicator IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None Domain: Analog or Digital
Q10 Paragraphic Equalizer Controls Input Gain Fader: -24dB to 0dB Input Phase Invert: +/- On/Off: Switch per band Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band Gain: -18dB to +18dB per band Frequency: 16Hz to 21,357Hz per band Q: 0.5 to 100 per band Frequency Band Markers: Graphic control over Frequency and Gain per band Output Gain Fader: -24dB to +12dB Trim: Output gain adjustment Output Meter: -30dB to 0dB with peak hold and clip indicators Control Mode: Link Left + Right, Left Only, Right Only
C1 Parametric Compander Controls (Compressor/Expander) Bypass: Enables or disables the module LowRef Mode: Low Level Reference Conventional compressor operating mode PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain) Make-up Gain: -40dB to +40dB Threshold: -100dB to 0dB Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion) Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals Attack: 0.01ms to 1,000ms Release: 1ms to 10,000ms PDR: Program Dependant Release EQ Mode: Wideband, Sidechain or Split Gain Reduction Meter: -36dB to +24dB Control Level Meter: -100dB to 0dB
(Gate/Expander) Bypass Enables or disables the module Gate/Expander Control Switches between Gate and Expander modes Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode) Gate Thresholds Gate Open and Gate Close Attack 0.01ms to 1,000ms Release 1ms to 10,000ms Hold 0.01ms to 5,000ms EQ Mode Wideband, Sidechain or Split Gain Reduction Meter -108dB to +12dB Control Level Meter -100dB to 0dB Parameter Linking Links the Compressor/Expander and Gate/Expander controls
(Filter/EQ) Two Complementary Bands: Active/Sidechain path, and passive path Crossover Slope: 18dB/octave to 36dB/octave Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass Frequency: 16Hz to 21Khz Q: 0.1 to 0.6
Lookahead: Yes/No Key Mode: Stereo, Left keys Right, Right keys Left Monitor: Audio, Sidechain, or Passive Output Gain Fader: -40dB to +18dB Output Meter: -30dB to 0dB with peak hold and clip indicators
IR-L Controls CPU Mode: Full CPU or Low CPU IR Graph: (Gain and Time) -90dB to 0dB, 0s to 10s, (Zoom) In and out on the time axis, (Zoom Reset Defaults) to 6s display
Reverb Time Section Convolution Start: 0s to 1s Convolution Length: 0s to 6s RT60 Indicator: 0.1s to 10s Ratio: 0.25 to 1.00
Latency: shows the current latency in ms Dry: 0ms to 30ms delay of the dry signal Dry/Wet; 0% to 100% Crosstalk: 0 to 100 (IR-L Efficient module only) Direct: On/Off Direct Pre-delay: 0ms to 500ms Output Gain Fader: -50dB to 0dB Output Meter: -30dB to 0dB with peak hold and clip indicators
SuperTap Controls Tempo BPM: 40BPM to 1200BPM MS: 50ms to 1,500ms Tap Pad: Manual Tap input Tap Pad Mode: Tempo or Pattern Sync: Auto or Manual
Modulation Controls On/Off: Switch Sync: Manual or Tempo Rate: 0Hz to 20Hz Depth: 0ms to 10ms
On/Off: Switch for Direct Signal, Taps and Feedback Direct Signal Gain: -42dB to 0dB Tap Gain: -48dB to 0dB Feedback Amount: 0% to 100% Rotate: -45° to +45° of Direct Signal, Taps, and Feedback Taps and Feedback Delay Sliders: 0ms to 5,944ms or by Tempo Grid Feedback Mode: Normal or Tap Snap: On/Off snap to grid Grid resolution: Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths Grid Mode: BPM or ms
EQ Controls On/Off: Switch per Taps and Feedback Tap Filter Type: Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass Feedback Filter Type: include Low Pass, Low Shelf and Low Decay Frequency: 0.1kHz to 20kHz per Taps and Feedback Gain: -12dB to +12dB for Taps; -12dB to 0dB for Feedback
Output Gain Fader: -12dB to +12dB Output Meter: -30dB to 0dB with peak hold and clip indicators
Doubler Controls Gain: -48dB to 0dB per voice and for the direct signal Pan: -45° to +45° per voice and for the direct signal Align: Delays the direct signal according to the latency of the voices FB High Pass Filter: 16Hz to 21,357Hz Range: 20Hz or 80Hz detune frequency boundary Modulation Reset: Resets Rate and Depth values Delay: 0ms to 100ms per voice Feedback: 0% to 100% per voice Octave: On/Off (Shifts the voice one octave down) Detune: -100 to +100 cent Depth: -200 to +200 cent Rate: 0.1Hz to 400H Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz Output Gain Fader: -24dB to 0dB Output Meters: -30dB to 0dB, with peak hold and clip indicators In 1-3: L, L+R, L-R. Input signal for voices 1 and 3 In 2-4: R, R+L, R-L. Input signal for voices 2 and 4
DeEsser Controls Audio: Split or Wideband modes Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter Sidechain Filter Type: High-Pass or Band-Pass Monitor: Audio or Sidechain Threshold: -80dB to 0dB integrated with the Input Energy Meter Attenuation Meter: -30dB to 0dB with peak hold indicator Output Meter: -30dB to 0dB with peak hold indicator
S1 Stereo Imager Controls Gain: -24dB to 0dB Width: 0.0 to 3.0 Shuffle: 1.0 to 3.0 Frequency: 350Hz to 1400Hz Input Mode: M/S or L/R Left/Right Phase: +/- Input Channel Swap Bass Trim: -3dB to +3dB Asymmetry: -90° to +90° Rotation: -45° to +45° Output Mode: MS or L/R Output Meter: -24dB to 0dB with peak hold and clip indicators Stereo Image Graph: Graphic control over all image parameters
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