A variety of audio production plug-ins that puts pro sound within your reach.

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Waves Silver Native Plug-In Bundle is an affordable collection of plug-ins designed with personal audio production studios in mind. With reverb, compression, equalization, level maximization, and more, Silver features 16 essential plug-ins that will take your music to the pro level. Now, you can join the ranks of the engineers and producers that count on Waves Gold, Platinum, Diamond, and Mercury to deliver hit after hit after hit.

Below you'll find a brief description of all 16 plug-ins.

TrueVerb
With a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

L1 Ultramaximzer
The plug-in that started it all: Look-ahead peak limiting, level maximization, and high-resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

Q10 Paragraphic Equalizer
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

C1 Parametric Compander
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

IR-L
When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as Waves IR1, using a simple, streamlined interface for maximum ease and efficiency.

SuperTap
Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

Doubler
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

DeEsser
When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

S1 Stereo Imager
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

Renaissance Axx
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

Renaissance Compressor
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.

Renaissance Equalizer
Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

MaxxBass
When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.

MondoMod
MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

Enigma
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

PAZ Analyzer
Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.

Waves Silver Native Plug-In Bundle Features:

TrueVerb Controls
Decorrelation: (Early Reflection) Variation 0 to Variation 6, (Reverb) variations 0 and 1
Dimension: 1.00 to 3.99
Room Size: 50m3 to 20,000m3
Distance: 0.5m to 40m
Link: Links the Reverb, Room Size and Pre-delay parameters
Balance: -48dB to +12dB
Decay Time: 0.2s to 100s
Pre-delay: 10.5ms to 160ms
Density: 0.000 to 1.000
Room-Size/Distance Markers: Graphic control over Size and Distance
ER Low Cut: 16Hz to 512Hz
ER Low Cut Bypass
Reverb High Shelf: -12dB to 0dB
ER Absorb: -6dB to 0dB
Frequency: 1,600Hz to 21,000Hz
Reverb Damping: (Low) 16Hz to 1,600Hz, (Low Ratio) 0.10 to 2.00, (High) 1,600Hz to 21,000Hz, (High Ratio) 0.10 to 2.00
Frequency Band Marker: Graphic control over Frequency and Gain per band
Input Gain: -inf. to 0dB
Output Mix: (Direct) -24dB to 0dB with On/Off switch, (Early Reflections) -24dB to 0dB with On/Off switch, (Reverb) -24dB to 0dB with On/Off switch
Output Meter: -24dB to 0dB with peak hold and clip indicator

L1 Ultramaximzer Controls
Input Gain Faders: -20dB to 0dB
Input Meter: -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter: -30dB to 0dB with an integrated
Output Ceiling: control, Peak Hold indicators
Link: Links Threshold and Output Ceiling
Release: 0.01ms to 1,000ms
Attenuation Meter: 0dB to 30dB with peak hold indicator
IDR Controls: (Quantize) None, 24-, 20-, 16-, 12- or 8-bit, (Dither) Type 1, 2 or none (Shaping) Moderate, Normal, Ultra, or None
Domain: Analog or Digital

Q10 Paragraphic Equalizer Controls
Input Gain Fader: -24dB to 0dB
Input Phase Invert: +/-
On/Off: Switch per band
Filter Type: Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
Gain: -18dB to +18dB per band
Frequency: 16Hz to 21,357Hz per band
Q: 0.5 to 100 per band
Frequency Band Markers: Graphic control over Frequency and Gain per band
Output Gain Fader: -24dB to +12dB
Trim: Output gain adjustment
Output Meter: -30dB to 0dB with peak hold and clip indicators
Control Mode: Link Left + Right, Left Only, Right Only

C1 Parametric Compander Controls
Compressor/Expander
Bypass: Enables or disables the module
LowRef Mode: Low Level Reference Conventional compressor operating mode
PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
Make-up Gain: -40dB to +40dB
Threshold: -100dB to 0dB
Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
Attack: 0.01ms to 1,000ms
Release: 1ms to 10,000ms
PDR: Program Dependant Release
EQ Mode: Wideband, Sidechain or Split
Gain Reduction Meter: -36dB to +24dB
Control Level Meter: -100dB to 0dB
Gate/Expander
Bypass Enables or disables the module
Gate/Expander Control Switches between Gate and Expander modes
Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity Expander mode
Gate Thresholds Gate Open and Gate Close
Attack 0.01ms to 1,000ms
Release 1ms to 10,000ms
Hold 0.01ms to 5,000ms
EQ Mode Wideband, Sidechain or Split
Gain Reduction Meter -108dB to +12dB
Control Level Meter -100dB to 0dB
Parameter Linking Links the Compressor/Expander and Gate/Expander controls
Filter/EQ
Two Complementary Bands: Active/Sidechain path, and passive path
Crossover Slope: 18dB/octave to 36dB/octave
Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
Frequency: 16Hz to 21Khz
Q: 0.1 to 0.6

Lookahead: Yes/No
Key Mode: Stereo, Left keys Right, Right keys Left
Monitor: Audio, Sidechain, or Passive
Output Gain Fader: -40dB to +18dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

IR-L Controls
CPU Mode: Full CPU or Low CPU
IR Graph:
(Gain and Time) -90dB to 0dB, 0s to 10s, (Zoom) In and out on the time axis, (Zoom Reset Defaults) to 6s display

Reverb Time Section
Convolution Start: 0s to 1s
Convolution Length: 0s to 6s
RT60 Indicator: 0.1s to 10s
Ratio: 0.25 to 1.00

Latency: shows the current latency in ms
Dry: 0ms to 30ms delay of the dry signal
Dry/Wet; 0% to 100%
Crosstalk: 0 to 100 (IR-L Efficient module only)
Direct: On/Off
Direct Pre-delay: 0ms to 500ms
Output Gain Fader: -50dB to 0dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

SuperTap Controls
Tempo
BPM: 40BPM to 1200BPM
MS: 50ms to 1,500ms
Tap Pad: Manual Tap input
Tap Pad Mode: Tempo or Pattern
Sync: Auto or Manual

Modulation Controls
On/Off: Switch
Sync: Manual or Tempo
Rate: 0Hz to 20Hz
Depth: 0ms to 10ms

On/Off: Switch for Direct Signal, Taps and Feedback
Direct Signal Gain: -42dB to 0dB
Tap Gain: -48dB to 0dB
Feedback Amount: 0% to 100%
Rotate: -45° to +45° of Direct Signal, Taps, and Feedback
Taps and Feedback Delay Sliders: 0ms to 5,944ms or by Tempo Grid
Feedback Mode: Normal or Tap
Snap: On/Off snap to grid
Grid resolution: Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths
Grid Mode: BPM or ms

EQ Controls
On/Off: Switch per Taps and Feedback
Tap Filter Type: Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
Feedback Filter Type: include Low Pass, Low Shelf and Low Decay
Frequency: 0.1kHz to 20kHz per Taps and Feedback
Gain: -12dB to +12dB for Taps; -12dB to 0dB for Feedback

Output Gain Fader: -12dB to +12dB
Output Meter: -30dB to 0dB with peak hold and clip indicators

Doubler Controls
Gain: -48dB to 0dB per voice and for the direct signal
Pan: -45° to +45° per voice and for the direct signal
Align: Delays the direct signal according to the latency of the voices
FB High Pass Filter: 16Hz to 21,357Hz
Range: 20Hz or 80Hz detune frequency boundary
Modulation Reset: Resets Rate and Depth values
Delay: 0ms to 100ms per voice
Feedback: 0% to 100% per voice
Octave: On/Off (Shifts the voice one octave down)
Detune: -100 to +100 cent
Depth: -200 to +200 cent
Rate: 0.1Hz to 400H
Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
Output Gain Fader: -24dB to 0dB
Output Meters: -30dB to 0dB, with peak hold and clip indicators
In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
In 2-4: R, R+L, R-L. Input signal for voices 2 and 4

DeEsser Controls
Audio: Split or Wideband modes
Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
Sidechain Filter Type: High-Pass or Band-Pass
Monitor: Audio or Sidechain
Threshold: -80dB to 0dB integrated with the Input Energy Meter
Attenuation Meter: -30dB to 0dB with peak hold indicator
Output Meter: -30dB to 0dB with peak hold indicator

S1 Stereo Imager Controls
Gain: -24dB to 0dB
Width: 0.0 to 3.0
Shuffle: 1.0 to 3.0
Frequency: 350Hz to 1400Hz
Input Mode: M/S or L/R
Left/Right Phase: +/-
Input Channel Swap
Bass Trim: -3dB to +3dB
Asymmetry: -90° to +90°
Rotation: -45° to +45°
Output Mode: MS or L/R
Output Meter: -24dB to 0dB with peak hold and clip indicators
Stereo Image Graph: Graphic control over all image parameters

Renaissan