Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
The LA-610 by Universal Audio defined the affordable, ultimate vintage tone channel strip. So how can UA improve on tonal perfection on what was already a hit product? Enter the sequel...LA-610 Mk II, a second-generation revamp of the original 2005 LA-610 design. While the preamp and compressor are identical to the original LA-610 that professionals have come to know and love, additional features have been added such as true compressor bypass, larger metering, improved output signal, and an auto-sensing power supply. The LA-610 Mk II also features the highly popular black-on-black cosmetics of the LA-610 Signature Edition.
The original UA 610 tube mic pre and EQ have been used to record artists ranging from Frank Sinatra to Eddie Van Halen. It's a sound that never gets old — just better — thanks to the spirit of Bill Putnam and modern advances in electronics design.
Universal Audio LA-610 Mk II Classic Tube Recording Channel
Features:
Based on Legendary Bill Putnam 610 Tube Mic Pre and EQ Used on Countless Classic Recordings Authentic Teletronix LA-2A-style T4 Opto-Compressor Complete vintage channel-strip at groundbreaking price within project studio reach Mic Pre with Gain and Level controls, variable impedance switching, and Instrument DI for recording tone "color" Mk II Features such as True Bypass, Larger Metering and Improved Signal Output UA build quality and heritage, audiophile components, hand-assembled in the USA
MK II Improvements: True Bypass of the Compressor Circuit Larger and Better Lit Metering Improved Output Signal Performance Auto-Sensing Universal Power Supply Improved stability with feedback-style shelving EQ Improved consistency with Input Gain values LED Jewel Light Never Needs Replacing General: Mic, Line and Hi-Z Input, Line Output Dual Impedance Mic and Hi-Z inputs (Mic: 2K, 500OHMS, Hi-Z: 2.2M, 47Kohms) 5 position Stepped Preamp Input Gain, Continuous Preamp Output Level -15dB Pad Switch (15dB Pad/Off) Phase reverse (0/180°) 48 volt Phantom Power switch (+48v/Off) ± 9 dB stepped High Shelving Filter (4.5, 7, 10 kHz) ± 9 dB stepped Low Shelving Filter (70, 100, 200 Hz) T4 Optical Compressor with Continuous Peak Reduction and Makeup Gain Compress/Limit/Bypass Modes of Dynamic Operation (3:1 / 8: 1) Meter Source Selector Switch (Preamp/Gain Reduction/Compressor) Front Panel Power switch (On/Off) Custom Altran and Cinemag Transformers
Universal Audio LA-610 Mk II Classic Tube Recording Channel
Specifications:
Microphone Input Impedance: Selectable, 500 Ohms or 2k Ohms Balanced Line Input Impedance: 20k Ohms Hi-Z Input Impedance: Selectable, 2.2M Ohms or 47k Ohms Maximum Microphone Input Level: -8 dBu (2K input Imp. & 15 dB Pad in) Maximum Output Level: 80 Ohms Recommended Minimum Load: 600 Ohms Frequency Response: 20 Hz to 20 kHz ± 0.5dB Maximum Gain: 40 dB (Line), +77dB (Mic) Noise Floor: -72 dBu 20 - 20kHz (Line In, unity Gain) Compressor Ratio: 3:1, soft knee, program dependent Limiter Ratio: 8: 1, soft knee, program dependent Attack Time: 10 ms, program dependent Release Time: Dual stage: 60 ms for 1st release, then 1 - 15 sec. Tube Complement: (3) 12AX7, (1) 12AT7, (1) EL84 Power Requirements: 100V / 120V / 240V Power Consumption: 30 Watts Power Connector: Detachable IEC power cable Dimensions: 19" W x 3.5" H x 12.25" D (two rack spaces) Weight:12 lbs.
Universal Audio LA-610 Mk II Classic Tube Recording Channel
One year parts and labor warranty on all U.A. products and Kind of Loud products.
Get your gear covered!
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
Its a excellent preamp and the optical compressor side is just unbelieveable, no distortion at all and very warm sound, Universal Audio hasnt let me down yet.
I own several boutique pre-amps to compare to and the LA-610mkII stands shoulder to shoulder with them. It possesses a tone unlike the others especially on male vocal...Silky highs with punchy low mids and just enough air. The preamp and compressor work very well together where you can hit 10db of compression and barely hear it working. Very smooth and musical for tracking vocals. Like an LA2a it is very easy to set up. Everything feels solid. Switches and knobs have a positive feel and seem high quality.
For a vintage modeled piece it actually has a pleasing modern tone and not dark like some reviews have stated. It's definitely warm but possibly because of the smooth mid range. If anything it has a well-balanced tone that will work well on many lead sources.
On the bad side, the preamp can be overdriven slightly if not careful. Watch your loud passages and set your gain for that. All in all, I'm loving this piece. It has a color unlike my neve style preamps and it fills that lush and opulent side of my tool kit. Smooth and punchy. Delicate and tough. UA has a winner here. I'm in.
When first building my recording rig, I spent a *very* long time reading up on which preamp I wanted to start with. I was already using a Focusrite Saffire PRO 26 and 10, so something a bit colored was where I was aiming. I went ahead and went with Universal Audio because I was familiar with their higher end hardeware already.
Aside from my beloved Cort MGM, this is the best bit of money I've ever spent on something music-related. The sound is incredibly smooth and a bit on the darker side. The compressor is beyond excellent and the EQ gets used a lot more than I had expected. The only real flaw is that it sounds so damn good, it becomes your go-to pre -- using it on too many tracks on a single song can muddy things up.
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