The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube microphones, offering plenty of tone with excellent detail and clarity.Prior to 1959, TELEF... Click To Read More About This Product
The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube microphones, offering plenty of tone with excellent detail and clarity.
Prior to 1959, TELEFUNKEN GmbH distributed Neumann GmbH microphones throughout the world. When Neumann GmbH decided to take their distribution direct, TELEFUNKEN GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261.
TELEFUNKEN Elektroakustik is pleased to offer its first small diaphragm tube condenser, the ELA M 260. While not a historically accurate reproduction of the original ELA M 260 like the Diamond Series microphones, TELEFUNKEN Elektroakustik's version of the ELA M 260 is still built with the same attention to detail and level of quality that would be expected from a TELEFUNKEN Elektroakustik microphone.
One of the best recording tools for acoustic and classical music, the ELA M 260 system features a new circuit design based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. The combination of these features yields a small diaphragm microphone that is unique while also bearing the qualities of the vintage microphones that it was based upon.
In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Violin, cello, upright bass, drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all shine through the ELA M 260. Also, despite its size, it has also served well on vocal applications. Its unique tonal character is very well suited for a myriad of applications, both traditional and not.
All ELA M 260 system packages are supplied with a set of three interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hyper-cardioid. With all three capsules the user can have the flexibility to record their source material in any way they wish. Each system also includes an M960 power supply, M801 25' dual-shielded TX-7 tube microphone cable, M761 elastic shock mount, wooden microphone box and a dedicated power supply.
Frequency response: 20Hz to 20kHz
Max SPL: 135 dB
Pattern and type
Applications: Studio, stage, theatrical
Phantom power required: Yes (48V)
Size and weight
Length: 5.5" (140 mm)
Width: .8125" (21 mm)
Depth: .8125" (21 mm)
Weight: 4.2 oz. (119 g)
Case: Wooden box
Clip: Shock mount
Power supply: Yes
Type: Condenser Pressure Gradient
Capsule: TK-60, TK-61, TK-62
Frequency Range: 20Hz / 20kHz
Polar Pattern: Cardioid, Omnidirectional, Hypercardioid
Sensitivity: 16.5 mV/pa +/- 1 dB
THD at 1kHz at 1Pa: <0.15%
Output Impedance: <200 ohms
Maximum SPL: 135dB
Non Linear Distortion: (for 1% THD @ 1KHz) 120dB
Self Noise: 11dBA
Tube Type: EF732 / 5840W
Power Type: Dedicated Power Supply
Size: 5 1/2" (140mm) length x 13/16" (21mm) diameter
Weight: 4.2 oz (119g)
Powering Alternative: 960FS Battery Supply
Supply Current: <1mA (120V) 135mA (6V)
Connected Via: XLR-7 (F), XLR-3 (M) output
Supplied Accessories: Power supply, cardioid capsule, omnidirectional capsule, hypercardioid capsule, wooden mic box, shock mount, 25' Accusound dual-shielded cable, windscreen, capsule case, cardboard case