The Taylor 2012 GA6 Maple/Spruce Grand Auditorium Acoustic Guitar features the advantageous combination of figured Big Leaf maple paired with a Sitka spruce top, resulting in an articulate acoustic gu... Click To Read More About This Product
The Taylor 2012 GA6 Maple/Spruce Grand Auditorium Acoustic Guitar features the advantageous combination of figured Big Leaf maple paired with a Sitka spruce top, resulting in an articulate acoustic guitar that impresses in both tone and appearance.
Grand Auditorium (GA)
Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"
Taylor' signature shape embodies the ultimate all purpose acoustic.
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker' guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA' overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won™t let you down.
Big Leaf Maple
Origin: Western North America
A dense hardwood, maple's tone is like a laser beam ” very focused ” and dominant on the fundamental. Often described as having a "bright" sound, maple has fewer overtones than other medium-density woods, resulting in quicker note decay. This makes it a preferred guitar wood for live performance settings with a band ” especially with bass, drums and electric guitar ” because it cuts through a mix well, allows the acoustic sound to be heard, and is less prone to feedback issues. It has some midrange, and a lot more treble sparkle than rosewood.
Goes Well With: Live band performances, recording, lead players who like clean articulation and note definition, 12-strings, players with dark bone tone.