The 2012 DN-K-E Koa/Spruce Dreadnought Acoustic-Electric Guitar model showcases a different appointment package from its acoustic/electric counterparts. Ivoroid binding applies a time-honored acoustic... Read More
The 2012 DN-K-E Koa/Spruce Dreadnought Acoustic-Electric Guitar model showcases a different appointment package from its acoustic/electric counterparts. Ivoroid binding applies a time-honored acoustic touch, while sparkling abalone outlines the tops and forms the rosette. This model comes standard with a Sitka spruce top.
Body Width: 16" / Body Depth: 4-5/8" / Body Length: 20"
The potent tone flatpickers and strummers love.
The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love this Dreadnought' blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.
Origin: The Big Island of Hawaii
Used On: The Koa Acoustic and Acoustic/Electric Series
A tropical hardwood, koa's tone blends the midrange of mahogany with the top end of maple. Due to its density, a new koa guitar tends to start out sounding a little bright and tight, somewhat like maple. But the more a koa guitar is played, the more the sound opens up, expanding the midrange and rewarding the player with a richer, sweeter, more resonant tone. A common mistake is when a bright player buys a koa guitar in part for its visual beauty, finds it to be too bright, and doesn't play it enough to allow the wood to warm up.
Goes Well With: Fingerstylists who play more with the pads of their fingers and tend to have a meatier touch. Bright players need to be careful because of koa's existing brightness (one might try experimenting with different pick materials).
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That' why we spent several years developing the onboard acoustic pickup and preamp. Taylor' ground-breaking Expression System® (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor' David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor® mounted to the soundboard, a Dynamic String Sensor® embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside their acoustic guitars, which allowed Taylor to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
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