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Taylor 900 Series 914ce-SB Grand Auditorium Acoustic-Electric Guitar Tobacco Sunburst

Item #: 
1500000029718
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Among Taylor’s rosewood/spruce guitars, the 900 Series has always projected an aura of high-end sophistication, showcasing a detail-rich aesthetic and the most-refined levels of Taylor craftsmanship. ... Read More

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Compare 900 Series 914ce-SB Grand Auditorium Acoustic-Electric Guitar Tobacco Sunburst

Item #1500000029718
  • Your Price $5,149.00
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$5,1490.00
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Overview

Among Taylor’s rosewood/spruce guitars, the 900 Series has always projected an aura of high-end sophistication, showcasing a detail-rich aesthetic and the most-refined levels of Taylor craftsmanship. This ultra-limited edition run goes one step further, showcasing a gorgeous tobacco sunburst top treatment that amplifies the visual appeal of the sparkling paua abalone top trim. A lush redesign of the series has brought a sleek and comfortable hand-carved beveled ebony armrest to the series, along with the same sweeping array of tonal-enhancing refinements first applied to the 800 Series.

On the 914ce, the Grand Auditorium’s all-around versatility has been punched up to produce a more powerful bass response and a warmer, sweeter midrange. The refreshed appointment scheme boasts a beautifully calibrated balance of ebony binding and koa purfling, together with colorful abalone shell inlays and trim. Additional features include a Venetian cutaway and Taylor’s Expression System 2 pickup. 


The guitar ships in a Taylor deluxe hardshell case.

Grand Auditorium
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Sitka Spruce
As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

Indian Rosewood
One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.

Taylor Expression System 2
The Taylor Expression System® 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.



Features Body
  • Body type:Grand Auditorium
  • Cutaway:Single
  • Top wood:Sitka Spruce
  • Back & sides:Indian Rosewood
  • Bracing pattern:Advanced performance with relief rout
  • Body finish:Gloss
  • Orientation:Right handed
  • Neck
  • Neck shape:Info not available
  • Nut width:1.75 in. (44.45 mm)
  • Fingerboard:Ebony
  • Neck wood:Tropical Mahogany
  • Scale length:25.5 in.
  • Number of frets:20
  • Neck finish:Satin
  • Electronics
  • Pickup/preamp:Yes
  • Brand:Taylor
  • Configuration:Behind-the-saddle piezo
  • Preamp EQ:1-band
  • Feedback filter:No
  • Tuner:No
  • Other
  • Headstock overlay:Ebony
  • Tuning machines:Gotoh
  • Bridge:Ebony
  • Saddle & nut:Micarta/Tusq
  • Number of strings:6-string
  • Special features:None
  • Case:Hardshell Case
  • Accessories:None
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  • Free transfer of coverage to a new owner
  • Repair costs covered for up to three years from date of purchase
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