Part of the upper echelon of Taylor's rosewood models, the 900 Series 2014 912e Grand Concert Acoustic Electric Guitar features Taylor' popular œCindy inlay, Indian rosewood binding, red purfling acc... Click To Read More About This Product
Part of the upper echelon of Taylor's rosewood models, the 900 Series 2014 912e Grand Concert Acoustic Electric Guitar features Taylor' popular œCindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among the three classes of Taylor's rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication.
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC' compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar' slightly wider neck gave players more room for complex fingerings. The GC' smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Taylor's current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24-7/8" scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
The 912e features one of the most popular and traditional guitar woods of all time, rosewood, which takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood' vintage heritage has helped firmly establish its acoustic legacy. It' a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music ” certain strains of Americana, for example ” rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It' very consistent, so players can usually rely on it to deliver.
If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with œdark hands.
CV Bracing with Relief Rout
The 912e's CV bracing incorporates the relief rout and additional refinements, including subtle contouring differences in the scalloping. In general, guitars with CV bracing sound fuller and fatter without giving up articulation. They are also slightly louder. Taylor's patented relief rout is a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin ” it œloosens up the edges of the top, generating extra flexibility without sacrificing structural integrity. The result is increased bass and volume with a balanced tone.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor' ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor' proprietary behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor' custom-designed œprofessional audio-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Shape: Grand Concert
Number of Strings: 6
Back/Side Wood: Indian Rosewood
Scale length: 24-7/8"
Top Wood: Sitka Spruce
Body Length: 19-1/2"
Electronics: Expression System 2
Body Width: 15"
Body Depth: 4-3/8"
Nut and Saddle: Bone
Neck Width: 1-3/4"
Neck/Heel: Tropical Mahogany
Bracing: CV Bracing with Relief Rout
Fretboard Wood: Ebony
Fretboard Inlay: Cindy
Headstock Overlay: Ebony
Binding: Indian Rosewood
Bridge Inlay: Cindy
Bridge Pins: Ebony with Abalone Dots
Truss Rod Cover: Ebony
Back/Side Finish: Gloss
Top Finish: Gloss
Neck Finish: Satin
Number of Frets: 20
Armrest Binding: None
Back Config: 2-piece No Wedge
Backstrap Wood: None
Backstrap Finish: None
Brand of Strings: Elixir Phosphor Bronze HD Light
Edge Trim: Abalone
Fingerboard Ext: Abalone
Fretboard Binding: Indian Rosewood
Heel Cap Binding: Indian Rosewood
Heel length: 3-1/4"
Peghead Finish: Gloss
Peghead Inlay: Cindy
Peghead Binding: Indian Rosewood
Peghead Logo: Taylor Mother of Pearl
Peghead Type: Standard
Rosette Mat.: Abalone
Rosette Size: Single Ring 900 Series Bound
Type of Neck Joint: Scarf
Case: Taylor Deluxe Hardshell Brown