Taylor's 900 Series 2014 910ce Dreadnought Acoustic-Electric Guitar is part of the the upper echelon of Taylor's rosewood models and features Taylor™s popular œCindy inlay, Indian rosewood binding, r... Click To Read More About This Product
Taylor's 900 Series 2014 910ce Dreadnought Acoustic-Electric Guitar is part of the the upper echelon of Taylor's rosewood models and features Taylor™s popular œCindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among the three classes of rosewood guitars, the fine detailing of Taylor's 900 Series sets it apart with exceptional design sophistication. The 910ce also features the soft round lines of a Venetian cutaway which gives you better access to the upper frets as well.
The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love Taylor's Dreadnought™s blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.
One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood™s vintage heritage has helped firmly establish its acoustic legacy. It™s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music ” certain strains of Americana, for example ” rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It™s very consistent, so players can usually rely on it to deliver.
If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with œdark hands. If you'e looking for a traditional acoustic sound, a rosewood Dreadnought like the 910ce is right up your alley.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor™s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor™s proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor™s custom-designed œprofessional audio-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
CV Bracing with Taylor Relief Rout
This version incorporates the relief rout and additional refinements, including subtle contouring differences in the scalloping. In general, guitars with CV bracing sound fuller and fatter without giving up articulation. They are also slightly louder. Taylor's patented relief rout is a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin ” it œloosens up the edges of the top, generating extra flexibility without sacrificing structural integrity. The result is increased bass and volume with a balanced tone.
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