Maple' brightness is rounded out by the tonal depth of the Taylor600 Series 2014 616ce Grand Symphony Acoustic-Electric Guitar body, producing a sound that is both powerful and articulate.Big Leaf Map... Click To Read More About This Product
Find a similar product below or contact us for a recommendation of a great alternative.
Call: 866-498-7882 Email
Maple' brightness is rounded out by the tonal depth of the Taylor600 Series 2014 616ce Grand Symphony Acoustic-Electric Guitar body, producing a sound that is both powerful and articulate.
Big Leaf Maple/Stika Spruce
The 616ce Maple Grand Symphony Acoustic-Electric is constructed of big leaf maple back and sides with a stika spruce top giving the 616ce a crisp, bright tone that cuts through on stage.
Grand Symphony (GS)
Though you might see similarities to a Grand Auditorium, the GS is unique in both sound and shape. Significant changes in its geometry yield a deeper, more piano-like bass. A wider lower bout and higher, wider waist return ample volume and low-end sustain, in symphony with fuller mids and balanced highs.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor' ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor' proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor' custom-designed œprofessional audio-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
Behind the ES2 Design: Rethinking the Piezo Pickup
For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to œbounce up and down. But Taylor' electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets œlocked down due to the string tension' downward pressure. That' why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.
The saddle' natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor' design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar' energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.
Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.