The Taylor 2012 412ce-N Ovangkol/Spruce Nylon String Grand Concert Acoustic-Electric Guitar lets players continue to discover solid African ovangkol' responsive, rosewood-like tone, which pairs well w... Read More
The Taylor 2012 412ce-N Ovangkol/Spruce Nylon String Grand Concert Acoustic-Electric Guitar lets players continue to discover solid African ovangkol' responsive, rosewood-like tone, which pairs well with Sitka spruce and can accommodate a range of playing styles. White binding applies a crisp counterpoint against the gloss top and mottled brown hues of ovangkol, while the Expression System wires these guitars for high-fidelity amplified acoustic sound.
Grand Concert (GC)
Body Width: 15" / Body Depth: 4-3/8" / Body Length: 19-1/2"
A smaller bodied guitar ideally suited for fingerstyle.
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC' compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar' slightly wider neck gave players more room for complex fingerings. The GC' smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. The current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24-7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
Origin: Tropical West Africa
Over a decade ago, Taylor introduced the guitar world to a sustainable tonewood known as ovangkol. An African relative of rosewood, it's a great sounding wood that shares many of rosewood's tonal properties, with a slightly fuller midrange and a top end that's not quite as bright as maple. Being lesser known than rosewood, ovangkol has been a sleeper hit over the years, asserting itself as an instant contender among unsuspecting players who test-drive a variety of Taylor models.
Like the the ES-T, The ES-N is a single-source, under-saddle transducer, but the preamp design and tone controls were customized to complement the nylon-string voice. Standard ES control knobs enable plenty of tone-shaping and preserve the natural design aesthetic.
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