Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line. Players who step up to a 300... Click To Read More About This Product
Taylor's 300 Series has introduced countless players to the pleasures of the all-solid-wood acoustic experience; it's the entry point to Taylor's USA-made instrument line. Players who step up to a 300 Series instrument will be rewarded with a guitar-for-a-lifetime that will only sound better with age. It doesn't take but a few strums to learn how the mix of tone woods, construction and appointments combine to make Taylor's famous playability, intonation and tone. The 300 Series has everything you need and nothing you don't need in a fantastic sounding and playing instrument. All 300 Series instruments ship in a deluxe hard shell case made by Taylor for optimal fit and protection.
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.
Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Mahogany is a hardwood that produces a natural compression, yielding more "roll-in" effect to a note. The compression evens out a lively attack for a more linear response. Mahogany tops deliver strong fundamentals with clear and direct focus. Tonally, blackwood behaves somewhere in the middle of rosewood and mahogany, with a little extra shimmer and chime that shows its family resemblance to koa. Pairing blackwood with the mahogany top not only gives you that roll-in effect associated with a mahogany top - really smooth attack and balance - but extra complexity as the note decays. It's a great combination.
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, bass and treble controls.
Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly GC body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout. The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12-fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes. As to the slotted headstock, the angle of the strings as they bend over the nut is a little more acute, which puts a little more downward pressure on the nut. To your fretting hand, it'll feel a little more precise and better behaved as you fret near the nut; notes don't want to bend as easily closer to the nut.
What sets Taylor Guitars apart? Unmatched build quality, the most stable and playable necks, a vast array of tonal options, eco-conscious and ethically-sourced raw materials, and a lifetime of service and support.
Body type: Taylor Grand Concert
Cutaway: Yes - Venetian
Top wood: Solid Tropical Mahogany
Back & sides: Solid Blackwood
Bracing pattern: Taylor Standard III with Relief Rout
Body finish: Satin 5.0 Top, Back and Sides
Neck shape: Standard Taylor Profile
Nut width: 1-3/4" (44.5mm)
Fingerboard: Genuine African Ebony
Neck wood: Tropical Mahogany
Scale length: 24-7/8"
Number of frets: 20
Neck finish: Satin
Pickup/preamp: Expression System 2 "professional audio"-grade
Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
Preamp EQ: Volume, Bass, Treble
Feedback filter: Onboard Phase Switch
Headstock overlay: Indian Rosewood
Tuning machines: Taylor Nickel Tuners with Nickel Buttons
Bridge: Genuine African Ebony
Saddle & nut: Micarta "Wave" Saddle; Tusq Nut
Number of strings: 6
Special features: Taylor New Technology ("NT") Neck System
Case: Taylor Deluxe Hard Shell Case
Country of origin: USA
Reviewed by 1 customer
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Comments about Taylor 300 Series 322ce-SEB 12-Fret Grand Concert Acoustic-Electric Guitar:
I have a 414ce and I wanted a couch/LazyBoy friendly guitar. The older I get the more time I spend with acoustics. I tried a GS Mini, but that turns out to be more of a huge Ukelele in both size and tone. The 322ce 12-fret is small enough to sit in my lap as I work out arrangements, about as well as the Mini did. The beauty of it is that the 322 has wonderful rich tones, the small body and short neck allow for comfort while on the couch/LazyBoy, but with a really beautiful range of sounds. So I can easily use this guitar for serious jams or performance, the Electronics allow this to be used in any situation I'd use the 414 for. I find that the short neck makes me look for chording options on the lower neck that I might not seek out when using the full sized neck/body of the 414, so It's works great not only for simple blues and country stuff from the 1st position, but it's just as nice for more complex jazz stuff, and it makes me think a little differently than I do when using the full size acoustic or my 335/LPC electrics. I think the Mahogany/ Blackwood tone woods give not only a lot of bass definition, but beautiful chiming high tones as well. Definitely worth the upgrade from the mini, and after a month I can already hear the sound "opening up", I can't wait, but I guess I will, for this to age a bit as I think the tonal range will only improve. I'm learning to love how different this guitar is from my larger Taylor, I have to approach playing it differently, and that alone is really fun. It pulls me in every day, and I love what this guitar gives me. With the 12-fret neck, you do need the cutaway to have access to a full octave. Nice!
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