Beautiful layered Hawaiian koa back and sides distinguish the robust-voiced 210ce K DLX Dreadnought. A solid Sitka spruce top yields great tonal definition, while cream binding, Small Diamond fretboar... Click To Read More About This Product
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Beautiful layered Hawaiian koa back and sides distinguish the robust-voiced 210ce K DLX Dreadnought. A solid Sitka spruce top yields great tonal definition, while cream binding, Small Diamond fretboard inlays and a full-gloss body elevate the aesthetic appeal. A Venetian cutaway offers access to the upper register, and Taylor's original Expression System electronics deliver a professional-grade plug-and-play experience. The guitar ships in a Taylor standard hardshell case.
The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love the Taylor Dreadnought's blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.
Forward-Shifted Pattern Bracing
All of Taylor's bracing for steel-string models is a form of X-bracing. The "X" provides a continuous flow of strength from the upper bout to the lower bout, which provides rigidity in spite of the soundhole's location in the middle of the soundboard. The 210ce K DLX moves the X forward, closer to the soundhole and also features Taylor's Relief Rout, a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin - it "loosens up" the edges of the top, generating extra flexibility without sacrificing structural integrity. The result is increased bass and volume with a balanced tone.
Like Taylor's other layered wood options, layered koa features an all-wood laminated construction, in this case with interior and exterior layers of beautifully-figured koa veneer separated by a middle core layer of poplar. Though the tonal properties of layered wood aren't as complex as solid wood, the construction method enables them to conserve tonewood resources and offer attractive, durable instruments at a more inviting price. A solid spruce top and Taylor craftsmanship ensure a clear, balanced tonal response.
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That's why Taylor spent several years developing their own onboard acoustic pickup and preamp. Taylor's groundbreaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls - volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor's David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside their acoustic guitars, which allowed them to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.
Number of Strings: 6
Back/Side Wood: Layered Koa
Scale length: 25-1/2"
Top Wood: Sitka Spruce
Body Length: 20"
Electronics: Expression System
Body Depth: 4-5/8"
Nut and Saddle: Nubone Nut/Tusq Saddle
Neck Width: 1-11/16"
Bracing: Forward-Shifted Pattern
Fretboard Wood: Ebony
Fretboard Inlay: Small Diamonds
Headstock Overlay: Indian Rosewood
Bridge Inlay: None
Bridge Pins: Black
Tuners: Chrome (100/200)
Truss Rod Cover: Indian Rosewood
Back/Side Finish: Gloss
Top Finish: Gloss
Neck Finish: Satin
Number of Frets: 20
Armrest Binding: None
Back Config: 2-piece No Wedge
Backstrap Wood: None
Backstrap Finish: None
Brand of Strings: Elixir Phosphor Bronze Medium
Edge Trim: None
Fingerboard Ext. None
Fretboard Binding: None
Heel Cap Binding: Cream
Heel length: 3-1/2"
Peghead Finish: Satin
Peghead Inlay: None
Peghead Binding: None
Peghead Logo: Taylor Colorcore
Peghead Type: Standard
Rosette Mat.: Plastic
Rosette Size: Three-Ring
Type of Neck Joint Scarf
Case: Taylor Standard Hardshell Black