Part of the upper echelon of Taylor's rosewood models, the 956ce features Taylor™s popular œCindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fret... Read More
Part of the upper echelon of Taylor's rosewood models, the 956ce features Taylor™s popular œCindy inlay, Indian rosewood binding, red purfling accents, and abalone top trim that also borders the fretboard extension. Among Taylor's three classes of rosewood guitars, the fine detailing of the 900 Series sets it apart with exceptional design sophistication. The 956ce also features a Venetian cutaway that gives you a steeper slope, and better access to the upper frets. Includes hardshell case.
The Grand Symphony shape joined the line in 2006 and delivers a rich, powerful acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you'e a dynamic player, this shape is a true contender. And the big voice doesn™t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.
The 956ce features one of the most popular and traditional guitar woods of all time, rosewood, which takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood™s vintage heritage has helped firmly establish its acoustic legacy. It™s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music ” certain strains of Americana, for example ” rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It™s very consistent, so players can usually rely on it to deliver.
If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with œdark hands.
Twelve-strings generally employ heavier braces than 6-strings in order to handle the increased tension of twice the number of strings, and to prevent the top from being overdriven. Taylor 12-strings have thicker tops, thicker pin plates, and heavier, non-scalloped bracing, to support the top and adequately amplify the tone of the guitar.
Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor™s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor™s proprietary behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor™s custom-designed œprofessional audio-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.
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