The Taylor 2012 2012 GA7e-L Rosewood/Cedar Grand Auditorium Left-Handed Acoustic-Electric Guitar represents a classic combination of universally appealing tonewoods. This exquisite guitar blends the w... Click To Read More About This Product
The Taylor 2012 2012 GA7e-L Rosewood/Cedar Grand Auditorium Left-Handed Acoustic-Electric Guitar represents a classic combination of universally appealing tonewoods. This exquisite guitar blends the warmth of a cedar top with the expansive tone of a rosewood body. Deluxe appointments include an ebony fretboard, Ivoroid binding, abalone inlays and gold tuners. Taylor Expression System electronics are onboard for plugged-in excellence on the stage or in the studio.
Grand Auditorium (GA)
Body Width: 16" / Body Depth: 4 5/8" / Body Length: 20"
Taylor™s signature shape embodies the ultimate all purpose acoustic.
Taylor's most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker™s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA™s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won™t let you down.
Origin: East India
One of the most popular and traditional guitar woods of all time, rosewood takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood™s vintage heritage has helped firmly establish its acoustic legacy. It™s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music ” certain strains of Americana, for example ” rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It™s very consistent, so players can usually rely on it to deliver.
Goes Well With: Most applications. If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with œdark hands. If you'e looking for a traditional acoustic sound, a rosewood Dreadnought or Grand Auditorium is right up your alley.
Taylor™s groundbreaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar. The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.
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