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Taylor 2012 Fall Limited Grand Concert 12 Fret Acoustic-Electric Guitar

Item #: 
1344881334596725572
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Not only is the rare quilted sapele used for this series visually different from the sapele used elsewhere in the Taylor line, its tonal response is also distinctive. These flatsawn sets have more fle... Click To Read More About This Product

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Overview

Not only is the rare quilted sapele used for this series visually different from the sapele used elsewhere in the Taylor line, its tonal response is also distinctive. These flatsawn sets have more flex, which translates into greater power and warmth on the low end. A premium European spruce top is the perfect complement, blending elements of Adirondack spruce' robust output (thanks in part to Adirondack spruce bracing) with a hint of cedar' warmth. The shifted bridge location of the short-scale 12-Fret GC yields extra sweetness and a slightly slinkier playing experience. Quilted sapele and ivoroid appointments, including a diamond œSolitaire inlay scheme, add elegant sophistication to the guitar.

Grand Concert (GC)
Body Length: 19-1/2" / Body Width: 15" / Body Depth: 4-3/8"
A smaller-bodied guitar ideally suited for fingerstyle.

The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC' compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar' slightly wider neck gave players more room for complex fingerings. The GC' smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. The current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24-7/8" scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.

Quilted Sapele
Origin: West Africa
In contrast to the relatively straight-grained sapele used for backs and sides in Taylor' 300 Series, quilted sapele is an extremely rare and precious find. Rare enough that years can pass between appearances. While standard sapele is normally quartersawn, which contributes to its overall stiffness, quilted sapele is often flatsawn. This not only allows the beautiful figure to be showcased to maximum effect, it also produces more flex in the wood. This translates tonally into slightly more power and warmth than standard sapele, which typically has a mahogany-like tone with a more pronounced treble zing.

Goes Well With: Most playing styles. Like standard sapele, it' a great all-purpose tonewood that will respond well to a variety of playing styles. If you like mahogany, you™ll like this tone profile. Strummers will appreciate the extra power in the lower midrange, while fingerstylists will enjoy the warmth.

Expression System
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That' why several years were spent developing the onboard acoustic pickup and preamp. Taylor' ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.

The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls ” volume, bass and treble.

Breakthrough Technology
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor' David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.

Integrated Design
The ES was designed in-house, alongside Taylor's acoustic guitars, which allowed them to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.

FEATURES

6-string Grand Concert body shape
12 fret to body design
European Spruce top
Quilted Sapele back and sides
Taylor ES electronics
Includes case
SPECIFICATIONS
Shape: Grand Concert
Number of Strings: 6
Back/Side Wood: Quilted Sapele
Scale length: 24-7/8"
Top Wood: European Spruce
Body Length:19-1/2"
Electronics: ES
Body Width: 15"
Cutaway: Venetian
Body Depth: 4-3/8"
Nut & Saddle: Bone
Neck Width: 1-3/4"
Neck/Heel: Tropical Mahogany
Bracing: Adirondack 12-fret
Fretboard Wood: Ebony
Fretboard Inlay: Solitaires
Headstock Overlay: Ebony
Binding: Ivoroid
Bridge Inlay: None
Bridge Pins: Ebony
Tuners: Taylor slot head
Truss Rod Cover: Ebony
Back/Side Finish: Gloss
Top Finish: Gloss
Neck Finish: Satin
Case: Taylor Deluxe Hardshell Brown
Number of Frets: 18
Back Config: 2-piece No Wedge
Brand of Strings: Elixir Light
Buttons: Ivoroid
Edge Trim: Sapele
Filler (Body): Brown
Filler (Neck): Brown
Fretboard Binding: Ivoroid
Heel Cap Binding: Ivoroid
Heel length: 3-1/4"
Purfling Material: Plastic
Peghead Finish: Gloss
Peghead Inlay: None
Peghead Binding: None
Peghead Logo: Ivoroid
Peghead Type: slot head
Rosette Mat.: Ivoroid/Sapele
Rosette Size: Single Ring 900 Series Bound
Stain/Sunburst: Medium Brown Stain
Type of Neck Joint: Scarf
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