Gorgeous fretboard inlays, rosette, and binding compliment the natural beauty of this high-quality hybrid.
Taylor's Presentation Series guitars occupy a class all their own. They feature their finest sets of cocobolo paired with premium Sitka spruce tops. A contoured ebony armrest blends beauty and playing comfort. Other high-end details include colorful paua edging, a cocobolo backstrap, and an elaborate Nouveau vine fretboard inlay complemented by elegant headstock torch and bridge inlays. Other appointments include Gotoh Gold tuners, bone nut and saddle, and a single-ring paua 900 Series Bound rosette.
The Grand Symphony shape joined the line in 2006 and delivers a rich, powerful acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you’re a dynamic player, this shape is a true contender. And the big voice doesn’t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.
Cocobolo is a dense, stiff tropical hardwood with a fairly bright tone. Sonically, it's similar to koa, but resonates a little deeper on the low end, although it doesn't have quite the full low end of rosewood or ovangkol. Fast and responsive, with moderate note decay, it's articulate with lots of note distinction. We like it on a GS because it really pairs well with what the body shape is doing, blending the low end and midrange of the body with the wood's brightness. We also like it for fingerstyle on a GC.
Twelve-strings generally employ heavier braces than 6-strings in order to handle the increased tension of twice the number of strings, and to prevent the top from being overdriven. Taylor 12-strings have thicker tops, thicker pin plates, and heavier, non-scalloped bracing, to support the top and adequately amplify the tone of the guitar. The one exception to this rule is the Leo Kottke Signature Model 12-string (LKSM), which has scalloped bracing designed to work with fat, heavy-gauge, low-tuned strings, to give the guitar its characteristic, “throaty-piano” tone.
Taylor Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.