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Taylor K66e 12-String Grand Symphony ES2 Acousti-Electric Guitar
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      Taylor K66e 12-String Grand Symphony ES2 Acousti-Electric Guitar (109860239)
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A bright-sounding 12-string with gorgeous tonewoods and upgraded electronics.

Hawaiian koa’s captivating beauty is matched by a tone that blossoms over time, especially in the midrange. Its voice is bright and focused, with warm overtones that slowly emerge, adding sweetness and depth. Premium all-wood appointments, led by the Island Vine fretboard inlay, celebrate the wood’s natural appeal.

Grand Symphony (GS)
Body Length: 20" / Body Width: 16 1/4" / Body Depth: 4 5/8"
The ultimate Taylor strummer.

The Grand Symphony shape joined the Taylor line in 2006 and delivers a rich, powerful acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you’re a dynamic player, this shape is a true contender. And the big voice doesn’t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.

Hawaiian Koa
Origin: The Big Island of Hawaii

A tropical hardwood, koa's tone blends the midrange of mahogany with the top end of maple. Due to its density, a new koa guitar tends to start out sounding a little bright and tight, somewhat like maple. But the more a koa guitar is played, the more the sound opens up, expanding the midrange and rewarding the player with a richer, sweeter, more resonant tone. A common mistake is when a bright player buys a koa guitar in part for its visual beauty, finds it to be too bright, and doesn't play it enough to allow the wood to warm up.

Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

Behind the ES2 Design: Rethinking the Piezo Pickup
For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.

The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.

Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.

Taylor K66e 12-String Grand Symphony ES2 Acousti-Electric Guitar Features:

  • Solid Hawaiian koa top
    Hawaiian koa back & sides
    Tropical mahogany neck with ebony fingerboard and Island vine inlay
    Taylor Expression 2 electronics
    Includes case


Taylor K66e 12-String Grand Symphony ES2 Acousti-Electric Guitar Specifications:

  • Shape: Grand Symphony
    Back/Side Wood: Hawaiian Koa
    Scale length: 25-1/2"
    Top Wood: Hawaiian Koa
    Body Length: 20"
    Electronics: Expression System 2®
    Body Width: 16 1/4"
    Cutaway: None
    Body Depth: 4 5/8"
    Nut & Saddle: Bone
    Neck Width: 1-7/8"
    Neck/Heel: Tropical Mahogany
    Bracing: 12-String Bracing with Relief Rout
    Fretboard Wood: Ebony
    Fretboard Inlay: Island Vine
    Headstock Overlay: Ebony
    Binding: Indian Rosewood
    Bridge Inlay: None
    Bridge Pins: Ebony
    Tuners: Taylor Gold
    Truss Rod Cover: Ebony
    Back/Side Finish: Gloss
    Top Finish: Gloss
    Neck Finish: Satin
    Pickguard: None
    Case: Taylor Deluxe Hardshell Brown
    Number of Frets: 20
    Armrest Binding: None
    Back Config: 2-piece No Wedge
    Backstrap Wood: None
    Backstrap Finish: None
    Brand of Strings: Elixir Phosphor Bronze HD Light
    Buttons: Gold
    Edge Trim: Maple
    Fingerboard Ext: None
    Fretboard Binding: Indian Rosewood
    Heel Cap Binding: Indian Rosewood
    Heel length: 3-1/2"
    Peghead Finish: Gloss
    Peghead Inlay: Island Vine
    Peghead Binding: Indian Rosewood
    Peghead Logo: Taylor Maple
    Peghead Type: Standard
    Rosette Mat.: Rosewood/Maple/Rosewood
    Rosette Size: Single Ring
    Stain/Sunburst: Shaded Edgeburst
    Type of Neck Joint: Scarf
    Wedge: None


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