A gorgeous 6-string with a cedar top, cutaway and Taylor ES-T electronics.
The Taylor 2012 Fall Limited 410ce-FLTD Dreadnought Acoustic-Electric Guitar lets players continue to discover Tasmanian Blackwood's responsive tone, which pairs well with Western red cedar and can accommodate a range of playing styles. Rock maple was chosen for many of the appointments, including a back mini wedge, the binding, and a “fishbone”-style rosette, which together add creamy counterpoints. Small dot inlays and a satin finish back and sides provide tidy touches that lean toward aesthetic simplicity. Taylor ES-T wires these guitars for high-fidelity amplified acoustic sound.
Body Width: 16" / Body Depth: 4-5/8" / Body Length: 20"
The most traditional of guitar shapes, Bob Taylor has evolved the Taylor Dreadnought over time to honor its enduring sonic heritage yet also refine the look and sound into a more modern package. The Taylor Dreadnought still boasts that powerful dreadnought tone that old school pickers expect, with deep lows and crisp highs, but with a voice that, like every Taylor, is more evenly balanced across the entire tonal spectrum. Perhaps more than any other shape, the Dreadnought remains linked with roots music like bluegrass and folk, in part because of its traditional role in defining those sounds. Pickers and strummers with an aggressive attack will love our Dreadnought’s blend of power and articulation, which allows for clear lead lines and crisp, driving rhythms.
Tasmanian blackwood is an acacia wood species that’s a close cousin of Hawaiian koa. Though it might not match koa’s cachet in terms of exotic beauty, its tonal range is similar, and visually it often exhibits some of koa’s same character traits. Blackwood also is sourced from forests that are responsibly managed, making it a sustainable wood for guitar making. Blackwood takes koa’s basic tonal profile (a blend of mahogany’s meaty midrange and maple’s brightness) and adds a splash of rosewood’s overtone bloom.
Goes Well With: Different playing styles, depending on the body style and top pairing. A cedar top will help bring out a springy, woody, warm low end with a rich overtone complement that fingerstylists may really enjoy. Stronger strummers and flatpickers will match up well with a bigger body and might be better suited with a spruce top.
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That’s why several years were spent developing the onboard acoustic pickup and preamp. Taylor’s ground-breaking Expression System (ES) was designed to naturally amplify the warm acoustic sound of your guitar.
The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls — volume, bass and treble.
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor’s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor mounted to the soundboard, a Dynamic String Sensor embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.
The ES was designed in-house, alongside Taylor's acoustic guitars, which allowed them to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.