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Taylor 2012 512ce-L Mahogany/Cedar Grand Concert Left-Handed Acoustic-Electric Guitar
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      Taylor 2012 512ce-L Mahogany/Cedar Grand Concert Left-Handed Acoustic-Electric Guitar (H80167)
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A compact guitar that packs in clear, bright tones and killer electronics.

Singer-songwriters are often drawn to the 500 Series because mahogany yields its inspiring tone easily, with a breathy midrange and a wonderful balance of warmth, clarity and complexity. The Taylor 2012 512ce-L Mahogany/Cedar Grand Concert Left-Handed Acoustic-Electric Guitar model sports a beautiful cedar top. The refined appointment package features a laser-engraved Deco Diamond inlay scheme, faux tortoise shell binding, and a dark body stain that honors mahogany’s enduring heritage.

A smaller bodied guitar ideally suited for fingerstyle.
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC’s compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar’s slightly wider neck gave players more room for complex fingerings. The GC’s smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. The current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.

Tropical Mahogany
Origin: Central and South America
Mahogany is a good wood to anchor a discussion of tones, as a lot of other wood tones can be described in relation to it. Its essential sonic profile is well represented in the midrange frequencies. Acoustic guitars in general tend to live in the midrange portion of the sound spectrum, but mahogany in particular displays a lot of midrange character. That thick, present midrange sound is sometimes described in guitar circles as meaty, organic or even “chewy” — wherever a player digs in on the fretboard, they’re tapping into the core of the harmonic content of what a guitar produces. Those great midrange frequencies produce overtones that stack up and produce bloom, giving the sound extra girth. When one hears the resulting harmonics, the “chewy” tone serves up a big mouthful of midrange. As a popular tonewood for many decades, mahogany has been used on scads of old school acoustic recordings, and that sonic heritage carries across various strains of roots music, from blues to folk to slack key.

Goes well with: A broad range of players and musical styles; people who like a well-balanced tone, nice dynamic range and a healthy serving of overtones. Blues and other rootsy players tend to respond well to mahogany’s midrange character. A smaller body mahogany guitar (GC or GA) might appeal to fingerstyle players, whereas more aggressive flatpickers might opt for a mahogany Dreadnought or GS. For versatility, a mahogany GA is a good bet. Because of mahogany’s midrange, a player with “dark hands” will tend to sound darker on a mahogany guitar. A bright player will sound slightly less bright.

Expression System®
Natural Sound Made Simple
People love the clear, full acoustic tone of their Taylors. Why should it be any different when they plug in? That’s why we spent several years developing the onboard acoustic pickup and preamp. Taylor’s ground-breaking Expression System® (ES) was designed to naturally amplify the warm acoustic sound of your guitar.

The ES is an all-magnetic acoustic guitar pickup system that works like a microphone to produce a pure signal and a warm, natural acoustic sound. When you plug in, you'll hear the sound of your guitar, not the sound of the pickup. No complicated controls. No tone simulators. Just a clean amplified acoustic guitar sound supported by three simple controls — volume, bass and treble.

Breakthrough Technology
Years of research brought Taylor to a simple realization: Nothing sounds as true and musical as a microphone. With that as a starting point, Taylor’s David Hosler led the team responsible for the Expression System's breakthrough technology. Utilizing a unique Dynamic Body Sensor® mounted to the soundboard, a Dynamic String Sensor® embedded beneath the fretboard, and a discrete preamp, the advanced ES technology is unlike any other guitar pickup system.

Integrated Design
The ES was designed in-house, alongside their acoustic guitars, which allowed Taylor to build the ES seamlessly into the design of the guitar, for an integrated pickup system unlike any other. From the design and location of the body and string sensors to the voicing of the preamp, the ES is fully optimized for the Taylor sound. The elegant design, including the non-intrusive control knobs, also preserves the aesthetic of a Taylor guitar.

Taylor 2012 512ce-L Mahogany/Cedar Grand Concert Left-Handed Acoustic-Electric Guitar Features:

  • Shape: Left-Handed Grand Concert
    Back/Side Wood: Tropical Mahogany
    Top Wood: Western Red Cedar
    Neck/Heel: Tropical Mahogany
    Electronics: ES®
    Bracing: Forward Shifted Pattern with Relief Rout
    Binding: Tortoise
    Fretboard Wood: Ebony
    Fretboard Inlay: Deco Diamonds
    Headstock Overlay: Indian Rosewood
    Bridge Inlay: None
    Bridge Pins: Ebony with Abalone Dots
    Nut & Saddle: Tusq
    Tuners: Taylor Gold
    Truss Rod Cover: Indian Rosewood
    Back/Side Finish: Gloss
    Top Finish: Gloss
    Neck Finish: Satin
    Cutaway: Venetian
    Pickguard: Tortoise
    Taylor Deluxe Hardshell Case


Taylor 2012 512ce-L Mahogany/Cedar Grand Concert Left-Handed Acoustic-Electric Guitar Specifications:

  • Body width: 15”
    Body depth: 4 3/8”
    Body length: 19 1/2”
    Overall length: 40 1/2”


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