Fatman by TL Audio is the first-ever audiologist-designed in-ear personal monitor that can actually protect your hearing. The cool headphone design is combined with the latest in-ear technology to giv... Click To Read More About This Product
Fatman by TL Audio is the first-ever audiologist-designed in-ear personal monitor that can actually protect your hearing. The cool headphone design is combined with the latest in-ear technology to give you superior sound and hearing protection.
The patented Fatman earpieces supplied with the kit fit snugly and anatomically correctly in your ears. They channel sound closer to your eardrum so that you can monitor at lower, safer volumes, and protect your hearing. The earbuds are designed to stay put, even when you are nodding your head to the fattest tunes.
The Fatman earpieces are noise-canceling so they can block out those unwanted background sounds that can be a problem in noisy clubs. Not being able to hear yourself will be a thing of the past, allowing you, the DJ, to stay in control and pull off the fattest of music mixes.
The design of the TL Audio FatFones also enhances the frequency response of the earphones, accentuating the bass and giving you an accurate and superior sound quality.
The kit is supplied in your own personal Fatman DJ flightcase to protect your FatfFones in storage and transport.
The kit is versatile and adapts to your personal needs. You get not only a set of high-quality stereo earphones, but also a mono earphone for single-sided monitoring so you can work the way you prefer. To accompany the mono earphone, DJs are also supplied with a set of ER-20 ear plugs that use a new revolutionary filter system that drops the volume but retains all the fidelity and keeps you in the mix.
The ER-20 earplugs can be used in addition to the mono earphone or by themselves as a pair to protect your ears while in a club or noisy environment. Unlike other conventional earplugs, the ER-20s will protect your hearing without stopping you from enjoying your music.
The FatFones kit also contains 2 Fatman cable clips to fasten your cable to your clothes and keep it out of the way while mixing or browsing through your record bag. A 3.5mm stereo jack to 6.3mm stereo jack converter is included to ensure your FatFones DJ will be compatible with any sound system.
About TL Audio
TL Audio began manufacturing audio products in 1990, when the company - founded by Tony Larking - was largely involved in the restoration and reselling of vintage equipment such as Neve and Trident recording consoles. The first TL Audio products were original Neve EQ modules, which were taken principally from broadcast consoles and repackaged to make them suitable for music production studios. A little later, Tony Larking joined forces with David Kempson, a leading designer at Neve for nine years.
By 1993 the demand for used valve outboard equipment had become very strong but most models such as the original Pultec and Fairchild valve devices were already extremely rare and expensive. There appeared an obvious gap in the market for brand new affordable valve products and the result was TL Audio's first valve product - the EQ-1 Dual Valve Equalizer. This product revolutionized the studio market by offering reliable, flexible, great sounding valve processing that was within the budget of most studios. The EQ-1 quickly attracted the interest of mainstream engineer/producers, with the first two production models going to Roy Thomas Baker (who had produced many of Queen and Foreigner's early recordings) and Chris Porter (who was working with George Michael and Take That).
The EQ-1 was the first of what became known as the 'Classic' range, and was followed by what has become possibly TL Audio's best known product - the C-1 Dual Valve Compressor, which shot to stardom as Chris Fogel's mixdown compressor on Alanis Morissette's multi-million selling Jagged Little Pill album.
Today, TL Audio has become one of the most respected names currently manufacturing Pro Audio equipment. According to designer David Kempson, "Our hybrid design approach was not chosen to cut costs: we created it because we genuinely believe it is a better way of producing valve processors. It makes them consistent, reliable, quiet, and - best of all - it means that by gearing ourselves up for large-scale production we can make the products affordable as well. Every studio deserves to benefit from the advantages of valve signal processing - with our products, we make that possible."
TL Audio ” Plug in the real thing.
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