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The TC Electronic M-4000 Stereo Reverb Unit is also the first stereo reverb capable of rendering credible space onto two discrete sources, or to truly process a composite stereo source. Utilizing the latest hardware technology and software based upon 30 man-years of development, Reverb M-4000 offers the most immense and innovative selection of state-of-the-art stereo reverbs-—at the touch of a button. Designed as a single rack space module with an extremely easy to use instant access interface, and with the option of using the ICON software editor for PC (Mac OSX version available spring 2004) in DAW environments, the Reverb M-4000 is the ultimate choice for live and studio applications working in stereo.

In the Studio
Reverb M-4000 complements any large scale mixing console, and provides the professional studio with the ultimate Main Reverb featuring an amazing palette of simulated rooms from natural sounding credible spaces to emulations of vintage reverbs and TC Classics. On top of offering front-edge pristine reverb technology, it features impressive headroom, level handling and analog as well as digital interfacing capabilities.

Reverb M-4000 integrates perfectly with DAWs and features 24 bit AD/DA converters as well as 44.1 to 96kHz Sample Rates, hence offering processing power not obtainable inside any workstation available today. Connectable via USB the included ICON software editor provides easy access and complete overview for detailed editing purposes, and is a genuine tool in a studio environment.

At the Venue
The Instant Access front panel is a great advantage for Live applications. Never before has a Main Reverb provided so many colors to the palette, and been so easy to operate. Switch between Character, Glossy and Vintage Reverb effects with just a single touch of a button. The front panel always keeps important parameters within reach, and thanks to the latest DSP and power supply technology, as well as TC Electronic's heritage of making top-end reverbs, the new Reverb 4000 delivers the best true stereo reverbs imaginable.

Features in Reverb M-4000 also include Generic Reverbs providing Polished Sustain, Vintage Reverb emulations, True Stereo Reverbs with several flavours, Favourite presets and algorithms from the past, Mono Reverbs covering arbitrary formats, Credible Environments spanning from claustrophobic to outdoor scenarios, Analog domain converter scaling with wide headroom and AES/EBU, S/PDIF, TOS-Link and ADAT digital I/Os.

TC Electronic M-4000 Stereo Reverb Unit Features:

Reverb 4000 features 24 bit AD/DA converters as well as 44.1 to 96 kHz Sample Rates. Connectable via USB the included ICON software editor for PC and Mac provides easy access and complete overview for detailed editing purposes, and is a genuine tool for the studio or live environment.
True Stereo Reverbs from the System 6000
New pristine Reverb—Reverb-4
Favorite presets and algorithms from the M5000
Realistic Environments from a closet to a canyon
VSS-4, Source based Reverb providing rooms with Character
Classic Reverbs providing Polished Sustain
Vintage Reverb emulations including EMT 250
Instant Access User Interface
44.1 to 96kHz Sample Rates and 24 bit processing
One engine, massive SRAM, no compromise design
Digital and analog wide dynamic range design
PC and Mac ICON editor program included.
24 bit AES/EBU, Tos-Link, S/PDIF, ADAT and Analog I/O's

TC Electronic M-4000 Stereo Reverb Unit Specifications:

Digital Inputs and Outputs
Connectors
XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Tos-link, ADAT)

Formats
AES/EBU 824-bit),
S/PDIF (24 bit), EIAJ CP-340, IEC 958,
EIAJ Optical (Tos-link),
ADAT Lite pipe (24 bit)

Output Dither
HPF/TPDF dither 8-20 bit, independent dithered output

Word Clock Input
RCA Phono, 75 ohm, 0.6 to 10 Vpp

Sample Rates
32 kHz, 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Processing Delay
0.2 ms @ 48 kHz

Frequency Response DIO
DC to 23.9 kHz ± 0.01 dB @ 48 kHz
DC to 47.9 kHz ± 0.01 dB @ 96 kHz

Analog Inputs

Connectors
XLR balanced (pin 2 hot)

Impedance
20 Kohm

Max. Input Level
+22 dBu (balanced)

Max Input Level (for 0 dBFS)
-10 dBu

Sensitivity
@ 12 dB headroom: -22 dBu to +10 dBu

A to D Conversion
24 bit (6.144 MHz delta sigman @ 48/96 kHz)

A to D Delay
0.8 ms @ 48 kHz, 0.4 ms @ 96 kHz

Dynamic Range
>103 dB (unweighted, BW = 22 kHz), >106 dB(A)

THD
-95 dB (0,0018 %) @ 1 kHz, -6 dBFS (FS @ + 16 dBu)

Frequency Response
10 Hz to 20 kHz : +0/-0.2 dB @ 48 kHz
10 Hz to 45 kHz : +0/-1 dB @ 96 kHz

Crosstalk
<-80 dB, 10Hz to 20 kHz
typical -100 dB @ 1 kHz


Analog Outputs
Connectors
XLR balanced (pin 2 hot)

Impedance
100 ohm (active transformer)

Max. Output Level
+22 dBu (balanced)

Full Scale Output Range
-10 dBu to +22 dBu

D to A Conversion

24 bit (6.144 MHz delta sigman @ 48/96 kHz)

D to A Delay

0.57 ms @ 48 kHz, 0.28 ms @ 96 kHz

THD

-82 dB (0.008 %) @ 1 kHz, -6 dBFS (FS @ + 16 dBu)

Frequency Response

10 Hz to 20 kHz : +0/-0.5 dB @ 48 kHz
10 Hz to 45 kHz : +0/-3 dB @ 96 kHz

Crosstalk
<-60 dB, 10Hz to 20 kHz
typical -90 dB @ 1 kHz

EMC
Complies with

EN 55103-1 and EN 55103-2
FCC part 15, Class B
CISPR 22, Class B


Safety
Certified to
IEC 60065, EN 60065, UL 6500 and
CSA E65
CSA File£LR108093

Enviroment
Operating Temperature
32° F to 122° F (0° C to 50° C)

Storage Temperature
-22° F to 167° F (-30° C to 70° C)

Humidity
Max. 90 % non-condensing


PCMCIA Interface
Connector
PC Card, 68 pin type 1 cards

Standards
PCMCIA 2.0, JEIDA 4.0

Card Format

Supports up to 2 MB SRAM


Control Interface
MIDI
In/Out/Thru: 5 Pin DIN

GPI, Pedal, Fader
1/4" phone jack


General
Finish
Anodized aluminum front
Plated and painted steel chassis

Display
56 x 128 dot graphic LCD

Dimensions
19" x 1.75" x 8.2" (483 x 44 x 208 mm)

Weight
5.2 lb. (2.35 kg)

Mains Voltage
100 to 240 VAC, 50 to 60 Hz
(auto-select)

Power Consumption
<20 W

Backup Battery Life
>10 years

Carry-in Warrenty
Parts and labor
1 year