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Tascam DM-3200 Digital Mixer

Item #: 
1274115029104
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More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-fun... Click To Read More About This Product

IN STOCK & READY TO SHIP

Gear returned in mint condition. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Gear returned in great condition, with only minor signs of use, such as slight scuffs or pick marks. It looks and plays like new and may be considered an equivalent to display units found in retail stores.
  • Includes 45-Day, No-Hassle Returns
  • Includes full manufacturer's warranty
Price:
$2,29999.00
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Ship to Store Available in: 3-7 Days (estimated) Salt Lake City, UT (5.9  mi) View More Stores For Availability


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Overview

More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.

The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown ” even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.

The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds ” total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.

FEATURES

  • 32 channels and 16 auxiliary returns for 48 total inputs
  • 16 buses ” configurable as two 6.1 surround sends
  • 8 Aux Sends
  • 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch
  • 24 channels of TDIF and 8 channels of ADAT built in
  • 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards
  • Dedicated cascade port supports cascade of two DM-3200s
  • Per channel LED ring encoders for pan, aux sends and EQ
  • Built-in DAW control
  • All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate
  • Transport controls control DAW, HDR or tape playback
  • Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP„¢, Apple Logic, Steinberg Cubase® and Nuendo®
  • Powerful automation with touch-sensitive motorized faders
  • 4-band parametric EQ and dynamics on each channel
  • 32-bit internal resolution with 64-bit EQ resolution
  • Two built-in effects processors include TC Works reverb processing
  • Flexible routing ” route from virtually any input to any output
  • Back up mix data to convenient Compact Flash media slot or to USB
  • Optional MU-1000 meter bridge
  • Stylish, professional design with rear panel I/O connections
  • TASCAM Mixer Companion software (Win XP/OSX) with:
  • Driverless USB connection to computer
  • Backup/restore data via USB
  • On screen timecode, transport and meter displays
  • Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1"_(700mm x 836mm x 230mm)
  • Weight 52.8lbs (24kg
SPECIFICATIONS
  • Analog audio I/O
  • All specifications are given with the factory reference
  • level of ”16 dBFS.
  • MIC inputs (channels 1 through 16) balanced XLR-type female connectors
  • adjustable input level: (”60 dBu (TRIM max) to ”4 dBu (0 dB pad))
  • (”40 dBu (TRIM max) to +16 dBu (”20 dB pad))
  • Input impedance 2.2k Ohms
  • PHANTOM (+48V) +48 V phantom power. Switchable in blocks of 4 channels
  • (1”4, 5”8, 9”12, 13”16)
  • LINE IN (BAL) inputs (channels 1 through 16) balanced 1/4" jacksb
  • adjustable input level (”44 dBu (TRIM max) to +12 dBu (TRIM min))
  • Input impedance 10k Ohms
  • INSERT connections (channels 1 through 16)od 1/4" TRS jacksc
  • Send: nominal output level ”2dBu, maximum output level +14 dBu,
  • impedance 100 Ohms
  • Return: nominal input level ”2dBu, headroom 16 dB, impedance 10 kohms
  • ASSIGNABLE RETURNS (BAL) (1 through 4) Balanced 1/4" jacks
  • Nominal input level: +4 dBu
  • Headroom: 16 dB
  • Input impedance: 5k Ohms
  • ASSIGNABLE SENDS (1 through 4) Pseudo-balanced 1/4" jacks
  • Nominal output level: ”2 dBu
  • Maximum output level: +14 dBu
  • Output impedance: 100 Ohms
  • 2 TR IN (L/R) 2 x RCA pin jacks
  • Nominal input level ”10 dBV
  • Headroom: 16 dB
  • Input impedance: 10 k Oms
  • STEREO OUTPUT (L/R) Balanced XLR-type male connectors
  • Nominal output level: +4 dBu
  • Maximum output level: +20 dBu
  • Output impedance: 100 Ohms
  • MONITOR OUTPUTS (CR (BAL)) Pseudo-balanced 1/4" jacks
  • Nominal output level: +4 dBu
  • Maximum output level: +20 dBu
  • Output impedance: 100 Ohms
  • MONITOR OUTPUTS (STUDIO) RCA pin jacks
  • Nominal output level ”10 dBV
  • Maximum output level: +6 dBV
  • Output impedance: 100 Ohms
  • PHONES 2 x 1/4" stereo jacks
  • 50 mW + 50 mW total
  • 32 Ohms
  • a. all XLR-type connectors are wired 1=ground, 2="hot", 3="cold"
  • b. all balanced 1/4" jacks are wired sleeve=ground, ring=cold, tip=hot
  • c. all TRS 1/4" jacks are wired sleeve=ground, ring=return, tip=send
  • d. Maximum with both PHONES jacks driven at maximum
  • Digital audio I/O
  • DIGITAL INPUTS (1, 2) 2 x XLR-type female connectors (input impedance 110 Ohms) or
  • 2 x RCA pin jacks (input impedance 75 Ohms) (selectable)
  • AES3-1992 or IEC60958 data format (automatically detected)
  • 24-bit word length
  • Switchable sampling frequency conversion available
  • DIGITAL OUTPUTS (1, 2) 2 x XLR-type male connectors (output impedance 110 Ohms)
  • 2 x RCA pin jacks (output impedance 75 Ohms)
  • AES3-1992 or IEC60958 data format (software selectable)
  • 24-bit word length
  • TDIF-1(1, 2, 3) 3 x 25-pin (female) D-sub connectors (metric lock screws)
  • Conform to TDIF-1 standard
  • 24-bit word length
  • ADAT IN/OUT 2 x "Lightpipe" optical connectors
  • Conform to ADAT OPTICAL specifications
  • 24-bit word length
  • Sampling frequencies Internal 44.1 kHz/48 kHz, 88.2 kHz/96 kHz (high sampling frequencies)
  • External ±6.0%
  • Signal delay < 1.7 ms ” Fs = 48 kHz, LINE IN to STEREO OUTPUT
    < 0.85 ms ” Fs = 96 kHz, LINE IN to STEREO OUTPUT
  • Miscellaneous I/O connections
  • WORD SYNC IN BNC connector
  • Switchable 75 Ohms termination
  • TTL level
  • WORD SYNC OUT/THRU BNC connector
  • Switchable between through and output
  • TTL level
  • MIDI IN, OUT, THRU/MTC OUT 3 x 5-pin DIN connectors”conform to MIDI specifications
  • USB USB 1.1 'B' type connector (12 Mbps)
  • TIME CODE IN RCA pin jack
  • Conforms to SMPTE specifications
  • FOOT SW 1/4" mono jack
  • TO METER 25-pin female D-sub connector (non-metric lock screws)
  • For use with the optional MU-1000
  • RS-422 (for Sony 9-pin) 9-pin female D-sub connector (non-metric lock screws)
  • wired to RS-422 standards
  • GPI (for Machine start) 9-pin female D-sub connector (non-metric lock screws) wired for GPI control
  • Pin 1=GP11, Pin 2=GPI2, Pin 3=GPI3, Pin 4=GPI4, Pin 5=GND, Pin
  • 6=GPI5, Pin 7=GPI6, Pin 8=GPI7, Pin 9=GP18
  • Specifications : Equalization
  • Equalization
  • All filters are fitted with "gain flat" switches
  • System performance
  • Physical characteristics
  • EQ switch On/Off
  • HIGH filter Gain: ±18 dB, 0.5 dB resolution
  • Frequency: 31 Hz to 19 kHz
  • Q: 0.27 to 8.65
  • Type: Hi-shelving, Peak, LPF
  • HI MID filter Gain: ±18 dB, 0.5 dB resolution
  • Frequency: 31 Hz to 19 kHz
  • Q: 0.27 to 8.65
  • Type: Peak, Notch
  • LO MID filter Gain: ±18 dB, 0.5 dB resolution
  • Frequency: 31 Hz to 19 kHz
  • Q: 0.27 to 8.65
  • Type: Peak, Notch
  • LOW filter Gain: ±18 dB, 0.5 dB resolution
  • Frequency: 31 Hz to 19 kHz
  • Q: 0.27 to 8.65
  • Type Low-shelving, Peak, HPF
  • THD (maximum level,
  • 1 kHz, TRIM: minimum)
  • 20 Hz ” 22 kHz LINE IN to INSERT SEND
  • LINE IN to STEREO OUTPUT
  • < 0.005%
    < 0.008%
    Frequency response
  • (nominal level, 1 kHz,
  • TRIM: minimum)
  • 0.5dB/-1.0dB MIC/LINE to INSERT SEND
  • 0.5dB/-1.5dB MIC/LINE to INSERT SEND
  • 0.5dB/-1.0dB MIC/LINE to STEREO OUTPUTa
  • 0.5dB/-1.5dB MIC/LINE to STEREO OUTPUTa
  • a. MIC/LINE to channel module to STEREO OUTPUT, channel and stereo faders at 0 dB, pan hard left or hard
  • right
  • 20 Hz ” 20 kHz (44.1/48 kHz)
  • 20 Hz ” 40 kHz (88.2/96 kHz)
  • 20 Hz ” 20 kHz (44.1/48 kHz)
  • 20 Hz ” 40 kHz (88.2/96 kHz)
  • Noise level (20 Hz ”
  • 22 kHz, TRIM: max,
  • 150 ohms)
  • MIC in (PAD off) to INSERT SEND (A weight)
  • STEREO OUT (Input no assign)
  • ASSIGNABLE RETURN to ASSIGNABLE SEND
  • 2TR IN to CR OUTPUT (CR: max, 0dB)
  • 2TR IN to STUDIO OUT (STUDIO OUT 0dB)
  • < ”128 dBu (EIN)
    < ”83 dBu
    < ”85 dBu
    < ”78 dBu
    < ”88 dBu
    Crosstalk @ 1 kHz STEREO/BUSS/AUX OUTPUTS
  • MONITOR OUTPUTS
  • > 90 dB
  • > 90 dB
  • Displays Backlit 320 x 240 LCD with contrast control
  • 2 x 12-segment LED meters
  • Faders 17 x 100 mm stroke, motor-driven touch-sensitive faders
  • Maximum overall dimensions (w x d x h) including rest 700 x 824 x 230 (mm) 27.6 x 32.4 x 9.1 (in)
  • Weight 24 kg (52.8 lbs)
  • Voltage requirements 120 VAC, 60 Hz
  • 230 VAC, 50 Hz
  • 240 VAC, 50 Hz
  • Power consumption 65 W
  • Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
  • CD-ROM, warranty card
Pro Coverage
MANUFACTURER'S WARRANTY
Tape machines - 90 day warranty; one year parts warranty.
Warranty terms vary. Check with manufacturer for specific product warranty.


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Pro Coverage includes
  • Accidental damage protection
  • Expedited repair or replacement
  • Free shipping (for returns or repairs)
  • 100% coverage for commercial use
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to five years from date of purchase
  • Repair authorization-toll-free by phone or via the web
  • Customer Reviews
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Review Snapshot

by PowerReviews
TascamDM-3200 Digital Mixer
 
4.7

(based on 3 reviews)

Ratings Distribution

  • 5 Stars

     

    (2)

  • 4 Stars

     

    (1)

  • 3 Stars

     

    (0)

  • 2 Stars

     

    (0)

  • 1 Stars

     

    (0)

Reviewed by 3 customers

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(13 of 13 customers found this review helpful)

 
4.0

Great Mixer For The Money

By Nakeem

from Athens, GA

Comments about Tascam DM-3200 Digital Mixer:

This is a great mixer for the money, but if you've never used a digital mixer before there's a large learning curve. The documentation is scattered and confusing, and most buttons and knobs have multiple functions. The screen can feel a bit too small at times as well. Be prepared to spend a lot of time learning your way around it. Also, note that this doesn't come with a firewire card or the meter bridge.

(10 of 13 customers found this review helpful)

 
5.0

Professional Quality

By Tony

from Portland, OR

Comments about Tascam DM-3200 Digital Mixer:

Want to record like a pro? The TASCAM DM3200 is like really being in the studio. This thing really puts out crystal clear tracks with no background noise. It is amazing how much you can do with this one machine!

(5 of 10 customers found this review helpful)

 
5.0

Amazing Mixer

By Jack

from Thompson, CT

Comments about Tascam DM-3200 Digital Mixer:

Our band bought this mixer because we finally started getting bigger venues and our little 5 input mixer just wasn't doing it for us anymore. This was mainly used for our guitarist slash/ microphones. This was a great investment I also recommend that people also invest in wireless transmitters for guitars and basses.

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