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TASCAM DM-4800 Digital Mixing Console

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Manual for Tascam DM-4800 Digital Mixing Console

General Media

Big versatile and armed to the teeth.

The Tascam DM-4800 is the ultimate digital console for professional users who demand a flexible 64-channel mix platform that configures to fit their needs. A "fat channel" strip in the center of the board provides instant access to 4-band parametric EQ dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than you'll find on consoles costing three times as much and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch.

Tascam 's DM-4800 audio mixer fits seamlessly into the modern recording environment based around a computer DAW. With a single button press the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools Logic SONAR DP Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing bass management and level control for mixing in up to 6.1 surround. No matter what your application the TASCAM DM-4800 adapts to the needs of any professional audio installation.

TASCAM DM-4800 Digital Mixing Console Features:

  • 48 channels and 16 returns for 64 total inputs
  • 24 busses
  • 12 Aux Sends
  • 24 mic/line inputs with analog inserts plus phantom power for condenser mics
  • 24 channels of TDIF and 8 channels of ADAT built in
  • 4 expansion card slots support optional FireWire ADAT AES/EBU Analog TDIF and Surround Monitoring cards
  • Dedicated cascade port supports cascade of two DM-4800s
  • Channel Strip section for EQ Dynamics and Aux control of selected channel
  • Per channel LED ring encoders for pan aux sends and EQ
  • Built-in DAW control layer compatible with Pro Tools Logic Pro SONAR Cubase Nuendo and Digital Performer
  • Transport buttons control DAW software RS-422 devices or MMC devices
  • Powerful automation with touch-sensitive motorized faders
  • 4-band EQ compression and gating on each channel
  • Compression for each aux buss and main output
  • Two built-in effects processors each able to run TC Reverb programs
  • Flexible routing allows any input to be routed to any channel or output
  • Offload data to convenient Compact Flash media using built-in CF slot
  • Optional MU-1000 meter bridge (as shown)
  • Maximum overall dimensions (w x d x h) including rest: 36.75" x 32.4" x 9.1" (933mm x 824mm x 230mm)
  • Weight: 71lbs (35kg)
  • Rear Panel Connections
  • (24) XLR mic/line inputs with analog inserts plus phantom power for condenser mics
  • (24) 1/4" TRS Analog inserts
  • (24) Balanced 1/4" TRS line inputs
  • (3x) 8-channel TDIF digital inputs and outputs
  • 8-channel ADAT optical digital input and output
  • 4 expansion card slots support optional FireWire ADAT AES/EBU Analog & TDIF cards (listed below)
  • (2) Stereo AES/EBU digital inputs on XLR connectors
  • (2) Stereo S/PDIF digital inputs on coaxial connectors
  • (2) Stereo AES/EBU digital outputs on XLR connectors
  • (2) Stereo S/PDIF digital outputs on coaxial connectors
  • Stereo XLR balanced line outputs
  • 1/4" Stereo TRS balanced Large Monitor outputs
  • 1/4" Stereo TRS balanced Small Monitor outputs
  • Stereo 1/4" TRS balanced Studio outputs
  • Stereo RCA 2-Track input
  • (8) 1/4" TRS balanced Assignable Insert sends
  • (8) 1/4" TRS balanced Assignable insert returns
  • RCA Timecode input
  • MIDI In Out and Thru connectors
  • BNC Word Sync Input and Out/Thru with termination
  • GPI output for parallel control
  • RS-422 connector for device control
  • USB 1.1 connector
  • 1/4" Footswitch jack
  • Dedicated cascade port supports cascade of two DM-4800 mixers
  • Connector for (optional) MU-1000 24-channel meter bridge
  • Analog audio I/O (All specifications are given with the factory reference level of 16dBFS.)
  • MIC inputs (channels 1 through 24): Balanced XLR-type female connectors Adjustable input level: ( 60dBu (TRIM max) to 4dBu (0dB pad)) ( 40dBu (TRIM max) to +16dBu ( 20dB pad)) Input impedance 2.2k ohms
  • PHANTOM (+48V): +48V phantom power. Switchable in blocks of 4 channels
  • (1 4 5 8 9 12 13 16. 17 20 21 24)
  • LINE IN (BAL): inputs (channels 1 through 24): Balanced 1/4" jacks Adjustable input level ( 44dBu (TRIM max) to +12dBu (TRIM min) Input impedance 10k ohms

    INSERT connections (channels 1 through 24): 1/4" TRS jacks Send: nominal output level 2dBu m
  • ASSIGNABLE RETURNS (BAL) (1 through 8): Balanced 1/4" jacks Nominal input level: +4dBu Headroom: 16dB Input impedance: 5k ohms
  • ASSIGNABLE SENDS: (1 through 8) Pseudo-balanced 1/4" jacks Nominal output level: 2dBu Maximum output level: +14dBu Output impedance: 100 ohms
  • 2 TR IN (L/R): 2 x RCA pin jacks Nominal input level 10dBV Headroom: 16dB Input impedance: 10k ohms
  • STEREO OUTPUT (L/R): Balanced XLR-type male connectors Nominal output level: +4dBu Maximum output level: +20dBu Output impedance: 100 ohms
  • MONITOR OUTPUTS (LARGE (BAL) & SMALL (BAL): Balanced 1/4" jacks (2 pairs) Nominal output level: +4dBu Maximum output level: +20dBu Output impedance: 100 ohms
  • MONITOR OUTPUTS (STUDIO): Pseudo-balanced 1/4" jacks Nominal output level: 2dBu Maximum output level: +14dBu Output impedance: 100 ohms
  • PHONES: 2 x 1/4" stereo jacks 50mW + 50mW total 32 ohms

    Digital audio I/O
  • DIGITAL INPUTS (1 2): 2 x XLR-type female connectors (input impedance 110 ohms) or 2 x RCA pin jacks (input impedance 75 ohms) (selectable) AES3-1992 or IEC60958 data format (automatically detected) 24-bit word length Switchable sampling frequency convers
  • DIGITAL OUTPUTS (1 2): 2 x XLR-type male connectors (output impedance 110 ohms) 2 x RCA pin jacks (output impedance 75 ohms) AES3-1992 or IEC60958 data format (software selectable) 24-bit word length TDIF (1 2 3) 3 x 25-pin (female) D-sub connectors (metr
  • ADAT IN/OUT: 2 x "Lightpipe" optical connectors Conform to ADAT OPTICAL specifications 24-bit word length
  • Sampling frequencies Internal 44.1kHz/48kHz 88.2kHz/96kHz (high sampling frequencies) External ±6.0%
  • Signal delay < 1.8ms — Fs = 48kHz LINE IN to STEREO OUTPUT < 0.90ms — Fs = 96kHz LINE IN to STEREO OUTPUT

    Miscelleneous I/O Connections
  • WORD SYNC IN: BNC connector Switchable 75 ohms termination TTL level
  • WORD SYNC OUT/THRU:BNC connector Switchable between through and outputTTL level
  • MIDI IN OUT THRU/MTC OUT: 3 x 5-pin DIN connectors—conform to MIDI specifications
  • USB: USB 1.1 B' type connector (12Mbps)
  • TIME CODE IN: RCA pin jack - Conforms to SMPTE specifications
  • FOOT SW: 1/4" mono jack
  • TO METER: 25-pin female D-sub connector (non-metric lock screws) For use with the optional MU-1000
  • RS-422 (for Sony 9-pin): 9-pin female D-sub connector (non-metric lock screws)
  • wired to RS-422 standards
  • GPI (for Machine start): 9-pin female D-sub connector (non-metric lock screws) wired for GPI control Pin 1=GPI 1 Pin 2=GPI 2 Pin 3=GPI 3 Pin 4=GPI 4 Pin 5=GND Pin 6=GPI 5 Pin 7=GPI 6 Pin 8=GPI 7 Pin 9=GPI 8

    Equalization
  • EQ switch On/Off
  • HIGH filter: Gain: ±18dB 0.5dB resolution Frequency: 31Hz to 19kHz Q: 0.27 to 8.65 Type: Hi-shelving Peak LPF
  • HI MID filter:Gain: ±18dB 0.5dB resolution Frequency: 31Hz to 19kHz. Q: 0.27 to 8.65 Type: Peak Notch
  • LO MID filter: Gain: ±18dB 0.5dB resolution Frequency: 31Hz to 19kHz Q: 0.27 to 8.65 Type: Peak Notch
  • LOW filter: Gain: ±18dB 0.5dB resolution Frequency: 31Hz to 19kHz Q: 0.27 to 8.65 Type Low-shelving Peak HPF
  • (All filters are fitted with "gain flat" switches)

    System performance
  • THD (maximum level 1kHz TRIM: minimum): 20Hz 22kHz LINE IN to INSERT SEND: < 0.005% LINE IN to STEREO OUTPUT: < 0.008%
  • Frequency response (nominal level 1kHz TRIM: minimum): 0.5dB/-1.0dB MIC/LINE to INSERT SEND:20Hz 20kHz (44.1/48kHz 0.5dB/-1.5dB MIC/LINE to INSERT SEND: 20Hz 40kHz (88.2/96kHz 0.5dB/-1.0dB MIC/LINE to STEREO OUTPUT a: 20Hz 20kHz (44.1/48kHz) 0.5dB/-1.5dB
  • Noise level (20Hz 22kHz TRIM: max 150 ohms): MIC in (PAD off) to INSERT SEND (A weight): < 128dBu (EIN) STEREO OUT (Input no assign): < 83dBu
  • ASSIGNABLE RETURN to ASSIGNABLE SEND: < 85dBu 2TR IN to CR OUTPUT (CR: max 0dB): < 78dBu 2TR IN to STUDIO OUT (STUDIO OUT 0dB): < 84dBu
  • Crosstalk @ 1kHz: STEREO/BUSS/AUX OUTPUTS: > 90dB MONITOR OUTPUTS: > 90dB
  • a. MIC/LINE to channel module to STEREO OUTPUT channel and stereo faders at 0dB pan hard left or hard right

    Physical characteristics
  • Displays: Backlit 320 x 240 LCD with contrast control 2 x 12-segment LED meters
  • Faders: 25 x 100mm stroke motor-driven touch-sensitive faders
  • Maximum overall dimensions: (w x d x h) including rest 933 x 824 x 230 (mm) 36.75 x 32.4 x 9.1 (in)
  • Weight: 35kg (71lbs)
  • Voltage requirements: 120VAC 60Hz 230VAC 50Hz 240VAC 50Hz
  • Power consumption: 90W

TASCAM DM-4800 Digital Mixing Console Includes:

    : Power cord Quick Start guide CF memory card USB cable TM Companion CD-ROM warranty card

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