Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.
The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown — even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.
The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds — total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.
TASCAM DM-3200 Digital Mixer
Features:
32 channels and 16 auxiliary returns for 48 total inputs 16 buses — configurable as two 6.1 surround sends 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-3200s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate Transport controls control DAW, HDR or tape playback Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP™, Apple Logic, Steinberg Cubase® and Nuendo® Powerful automation with touch-sensitive motorized faders 4-band parametric EQ and dynamics on each channel 32-bit internal resolution with 64-bit EQ resolution Two built-in effects processors include TC Works reverb processing Flexible routing — route from virtually any input to any output Back up mix data to convenient Compact Flash media slot or to USB Optional MU-1000 meter bridge Stylish, professional design with rear panel I/O connections TASCAM Mixer Companion software (Win XP/OSX) with: Driverless USB connection to computer Backup/restore data via USB On screen timecode, transport and meter displays Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1"_(700mm x 836mm x 230mm) Weight 52.8lbs (24kg
TASCAM DM-3200 Digital Mixer
Specifications:
Analog audio I/O
All specifications are given with the factory reference level of —16 dBFS.
MIC inputs (channels 1 through 16) balanced XLR-type female connectors adjustable input level: (—60 dBu (TRIM max) to —4 dBu (0 dB pad)) (—40 dBu (TRIM max) to +16 dBu (—20 dB pad)) Input impedance 2.2k Ohms PHANTOM (+48V) +48 V phantom power. Switchable in blocks of 4 channels (1—4, 5—8, 9—12, 13—16) LINE IN (BAL) inputs (channels 1 through 16) balanced 1/4" jacksb adjustable input level (—44 dBu (TRIM max) to +12 dBu (TRIM min)) Input impedance 10k Ohms INSERT connections (channels 1 through 16)od 1/4" TRS jacksc Send: nominal output level —2dBu, maximum output level +14 dBu, impedance 100 Ohms Return: nominal input level —2dBu, headroom 16 dB, impedance 10 kohms ASSIGNABLE RETURNS (BAL) (1 through 4) Balanced 1/4" jacks Nominal input level: +4 dBu Headroom: 16 dB Input impedance: 5k Ohms ASSIGNABLE SENDS (1 through 4) Pseudo-balanced 1/4" jacks Nominal output level: —2 dBu Maximum output level: +14 dBu Output impedance: 100 Ohms 2 TR IN (L/R) 2 x RCA pin jacks Nominal input level —10 dBV Headroom: 16 dB Input impedance: 10 k Oms STEREO OUTPUT (L/R) Balanced XLR-type male connectors Nominal output level: +4 dBu Maximum output level: +20 dBu Output impedance: 100 Ohms MONITOR OUTPUTS (CR (BAL)) Pseudo-balanced 1/4" jacks Nominal output level: +4 dBu Maximum output level: +20 dBu Output impedance: 100 Ohms MONITOR OUTPUTS (STUDIO) RCA pin jacks Nominal output level —10 dBV Maximum output level: +6 dBV Output impedance: 100 Ohms PHONES 2 x 1/4" stereo jacks 50 mW + 50 mW total 32 Ohms
a. all XLR-type connectors are wired 1=ground, 2="hot", 3="cold" b. all balanced 1/4" jacks are wired sleeve=ground, ring=cold, tip=hot c. all TRS 1/4" jacks are wired sleeve=ground, ring=return, tip=send d. Maximum with both PHONES jacks driven at maximum
Digital audio I/O DIGITAL INPUTS (1, 2) 2 x XLR-type female connectors (input impedance 110 Ohms) or 2 x RCA pin jacks (input impedance 75 Ohms) (selectable) AES3-1992 or IEC60958 data format (automatically detected) 24-bit word length Switchable sampling frequency conversion available DIGITAL OUTPUTS (1, 2) 2 x XLR-type male connectors (output impedance 110 Ohms) 2 x RCA pin jacks (output impedance 75 Ohms) AES3-1992 or IEC60958 data format (software selectable) 24-bit word length TDIF-1(1, 2, 3) 3 x 25-pin (female) D-sub connectors (metric lock screws) Conform to TDIF-1 standard 24-bit word length ADAT IN/OUT 2 x "Lightpipe" optical connectors Conform to ADAT OPTICAL specifications 24-bit word length Sampling frequencies Internal 44.1 kHz/48 kHz, 88.2 kHz/96 kHz (high sampling frequencies) External ±6.0% Signal delay < 1.7 ms — Fs = 48 kHz, LINE IN to STEREO OUTPUT < 0.85 ms — Fs = 96 kHz, LINE IN to STEREO OUTPUT
Miscellaneous I/O connections WORD SYNC IN BNC connector Switchable 75 Ohms termination TTL level WORD SYNC OUT/THRU BNC connector Switchable between through and output TTL level MIDI IN, OUT, THRU/MTC OUT 3 x 5-pin DIN connectors—conform to MIDI specifications USB USB 1.1 'B' type connector (12 Mbps) TIME CODE IN RCA pin jack Conforms to SMPTE specifications FOOT SW 1/4" mono jack TO METER 25-pin female D-sub connector (non-metric lock screws) For use with the optional MU-1000 RS-422 (for Sony 9-pin) 9-pin female D-sub connector (non-metric lock screws) wired to RS-422 standards GPI (for Machine start) 9-pin female D-sub connector (non-metric lock screws) wired for GPI control Pin 1=GP11, Pin 2=GPI2, Pin 3=GPI3, Pin 4=GPI4, Pin 5=GND, Pin 6=GPI5, Pin 7=GPI6, Pin 8=GPI7, Pin 9=GP18
Specifications : Equalization Equalization All filters are fitted with "gain flat" switches System performance Physical characteristics EQ switch On/Off HIGH filter Gain: ±18 dB, 0.5 dB resolution Frequency: 31 Hz to 19 kHz Q: 0.27 to 8.65 Type: Hi-shelving, Peak, LPF HI MID filter Gain: ±18 dB, 0.5 dB resolution Frequency: 31 Hz to 19 kHz Q: 0.27 to 8.65 Type: Peak, Notch LO MID filter Gain: ±18 dB, 0.5 dB resolution Frequency: 31 Hz to 19 kHz Q: 0.27 to 8.65 Type: Peak, Notch LOW filter Gain: ±18 dB, 0.5 dB resolution Frequency: 31 Hz to 19 kHz Q: 0.27 to 8.65 Type Low-shelving, Peak, HPF THD (maximum level, 1 kHz, TRIM: minimum) 20 Hz — 22 kHz LINE IN to INSERT SEND LINE IN to STEREO OUTPUT < 0.005% < 0.008% Frequency response (nominal level, 1 kHz, TRIM: minimum) 0.5dB/-1.0dB MIC/LINE to INSERT SEND 0.5dB/-1.5dB MIC/LINE to INSERT SEND 0.5dB/-1.0dB MIC/LINE to STEREO OUTPUTa 0.5dB/-1.5dB MIC/LINE to STEREO OUTPUTa a. MIC/LINE to channel module to STEREO OUTPUT, channel and stereo faders at 0 dB, pan hard left or hard right 20 Hz — 20 kHz (44.1/48 kHz) 20 Hz — 40 kHz (88.2/96 kHz) 20 Hz — 20 kHz (44.1/48 kHz) 20 Hz — 40 kHz (88.2/96 kHz) Noise level (20 Hz — 22 kHz, TRIM: max, 150 ohms) MIC in (PAD off) to INSERT SEND (A weight) STEREO OUT (Input no assign) ASSIGNABLE RETURN to ASSIGNABLE SEND 2TR IN to CR OUTPUT (CR: max, 0dB) 2TR IN to STUDIO OUT (STUDIO OUT 0dB) < —128 dBu (EIN) < —83 dBu < —85 dBu < —78 dBu < —88 dBu Crosstalk @ 1 kHz STEREO/BUSS/AUX OUTPUTS MONITOR OUTPUTS > 90 dB > 90 dB Displays Backlit 320 x 240 LCD with contrast control 2 x 12-segment LED meters Faders 17 x 100 mm stroke, motor-driven touch-sensitive faders Maximum overall dimensions (w x d x h) including rest 700 x 824 x 230 (mm) 27.6 x 32.4 x 9.1 (in) Weight 24 kg (52.8 lbs) Voltage requirements 120 VAC, 60 Hz 230 VAC, 50 Hz 240 VAC, 50 Hz Power consumption 65 W Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable, CD-ROM, warranty card
TASCAM DM-3200 Digital Mixer Includes:
Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
Tape machines - 90 day warranty; one year parts warranty.
Warranty terms vary. Check with manufacturer for specific product warranty.
Get your gear covered!
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
This is a great mixer for the money, but if you've never used a digital mixer before there's a large learning curve. The documentation is scattered and confusing, and most buttons and knobs have multiple functions. The screen can feel a bit too small at times as well. Be prepared to spend a lot of time learning your way around it. Also, note that this doesn't come with a firewire card or the meter bridge.
Want to record like a pro? The TASCAM DM3200 is like really being in the studio. This thing really puts out crystal clear tracks with no background noise. It is amazing how much you can do with this one machine!
Our band bought this mixer because we finally started getting bigger venues and our little 5 input mixer just wasn't doing it for us anymore. This was mainly used for our guitarist slash/ microphones. This was a great investment I also recommend that people also invest in wireless transmitters for guitars and basses.
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