Stanton M.505 12" Club Mixer with 5 Input Channels
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The Stanton M.505 Club Mixer stands in a class all its own. The onboard effects loop offers unprecedented flexibility, making it possible to preview an external effect in your headphones and route it ... Click To Read More About This Product
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The Stanton M.505 Club Mixer stands in a class all its own. The onboard effects loop offers unprecedented flexibility, making it possible to preview an external effect in your headphones and route it to a variety of sources. You get Stanton's Superior Sound Technology (SST) and high-quality components including a fully assignable Penny & Giles crossfader.
SST mixers offer several important advantages for DJs:
Ultralow Noise Why add noise to your mix when you can have the pure sound of SST? Try this with your current DJ mixer: Make sure nothing is playing, then turn all the channel faders and master fader to their maximum positions. Then boost all the EQs to their highest settings. What you'll probably get is a bunch of hiss and noise. On an SST mixer, you won't hear a thing!
Zero Bleed Another problem common to DJ mixers is channel bleed. For example, let's say you have a CD playing on channel 1 and nothing playing on channel 2. On many mixers, if you were to turn up channel 2's fader all the way you would hear the music bleeding over from channel 1. Again, with an SST mixer all you would hear is silence.
Better Overall Sound Because Stanton builds SST mixers with high dynamic range and low distortion, our mixers have a much more clean, transparent sound than the competition. The result is your music will sound the way it was intended, without being "colored" by the circuitry of the mixer. Compare our specs head-to-head with other mixers at a similar price, and you'll find that SST mixers are head and shoulders above the rest.
Built to Last SST mixers are designed using only the highest quality components for longer life and more reliable performance. Did you know that many mixers use circuit boards made of a paper-like material? Spill a drink on that and your mixer is toast. Superior Sound Technology mixers use glass epoxy boards for better durability. They also feature surface-mount technology, which means if you were to open one up you wouldn't see a mess of wires but a clean design that keeps our mixers so quiet.
12" Club Mixer with 5 Input Channels plus Separate Mic Channel
Engineered with Superior Sound Technology for Studio-quality Sound
Flexible FX Loop: Route External Effects to Headphone Cue, Crossfader or Master Output
Preview External Effects in Headphones with Split (Wet/Dry) or Stereo Cue
Fully Assignable Penny & Giles Crossfader with Dual Curve Adjust
60mm Long-throw Faders and 3-Band EQ per Channel with Complete Kill
5 Phono Inputs, 5 Line Inputs and 2 Switchable Mic/Aux Inputs with an (XLR, 1/4") Combo Jack
Frequency Response: 20 Hz to 20 kHz +/- 1 dB THD+N (Line): <0.008% at 1 kHz Signal to Noise Ratio (Ref to Max. Level) Dynamic Range: >110 dB
Crosstalk Line to Phono Line to Line: < -90 dB at 1 kHz Phono to Line: < -95 dB @ 1 kHz Fader Kill (Channel and Crossfader): < -92 dB at 1 kHz
Max Output Level: +18 dBV Unbalanced (Unity Gain- Line Input): +26 dBu Balanced Outputs
Mic EQ +10 dB/-24 dB
Channel EQ Hi +9 dB, -45 dB (Kill) Mid +9 dB, -35 dB (Kill) Low +9 dB, -55 dB (Kill)
Inputs/Outputs Line Inputs: 5 x Stereo RCA -10 dBV 10 k Ohm unbalanced Aux Inputs: 2 x XLR/Combo -10 dBV 10k Ohm balanced Phono Inputs: 5 x Stereo RCA -50 dBV 47k Ohm unbalanced Mic Inputs: 3x XLR/Combo -50 dBV 1.2k Ohm Balanced Return Inputs: 2 (1/4"), -10 dBV / 10 kOhm Send Outputs: 2 (1/4"), -10 dBV / 10 kOhm Master Outputs: 2x RCA -10 dBV unbalanced <100 Ohms Booth Outputs: 2x RCA -10 dBV unbalanced <100 Ohms Record Outputs: x RCA -10 dBV unbalanced <100 Ohms Headphone Outputs: x 1/4" Phone Jack 1x 1/8" Mini Phone Jack Send Outputs: 2x 1/4" Phone Jack -10 dBV unbalanced <100 Ohms Return Inputs: 2x 1/4" Phone Jack -10 dBV unbalanced 10k Ohms Dimensions (LxWxD): 13.8" x 12.0" x 3.8" Weight: 6.42 kg (14.15 lbs.)
WARRANTY Through Stantonâs authorized dealers around the World, Stanton, or one of Stantonâs authorized distributors outside the U.S., will, without charge, repair or replace, at the sole discretion of the entity responsible for making the repair or providing the replacement, any Stanton merchandise proved defective in material or workmanship for a period of one (1) year following the date of original purchase. Exceptions to this warranty are as noted below: Â The warranty for mechanical parts which are subject to wear and tear are limited to the earlier to occur of thirty (30) days following the date of original purchase or the following number of cycles: Faders - 15,000; Rotary potentiometers - 10,000; and Switches - 10,000. Â Stanton will warrant all replacement parts and repairs for ninety (90) days from the date of original shipment. Repairs made necessary by reason of misuse, alteration, normal wear, or accident are not covered under this warranty. Â
I got lucky and bought this mixer on extreme sale. I dj everything from weddings to clubs and this mixer does a great job. I personally would like to see the 2 extra mic inputs changed to channels 4 & 5 as apposed to using 1 and 2 for that. I also made sure to switch out the rubber grip on the crossfader to a plastic one. However that is just nitpicky stuff. Great sound & great durability so far (6 months).
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