Recorded in LA, re-amped in London and mutated in Edinburgh this library is a well travelled treasure chest of the coolest sounds you’re likely to find in a sample library. Following on from working w... Click To Read More About This Product
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Recorded in LA, re-amped in London and mutated in Edinburgh this library is a well travelled treasure chest of the coolest sounds you’re likely to find in a sample library. Following on from working with rock god drummers Chad Smith (Red Hot Chili Peppers), Matt Sorum (Guns n Roses) and Roger Taylor (Queen) it was only time to move on to guitars. So it only seemed fitting to go to one of the most inventive and influential guitarists of a generation, and a composer in his own right who knows what goes into creating virtual magic - The Pixies’ Joey Santiago. Santiago has described his guitar technique as "angular and bent", MTV's Laurel Bowman commented that Santiago's "sonic plough was the key element in the Pixies' monstrous presence"
Spitfire decamped to a vibey little space in East LA, rigged up 6 amps, Joey’s extraordinary pedal board via the finest valve and ribbon mics, into a rare vintage Neve console. The brief was not necessarily define a ‘virtual’ guitar (although there are multi sampled instruments herein), but to create an environment where Joey’s rich arsenal of sounds could flow forth. To follow in the excellent footsteps of Leo Abraham’s Enigma 1 & 2 in making a library that exudes cool, and which takes risks not many other sample libraries would dare to.
Joey Santiago contains a variety of multi sampled instruments recorded and performed by the man himself through his favored guitars, his fabled board and his much toured amp rig. Spitfire then re-amped the whole thing back in London’s super cool Pool Studios. In addition to the multi sampled virtual instruments they also captured hours of Joey shredding, gating, twisting and distorting into the raw materials for new sonic adventures. Finally, this raw material was taken to Christian Henson’s new ‘warp room’ on the edge of an extinct volcano in Scotland for further sound bending. Pick the amps you wish to use, and use Spitfire's popular “Mercury Synth” and eDNA engine to take their work and make it your own.
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