Part IV of the epic and widescreen range of composer's tools takes the mind of contemporary composer and orchestrator Ben Foskett to present large ensembles playing over 800 unique and extraordinary "... Read More
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Part IV of the epic and widescreen range of composer's tools takes the mind of contemporary composer and orchestrator Ben Foskett to present large ensembles playing over 800 unique and extraordinary "progressive" articulations. Presented alongside an epic collection of nearly 200 warped orchestral hybrids powered by the eDNA synth engine. This product is a software download.
All virtual instrument developers rest their individual reputations on the impeccability of their sound and how gracefully the articulation options interface with the core samples. Spitfire Audio can claim the finest instrumentalists in London playing the finest instruments in the world with great life and character using the finest microphones ever made in some of the most pristine studio environments anywhere. This collection was recorded by the award-winning Jake Jackson via Bespoke Neve Montserrat pre-amps into the world' largest Neve 88R desk to meticulously maintained 2 tape and converted with 96k 24bit digital prism A/D.
Recorded in large epic cinematic orchestral ensembles; Strings High, Strings Low, Winds High, Winds Low, Brass High and Brass Low all playing these incredible "progressive" techniques. With everything arranged to interlock between sections. As these ensembles are recorded via the finest vintage tube and ribbon mics to tape helmed and mixed by Jake Jackson, Albion IV is designed to integrate seamlessly with both the rest of the Albion range and as a perfect addition to the BML range.
True to the spirit of volumes 1 though 3 we have then taken these extraordinary recordings and have warped them into a staggering selection of totally unique hybrid sounds. These vary from organic orchestras from another place and age to screaming synths and staggering pads. There is only one way we could present this "Stephenson's Steam Band IV" section of UIST and that as a cartridge for our amazing eDNA engine. Which will enable to morph your listener's world from that of orchestral wonder to mind warping electronics.
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