Sonnox Oxford Transient Modulator (PowerCore)  

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1309452574552584476
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The Sonnox Oxford Transient Modulator for TC Powercore is an application that allows dynamic level of signals to be modified by the transients in programm material over time. The effect is to bring tr... Read More

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Overview

The Sonnox Oxford Transient Modulator for TC Powercore is an application that allows dynamic level of signals to be modified by the transients in programm material over time. The effect is to bring transient events in the program forward, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.

The Sonnox Transient Modulator is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.

The application was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. Such effects are easily achieved with the Transient Modulator because its purpose-designed adaptive processing acts on differential information in the program so that the overall long-term program level is minimally affected and sensitivity to control parameters is drastically reduced.

The functions of the Transient Modulator are adaptive and totally dependent upon dynamic level changes within the signal. In other words, it will have no effect on a steady state signal, such as a continuous tone which does not change in level. Any control signals it develops are purely dependent upon the extent and rate of change of signal levels.

Gain,Threshold & Deadband
When the RATIO fader is set positively, significantly larger peak levels can be produced, with potential to increase them up to 24dB greater than the original signal. Conversely, negative ratio values can reduce the overall levels significanlty, therefore the GAIN fader has been designed to operate over a considerable range.

Unlike the rest of the processing in the Transient Modulator, the THRESHOLD knob sets an absolute value. Other processing is tracking changes in the waveform and is not related to any absolute setting. In this case, only signals above the THRESHOLD knob setting will be processed. The greater the signal level above the threshold, the greater the effect, the Transient Modulator will have.

The DEADBAND knob sets a window below which transient changes will remain unaffected, preventing unwanted modification to lower level signals.

Ratio & Overshoot
The RATIO fader sets the amount of instantaneous change, positive or negative, to the signal. As an example, if the RATIO fader is set to +1.00, and a signal peak 10dB above the average occurs, the Transient Modualtor could increase that to a 20dB peak.

The OVERSHOOT fader sets the period over which dyanmics changes occur. The lower values will cause just the initial transients and leading edges of signal changes to be affected. Whereas longer values will increasingly have more affect on the later portions of signal changes.

Rise Time, Recovery & Overdrive
The RISE TIME knob sets the detector response time. The shortest setting will cause all transients to be processed, whereas longer settings will progressively exclude the shorter and initial transients.

The RECOVERY knob sets the longer term time for the envelope processing which is adaptive according to the signal present. Lower settings allow the processing of virtually all transients, even in quick succession, whereas longer settings will progressively exclude small rapid transients.

Increasing the OVERDRIVE fader setting will add musically related harmonic content, generated when high levels of modulation occur. When set at 100%, the overdrive process will allow peaks of up to 6dB greater than digital maximum to be included without the sound of hard clpping, and still avoiding digital overloads entirely.

Note: Sonnox plug-ins require iLok authorization - see (#H70847)
Sonnox plug-ins use the Pace iLok key method of authorization, so the plug-ins can be installed on as many systems as desired, but can only be used on a single system at any one time, by insertion of the authorized iLok device into a USB port on the computer system in use.

If more than one copy of an Oxford plug-in is purchased, the authorizations should be transferred to different iLok devices, to enable use of the plug-in on more than one system at a time.


Mac OSX 10.7 Lion compatibility:
Sonnox has yet to complete compatibility testing of the Sonnox plug-ins range with Mac OSX 10.7 Lion. To ensure a trouble-free transition to Lion, we recommend that Sonnox users refrain from upgrading their Mac OS until we have completed our evaluations, and made update releases available as required. Check for a compatibility status change at Sonnox' website.

Features
  • Accentuates or softens attacks and transients
  • Brings instruments forwards or pushes them back in the mix
  • Radically changes the dynamics of instruments
  • Variable harmonic enhancement for extra punch
  • Can have the effect of increasing or decreasing room ambience
Specifications
  • System Requirements:

    Pro Tools:
    Pro Tools 6, 7, 8 & 9 (Pro Tools 7, 8 & 9 for SuprEsser & Restore Suite)
    Approved Pro Tools CPU, OS and hardware configuration : avid.com
    Mac OSX 10.3 or later
    - 10.4 or later for SuprEsser & Restore Suite
    - Pro-Codec is compatible with Intel Mac only Windows XP / Vista - 32- & 64-bit / Windows 7 - 32- & 64-bit
    RAM 1GB minimum
    iLok key with latest drivers

    Audio Units
    Pro-Codec is compatible with Intel Mac only
    Audio Units compatible application (Logic, Digital Performer etc.)
    Mac OSX 10.4 or later (Not certified for 10.7 Lion yet)
    RAM 1GB minimum
    iLok key with latest drivers

    VST
    VST-compatible application (Cubase, Nuendo, Wavelab, Sequoia etc.)
    Mac OSX 10.4 or later
    - Pro-Codec is compatible with Intel Mac only Windows XP / Vista - 32- & 64-bit / Windows 7 - 32- & 64-bit
    Supports DAW's installed in 64-bit mode on 64-bit Windows operating systems
    RAM 1GB minimum
    iLok key with latest drivers

    Platforms Supported
    Pro Tools HD, Pro Tools (RTAS), Audio Units, VST
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