Handmade in England.
Gauges 40-60-75-95. Long scale.
Rotosound makes the world's most famous and highest-quality round-wound electric bass strings.


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| Protect Your GearAccidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details. Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product. *Limitations and exclusions apply. See terms and conditions for program details
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Gauges 40-60-75-95. Long scale.
Rotosound makes the world's most famous and highest-quality round-wound electric bass strings.
Replacement warranty terms vary. Check with manufacturer for specific product warranty.
Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:

I have been playing bass for a long time (about 40 years) and I have always insisted on Rotosound Roundwounds on my Fender P's and J's and a Rick I had for a while. Always have loved the growly, klanky sound of John Entwhistle, Roger Glover, Glenn Hughes and Chris Squire and later Geddy Lee and Steve Harris (even though I always play with a Fender Heavy pick; I played guitar first and still do). I'm not a big guy but I have to have a long scale bass so I loook for every little advantage. Right now, I am playing an American Standard Fender Precision with a maple fretboard and replaced the stock parts with Seymour Duncan Basslines 1/4 pounder and a BadAss 2 bridge (all of the above purchased at GC, quick plug for those helpful people). The Rotosound medium gauge not only make playing easier and faster, as opposed to the 50-105 standard gauge, I lose nothing in sound on the low end, the G and D sound great, and I play a lot of chords and chord inversions and the slightly lighter gauge has more clarity. Several people have said something about this brand of string being tough on frets, but after three years on this bass, even after putting on new strings regularly, I see nothing to back this up. I was playing some Rush tab with the mids scooped, the treble up and my Ampeg through an Ibanez PhatHed overdrive stompbox and the sound was spot on!
read where Geddy Lee used these on his Jazz... got some for my 2010 Amer Jazz... never used this thin of a gauge before... still getting used to them... probably will go back to .45-.105... but for what they are- VERY NICE

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