Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone

Item # 104077490 | Customer Ratings: Ratings (Based on 1 reviews)

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Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone

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      Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone (104077490)
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A compact, accurate condenser microphone.

Although clearly relevant to instrument miking, the R0DE NT55 is extremely well suited to any situation where a small and unobtrusive yet powerful microphone is required. It utilizes the 1/2" (externally biased) gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a state-of-the-art, low-noise, balanced-output microphone exhibiting a wide dynamic range and full frequency response. The NT55 circuit incorporates a 3-position variable pad: 0, -10 or 20dB attenuation, and a 3 -position variable high-pass filter that enables you to step from a flat response to a 75 or 150Hz high-pass filter. The NT55 is intended for film, television, broadcast, live performance, theater, surround, and environmental recording applications. It comes with 2 different condenser microphone heads to provide a choice of polar patterns (cardioid and omni), a metal case, and clip. Requires phantom power.

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Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone Includes:
RM5 clip, NT45-O

Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone Features:

  • 1/2" (externally biased) gold sputtered true condenser capsuleHeavy duty satin-nickel-plated body3-position variable pad: 0 dB,-10 and -20dB3-position variable high-pass filter: flat, 75 and 150 HzLow-noise surface mount technologyWide dynamic rangeFull frequency responseDesigned & manufactured in AustraliaIncludes cardioid & omni capsulesSpecial edition metal caseRM5 ClipFull 10-year guarantee (conditions Apply)


Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone Specifications:

  • Acoustic Principle: Externally polarized 1/2" (13 mm) pressure gradient condenser.Directional Patterns: Cardioid, OmniFrequency range: 20 Hz ~ 20 000 Hz selectable HPF @ 75 Hz & 150Hz / 12dB / OctaveOutput Impedance: 100 _Signal/Noise ratio DIN/IEC 651: 79 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15)Equivalent Noise: 15 dB SPL (per IEC651, IEC268 -15)Maximum SPL: 136 dB (@ 1% THD into 1 Ohms ), 146 dB (@ 1% THD into 1 k Ohms) - pad —10, 156 dB (@ 1% THD into 1 k Ohms) - pad -20Sensitivity at 1 kHz into 1 k Ohms: -38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dBMaximum output voltage: 8 dBu (@ 1% THD into 1 k Ohms)Dynamic Range - DIN/IEC 651: 121 dB (per IEC651, IEC268-15)Power (Supply voltage): 48 Volts (P48), 24 Volts (P24) phantomOutput Connection: 3 pin XLR, balanced output between pin 2(+), pin 3(-) & pin 1 (ground).Weight: 110 grm. (4 oz.) Mic onlyDimensions: 145 mm ( 5 11/16") x 20mm (13/16")


Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone Includes:

    RM5 clip, NT45-O

Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone

One year warranty.

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Accessories you'll need:

  • DR Pro Tripod Mic Stand with Telescoping Boom

    Price: $69.99
  • Primacoustic VoxGuard Microphone Isolation Panel

    Price: $99.99
  • Mogami Gold Stage Mic Cable with Neutrik XLR Connectors

    Price: $69.95

Product Reviews

Based on 1 reviews)
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  • Great Sound Just one Flaw

    As reviewed by ALEXANDRE FERREIRA on 11/14/2011

    I've been recording classical and Jazz Like Styles for more than 10 years and this mic fulfills my needs. Last night I've recorded Voice and Piano with two of these on piano and a ST69 also bought from Guitar Center. I've used a TASCAM 2000 also bought from G.C. The flexibility of having two capsules to choose from is great. For this recording I've used the cardioid capsule. The piano sounded great and everybody was very pleased with the result. Another great quality is the weight of the mic. The price is more expensive than the SM 81 but it is definitely worth to have a pair of those! I do recommend it. As I've said the only flaw are the pad and low cut filters. They are hard to move and feels very delicate... Which makes me feel uncomfortable to mess up with. The manual says use either a screw drive or a pen(cil) DON'T do that that's the only flaw of the mic. The Sound is amazing and I never like to use the filters anyway because of the type of application I use it is either for combos, chamber music and I do not expect to use these to recorded overhead drums. I short is a great buy

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