Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Although clearly relevant to instrument miking, the R0DE NT55 is extremely well suited to any situation where a small and unobtrusive yet powerful microphone is required.
It utilizes the 1/2" (externally biased) gold sputtered true condenser transducer used in the internationally renowned RØDE NT5. The NT55 is a state-of-the-art, low-noise, balanced-output microphone exhibiting a wide dynamic range and full frequency response.
The NT55 circuit incorporates a 3-position variable pad: 0, -10 or 20dB attenuation, and a 3 -position variable high-pass filter that enables you to step from a flat response to a 75 or 150Hz high-pass filter.
The NT55 is intended for film, television, broadcast, live performance, theater, surround, and environmental recording applications.
It comes with 2 different condenser microphone heads to provide a choice of polar patterns (cardioid and omni), a metal case, and clip.
Requires phantom power.
Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone
Features:
1/2" (externally biased) gold sputtered true condenser capsule Heavy duty satin-nickel-plated body 3-position variable pad: 0 dB,-10 and -20dB 3-position variable high-pass filter: flat, 75 and 150 Hz Low-noise surface mount technology Wide dynamic range Full frequency response Designed & manufactured in Australia Includes cardioid & omni capsules Special edition metal case RM5 Clip Full 10-year guarantee (conditions Apply)
Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone
Specifications:
Acoustic Principle: Externally polarized 1/2" (13 mm) pressure gradient condenser. Directional Patterns: Cardioid, Omni Frequency range: 20 Hz ~ 20 000 Hz selectable HPF @ 75 Hz & 150Hz / 12dB / Octave Output Impedance: 100 _ Signal/Noise ratio DIN/IEC 651: 79 dB (1 kHz rel 1 Pa; per IEC651, IEC268-15) Equivalent Noise: 15 dB SPL (per IEC651, IEC268 -15) Maximum SPL: 136 dB (@ 1% THD into 1 Ohms ), 146 dB (@ 1% THD into 1 k Ohms) - pad —10, 156 dB (@ 1% THD into 1 k Ohms) - pad -20 Sensitivity at 1 kHz into 1 k Ohms: -38 dB re 1 Volt/Pascal (16 mV @ 94 dB SPL) +/- 2 dB Maximum output voltage: 8 dBu (@ 1% THD into 1 k Ohms) Dynamic Range - DIN/IEC 651: 121 dB (per IEC651, IEC268-15) Power (Supply voltage): 48 Volts (P48), 24 Volts (P24) phantom Output Connection: 3 pin XLR, balanced output between pin 2(+), pin 3(-) & pin 1 (ground). Weight: 110 grm. (4 oz.) Mic only Dimensions: 145 mm ( 5 11/16") x 20mm (13/16")
Rode Microphones NT55 Small Diaphragm Cardioid Condenser Microphone
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
I've been recording classical and Jazz Like Styles for more than 10 years and this mic fulfills my needs. Last night I've recorded Voice and Piano with two of these on piano and a ST69 also bought from Guitar Center. I've used a TASCAM 2000 also bought from G.C. The flexibility of having two capsules to choose from is great. For this recording I've used the cardioid capsule. The piano sounded great and everybody was very pleased with the result. Another great quality is the weight of the mic. The price is more expensive than the SM 81 but it is definitely worth to have a pair of those! I do recommend it. As I've said the only flaw are the pad and low cut filters. They are hard to move and feels very delicate... Which makes me feel uncomfortable to mess up with. The manual says use either a screw drive or a pen(cil) DON'T do that that's the only flaw of the mic. The Sound is amazing and I never like to use the filters anyway because of the type of application I use it is either for combos, chamber music and I do not expect to use these to recorded overhead drums. I short is a great buy
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