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Item # 271575 | Customer Ratings: Ratings ( 4 Based on 1 reviews)

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Rode Microphones NT3 Hypercardioid Condenser Microphone
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      Rode Microphones NT3 Hypercardioid Condenser Microphone (271575)
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      Rode Microphones NT3 Hypercardioid Condenser Microphone (271575)
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Superior sound quality, super low noise — built for studio, stage, or location work.

Stylish and modern, the RØDE NT3 Microphone is an externally biased, true condenser mic with hypercardioid polar response. This RØDE microphone features transformerless output; heavy-duty cast-satin nickel body; high immunity to RF interference; a high-strength, welded and heat-treated mesh head; internal capsule shock mounting; battery or phantom power; and a battery status LED.

Rode Microphones NT3 Hypercardioid Condenser Microphone

One year warranty.

Get your gear covered!

Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 1 reviews)
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  • Rode NT 3

    As reviewed by von Dutch on 9/22/2006

    I use this mic. for recording classical guitar in combination with a soundcraft compact 4 mixer and Sony Soundforge. This mic is crystalclear. It is also a very sensitive mic. This makes it an ideal mic for acoustic instruments. You could place the mic in front of an amp, but it isn't suited for that. In that case you should use a shure sm57. The rode is the best affordable mic for acoustic instruments out there.

    9 of 12 people found this review helpful.
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