Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems. Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s ... Click To Read More About This Product
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Control, sound, reliability and durability distinguish Rane’s new techno house club mixer for high-end audio systems. Born from a legacy of rotary club mixers beginning in 1971 with Rudy Bozak’s CMA-10-2DL, on to 1982 and UREI’s 1620, then in 1999 Rane’s MP2016/XP2016 combo, and now in 2015, the MP2015 represents the next revival and evolution. This mixer has an analog soul with a digital heart. With over 40 years of rotary mixer experience to draw on, along with collaboration and input from the world’s best techno house DJs, the MP2015 is the best mixer produced by Rane—ever. There are no compromises in the design. It has the best sound, the best features, the best feel, and the best reliability and durability.
A world-class leader in performance, this mixer is designed for playback of High-Resolution Audio (HRA) 24-bit studio master quality sources. Its sonic signature has no equal, satisfying the most stringent vinyl purists. And the dynamics are perfect for DJs that appreciate the uncompressed sound of WAV and FLAC files. Professional high-end sound quality begins and ends with the audio signal converters. The MP2015 uses premium performance Audio 4 Pro™ delta-sigma modulator converters by AKM [Asahi Kasei Microdevices Corporation] that meet the highest sound quality standards of recording studios.
Studio-Quality Phono Preamps, and S/PDIF for CDJs
The Phono-CD (or any line-level source) analog inputs feature gold RCA connectors and are true studio-quality preamplifiers providing EMI, RFI and transient overvoltage protection against ESD. The circuitry provides low noise, high gain-bandwidth, low harmonic distortion, fast slew rate and high output current. The phono RIAA filter accuracy measures +0.1/-0.2 dB from perfect. Included are 18 Hz high-pass infrasonic (rumble) filters with steep 18 dB/octave slopes and ultrasonic filters beginning roll-off at 50 kHz at a 12 dB/octave rate. A zero-distortion relay selects between CD and Phono operation.
Each of the four Input channels and the Submix channel features a unique and exclusive three-position toggle selector switch. Choose between LP (low-pass), HP (high-pass) or L-H (low-pass, high-pass combo). All have steep 24 dB/octave (4th-order) slopes and are sweepable. In the LP position, the Filter knob sweeps the low-pass frequency from 20 Hz to 20 kHz (CW to CCW). The 12:00 middle position is 635 Hz. In the HP position, the Filter knob sweeps the high-pass frequency from 20 Hz to 20 kHz (CCW to CW). The 12:00 middle position is 635 Hz. In the L-H position, the Filter knob sweeps either the LP or HP filter depending upon rotation direction from center. The 12:00 middle position bypasses both filters giving a flat, unaffected response. Rotating the knob from fully counterclockwise to center sweeps the LP filter from 20 Hz to 18 kHz. Turning the knob from center to fully clockwise sweeps the HP filter from 35 Hz to 20 kHz.
The Submix is great innovation for multi-track DJs, combining 1 to 4 channels plus the Session Input into a Submix, thereby controlling multiple tracks with one set of EQ, Filter, and volume controls. This means turning one knob instead of trying to turn several channel knobs at once. Quickly assign or un-assign any Input to the Submix, which has its own meter, headphone Cue, and USB record output. This is also where an external effects unit can be mixed in, and assigned to the Submix or the Main Mix. The Submix can also be used as a 5th input channel from the Session Input. No other mixer on the market provides this ease of multi-track use.
3-Band Full-Cut Tone Controls
All input channels and the Submix channel have exceptional three-band tone controls. These are 12 dB/octave (2nd-order) Linkwitz-Riley, full-cut filters (kill) with selectable crossover points of 150 Hz/6.0 kHz or 300 Hz/3.0 kHz. The crossover points are selected in the user control panel when connected to a computer via one of the USB ports. Like the Sweep Filters, the Tone Control filters are exceptionally accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate.
Isolator EQ Section
The proprietary three-band output Isolator is a steep 24 dB/octave (4th-order) phase-compensated Linkwitz-Riley design with continuously adjustable low-mid and mid-high crossover points. Like the Tone Controls, these filters are extremely accurate, high resolution, fast and artifact free, with all filter coefficients accurately calculated for the selected sample rate. Adjustable crossovers allow the artist to match the Isolator to the music being played. Low-mid crossover is adjustable from 80 Hz to 640 Hz. Mid-high crossover is adjustable from 1 kHz to 8 kHz.
Dual USB Ports for Simple DJ Changeover
One of the biggest challenges of digital DJing has been seamlessly changing over from one DJ to the next and playing back-to-back DJ sets. With the dual USB architecture of the MP2015 mixer, changeover between digital DJs has never been easier. Different DJ or DAW software programs are not a problem. When two DJs are connected to the MP2015, they can quickly swap deck control between computers using the Source Select knobs. Any of the four inputs can be swapped back and forth with a simple knob twist. Nice and easy, just the way we intended.
Four analog deck inputs, each is Phono-CD-S/PDIF switchable
Each port can stream 24 channels of low-latency 24-bit audio at 44.1, 48, or 96 kHz
Connect up to four turntables, four CD decks, or two of each
S/PDIF inputs are provided for equipped CDJs
Connect CD or musical instruments to the AUX line input
Proprietary three-band filter with steep 24/dB octave design
Officially certified to work with Native Instruments' TRAKTOR Scratch
Reviewed by 2 customers
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Comments about Rane MP2015 Rotary Control DJ Mixer:
Rane make the best mixers !!!
Comments about Rane MP2015 Rotary Control DJ Mixer:
Awesome instrument. I was "raised" on rotary mixers, including Bozak, Urei, Rane MP2016, and this is by far the best I've had the pleasure of owning. All controls are smooth and well thought-out and all functions are really useful. Sub-mix is interesting and very easy to incorporate. Simple plug-and-play with both Serato and Traktor. A solid performer overall. Pricey indeed, but I've been waiting for a high quality USB-equipped mixer, and I don't see why I'd ever buy another one after this.