[[KeywordSearchInputContent]]

Free Shipping to store or home

  • Guitars

    Top Categories

    1. Electric Guitars
    2. Acoustic Guitars
    3. Acoustic-Electric Guitars
    4. Left-Handed Guitars
    5. Classical Guitars
    6. Ukuleles
    7. Guitar Value Packs
    8. Guitar Accessories
    9. Vintage Guitars

    Related Products

    1. Guitar Amps
    2. Amp Stacks
    3. Pedals & Effects
    4. Strings
    5. Pickups
    6. Tubes
    7. Capos
    8. Cases & Gig Bags
    9. Stands & Hangers
    10. Straps
    11. Picks
    12. Cables
    13. Guitar Wireless System
    14. Folk Instruments
    15. Books & Videos

    Top Brands

    1. Fender
    2. Gibson
    3. Epiphone
    4. Ibanez
    5. Martin
    6. Music Man
    7. Taylor
    8. ESP
    9. PRS
    10. Yamaha
  • Bass

    Top Categories

    1. Electric Bass
    2. Acoustic Bass
    3. Electric Upright Bass
    4. Left-Handed Bass
    5. Electric Bass Value Packs
    6. Bass Accessories

    Related Products

    1. Bass Amps
    2. Pedals & Effects
    3. Strings
    4. Cases & Gig Bags
    5. Stands & Hangers
    6. Straps
    7. Instrument Wireless Systems
    8. Cables
    9. Books & Videos

    Top Brands

    1. Ibanez
    2. Schecter
    3. Fender
    4. Music Man
    5. ESP
    6. Dean
    7. Squier
    8. Gibson
    9. Peavey
    10. Yamaha
  • Drums

    Top Categories

    1. Acoustic Drums & Sets
    2. Electronic Drums & Sets
    3. Snare Drums
    4. Cymbals
    5. MIDI Controllers
    6. Hand Drums & World Percussion
    7. Drum Hardware
    8. Marching Percussion
    9. Concert Percussion
    10. Classroom & Kids
    11. Accessories & Parts

    Related Products

    1. Sticks & Accessories
    2. Heads
    3. Stands & Racks
    4. Cases, Bags & Covers
    5. Drum Mics
    6. Thrones
    7. Drum Amps & Monitors
    8. Drum Software
    9. Books & Videos

    Top Brands

    1. DW
    2. Pearl
    3. Zildjian
    4. Sabian
    5. Tama
    6. Vic Firth
    7. Remo
    8. PDP
    9. Gretsch
    10. Meinl
  • Recording & Software

    Top Categories

    1. Multitrack Recorders
    2. Portable & Field Recorders
    3. Studio Monitors
    4. Studio Mixers
    5. Microphone Preamps
    6. Signal Processors
    7. Disc Duplication
    8. Studio & Recording Packages
    9. Headphones
    10. Furniture & Studio Foam
    11. Stands & Racks
    12. Cables & Snakes

    Related Products

    1. Software & Plugins
    2. Audio Interfaces
    3. MIDI Interfaces
    4. Control Surfaces
    5. Computers
    6. Hard Drives & Storage
    7. Media, Storage & Memory
    8. iOS Devices
    9. Books & Videos
    10. Headphone Amps

    Top Brands

    1. Avid
    2. Apogee
    3. M-Audio
    4. Ableton
    5. KRK
    6. PreSonus
    7. Focusrite
    8. Native Instruments
    9. TASCAM
  • iOS

    Top Categories

    1. iOS Audio/MIDI Interfaces
    2. iOS DJ Gear
    3. iOS Mixers
    4. iOS Keyboards
    5. iOS Microphones
    6. iOS Live Sound
    7. iOS Docks and Speaker Systems
    8. iOS Accessories

    Related Categories

    1. Headphones
    2. Software
    3. Cables and Snakes
    4. Computers and Peripherals
    5. Books and Videos

    Top Brands

    1. AirTurn
    2. Apogee
    3. Apple
    4. Blue
    5. IK Multimedia
    6. Live Wire
    7. Bose
    8. JBL
    9. AKG
    10. Shure
  • Mics & Wireless

    Top Categories

    1. Condenser Microphones
    2. Dynamic Microphones
    3. Ribbon Microphones
    4. USB Microphones
    5. iOS Microphones
    6. Drum Microphones
    7. Stands & Booms
    8. Mic Cases
    9. Cables
    10. Shockmounts
    11. Windscreens
    12. Books & Videos

    Related Products

    1. Handheld Wireless Mic Systems
    2. Headset Wireless Mic Systems
    3. Lavalier Wireless Mic Systems
    4. Microphone Packs & Kits
    5. Microphone Accessories
    6. Cases & Racks

    Top Brands

    1. Shure
    2. Sennheiser
    3. AKG
    4. Audio-Technica
    5. Blue
    6. Electro-Voice
    7. Audix
    8. Apogee
    9. Neumann
    10. Sterling
  • Keyboards & MIDI

    Top Categories

    1. Production & Groove Machines
    2. Workstations
    3. Synthesizers
    4. Digital Pianos
    5. Portable & Arranger Keyboards
    6. MIDI Controllers
    7. MIDI Interfaces
    8. iOS Keyboards
    9. Keyboard Accessories & Parts
    10. Software & Virtual Instruments

    Related Products

    1. Keyboard Amps & Monitors
    2. Benches & Stools
    3. Stands & Racks
    4. Keyboard Pedals
    5. Cases & Gig Bags
    6. Cables
    7. Power Supplies
    8. Accordions
    9. Books & Videos

    Top Brands

    1. Korg
    2. Casio
    3. Yamaha
    4. Roland
    5. Akai
    6. M-Audio
    7. Moog
    8. Nord
    9. Native Instruments
    10. Dave Smith Instruments
  • Live Sound

    Top categories

    1. PA Systems
    2. PA Speakers
    3. PA Subwoofers
    4. PA Monitors
    5. Power Amps
    6. Signal Processors
    7. Mixers
    8. Microphones & Wireless Systems
    9. Headphones
    10. Power Conditioners

    Related Products

    1. Stands & Racks
    2. Cases
    3. Cables & Snakes & Stage Boxes
    4. PA Replacement Speakers & Parts
    5. Stage Accessories
    6. Direct Boxes
    7. Stage Lighting & Effects
    8. Power and Batteries
    9. Books & Videos

    Top Brands

    1. JBL
    2. QSC
    3. Mackie
    4. Electro-Voice
    5. Bose
    6. Harbinger
    7. Shure
    8. Yamaha
    9. Allen & Heath
    10. Soundcraft
  • DJ & Lighting

    Top Categories

    1. Controllers & Interfaces
    2. DJ CD, MP3 & Media Players
    3. DJ Mixers
    4. DJ Software
    5. Production & Groove
    6. Turntables
    7. iOS DJ Gear
    8. Packages/Systems
    9. DJ Accessories
    10. DJ Headphones
    11. Karaoke
    12. Cables & Snakes
    13. Stands & Racks
    14. Cases & Bags

    Related Products

    1. Lighting & Effects
    2. Intelligent Lighting
    3. Color Changers & Wash Lights
    4. Par Cans
    5. Lasers & Strobes
    6. Fog, Bubble & Snow Effects
    7. Lighting Controllers & Dimmer Packs
    8. Mirror Balls
    9. Gels, Gobos & Lenses
    10. Lighting & Effects Packages
    11. Lighting Stands & Truss
    12. Books & Videos

    Top Brands

    1. Pioneer
    2. Native Instruments
    3. Numark
    4. Rane
    5. Denon
    6. VocoPro
    7. Stanton
    8. Chauvet
    9. American DJ
  • Accessories

    Top Categories

    1. Guitar Accessories
    2. Bass Accessories
    3. Strings
    4. Tubes
    5. Pickups
    6. Tuners & Metronomes
    7. Stands & Racks
    8. Cables & Snakes
    9. Cases & Gig Bags
    10. Care & Cleaning
    11. Picks
    12. Practice & Performance Aids
    13. Books & Videos

    Related Products

    1. Recording Accessories
    2. Keyboard Accessories
    3. Live Sound Accessories
    4. DJ Accessories
    5. Lighting Accessories
    6. Furniture & Studio Foam
    7. Software & Virtual Instruments
    8. Books & Videos
    9. Harmonicas

    Top Brands

    1. D'Addario
    2. Ernie Ball
    3. Dunlop
    4. ProLine
    5. Live Wire
    6. Hercules
    7. Levy's
    8. EMG
  • Band & Orchestra

    Top Categories

    1. Woodwind Instruments
    2. Brass Instruments
    3. Orchestral Strings
    4. Marching Band
    5. Concert Percussion
    6. Classroom and Kids

    Related Categories

    1. Woodwind Accessories
    2. Brass Accessories
    3. Orchestral Strings Accessories
    4. Marching Band Accessories
    5. Concert Percussion Accessories
    6. Books, Sheet Music & Media
    7. Tuners & Metronomes

    Top Brands

    1. Vandoren
    2. Yamaha
    3. Rico Reeds
    4. Buffet Crampon
    5. Bach
    6. Selmer Paris
    7. Denis Wick
    8. Kanstul
    9. Jupiter
    10. Getzen

Item # H85989 | Customer Ratings: Ratings ( 5 Based on 1 reviews)

Print this page

  1. Select the information you'd like to print out.
  2. Cancel
RME Fireface UCX 36-Channel USB 2.0 Audio Interface
Use Add to Cart below to have it shipped to you, or to a store near you.
Close
  • Store
  • Availability
Guaranteed Lowest Price
Pickup In Store
GC Shopping Cart
 Cart Contents
Qty Description Price Shipping Subtotal 
      RME Fireface UCX 36-Channel USB 2.0 Audio Interface (H85989)
Availability:  


High-end, 36-channel audio interface with full-featured effects an iPad support.

The Fireface UCX from RME is a high-end audio interface loaded to the brim with all of the professional connections needed in a studio environment, but in a compact enough design that you can easily take on the road or in the field for mobile recording applications. With a total of 36 channels of audio, there is certainly no shortage of audio connectivity. Add to that two high-end microphone and instrument preamps, digital I/O, USB 2.0 and FireWire connections, all neatly packed inside of a 19" housing with full mobile usability.

Inputs and Outputs
The UCX provides 36 channels of audio - 18 inputs and 18 outputs. All channels can be used at the same time. Up to 8 analog and 10 digital channels can be recorded onto 18 separate tracks. All outputs can be used for ASIO Direct Monitoring purposes.

8 Inputs
On the rear: 4 balanced TRS. On the front: 2 XLR inputs with Mic/Line preamps (65dB Gain) and 2 Hi-Z capable TRS Line/Instrument inputs.

8 Outputs
On the rear: 6 balanced TRS outputs. On the front: One additional TRS stereo phones (playback channels 7/8). The high-power phones output offers high volumes even with high-impedance headphones

Sound Quality
Equipped with a new 2011 A/D and D/A high-performance converter design all I/O operates at up to 192kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 114 dBA dynamic range on both record and playback. The advanced multi-bit converter architecture guarantees excellent S/N and THD specs across a wide analog level range. In the best RME tradition and product philosophy, the Fireface UCX converters and preamps have no characteristic "sound" of their own. They neither add nor remove anything, but capture the original signal just as it is.

Due to its efficient jitter reduction, RME's superior SteadyClock finalizes the state-of-the-art AD/DA conversion, even when clocking to an external digital source.

Low Latency Converters
All analog I/O uses a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate. These values are about a quarter of the Fireface UC/400 (43/28), and even outperform much more expensive devices. This technological advancement reduces the overall latency of timing critical applications, in live situations, and in computer-based recording studios. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analog digital monitoring into real analog-style monitoring.

Microphone/Instrument Preamps with AutoSet
The UCX provides two high-end mic and instrument preamps - built right into the front. Both preamps use core technology of RME's Micstasy. A high-end preamp for supreme sonic demands and critical applications, like professional recordings of classical and acoustic music. The outstanding preamp design boasts extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.

The digitally controlled gain of up to 65dB, adjustable in steps of 1dB over a range of 55dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.

Each channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.

The two TRS inputs on the front will alternatively operate as Hi-Z inputs. Directly plug in up to two guitars or other instruments - no other hardware is required.

AutoSet
The UCX offers a unique RME feature which was previously available only in the high-end microphone preamp Micstasy and the UFX. Usually a limiter is used during the recording to prevent clipping of the A/D converter stage. But analog processing would not only spoil the excellent technical specifications of the UCX mic preamps but also alter the original sound.

Thanks to digitally controlled gain the UCX can reduce the gain automatically, thus providing perfect protection from overload with no degradation of the audio signal, which does not have to pass any additional electronic circuitry. Additionally AutoSet does not cause any of the control noises known from usual limiters. SNR and THD stay completely unchanged.

Digital I/O, Word Clock & MIDI
SPDIF: The UCX provides a coaxial SPDIF I/O working at up to 192kHz.

ADAT: One 8-channel ADAT I/O expands the UCX by 8 channels available simultaneously with the analog channels. They can be used to connect an 8-channel AD/DA converter, a mixing console, or to insert an effect device. The ADAT I/O supports sample rates with up to 192kHz (S/MUX4). Using an external converter like the ADI-8 QS, the UCX will provide 16 analog inputs and outputs, 12 with a sample rate of 96kHz, and still 10 at 192kHz.

SPDIF: The ADAT I/O can be used as optical SPDIF I/O, making the UCX connections even more flexible.

Word Clock & MIDI: A word clock input and output (BNC) with switchable termination plus two MIDI I/Os on a breakout cable complete the I/O list and turn the Fireface UCX into a professional audio system with universal usability.

TotalMix FX
The DSP-based TotalMix mixer supports fully independent routing and mixing of all 18 input and playback channels to all 18 physical outputs. Up to 9 totally independent stereo submixes plus a comprehensive Control Room section offer monitoring capabilities and unsurpassed routing flexibility.

Every input and output channel comes with a luxury feature set, comparable to a full-scale digital console. The effects per channel include 3-band parametric EQ, adjustable Low Cut, Auto Level, Compressor, Expander, MS Processing and phase reversal. The Reverb and Echo effects unit is available for all channels by way of a stereo send and return bus, all at 192 kHz operation.

Two DSP’s ensure an impressive performance even in extreme applications. As usual with RME, TotalMix is available with all channels at all sample rates, completely unlimited. The second dedicated DSP only renders effects, and therefore always has sufficient resources. For example, at 48kHz 36 EQs, 36 Low Cuts, 26 Compressors and Echo can be activated. With activated Reverb and Echo still 36 EQs, 36 Low Cuts and 16 Compressors are available.

The FX-DSP uses automatic overload surveillance. As soon as no effect can be added anymore the TotalMix surface will clearly signal this condition. When changing to higher sample rates the UCX automatically deactivates all effects that exceed the DSP's performance - the DSP will never be overloaded. This also prevents any possible damage to loudspeakers due to distortion.

Furthermore, the DSP hardware calculates RMS and Peak levels for all 54 level meters, so there is zero CPU load on the host.

The main functions of TotalMix can be remote controlled via MIDI with any Mackie Control compatible controller.

Hammerfall-X-Core: USB & FireWire
RME doesn’t use a third party USB or FireWire audio technology, but its own, self-developed Hammerfall Audio Core with an outstanding performance and uncompromised pro audio features. RME integrated the latest and most sophisticated version of RME's bus technology, the Hammerfall-X-Core - combining both, USB 2.0 and FireWire - within one half-rack sized interface.

Class Compliant Mode
The Fireface UCX is a fully professional audio interface with the option to be used as Class Compliant interface. The Class Compliant mode is a standard that is natively supported by operating systems like Windows, Mac OSX and Linux distributions. No proprietary drivers are required; the device will be directly recognized when the Class Compliant mode is activated by the button on the front panel.

Connect to an Apple iPad or iPad2
The iPad is not only an attractive mobile music creation and recording platform, but a closed hard- and software system without common driver problems and interferences from 3rd party hardware, like graphic or network cards. It provides stability, a good realtime performance and easy handling.

The UCX provides the iPad with the professional analog I/O connections it lacks. Superb microphone preamps with EQ, dynamics, even with the AutoSet feature, in addition to professional balanced line outputs, and a hi-power headphone output that also excels with high impedance headphones. Plus level adjustments, reverb, echo, zero latency monitoring, digitally via USB, without any limitation in quality, at up to 96kHz and 24-bit.

Supported Inputs and Outputs
When connected to an iPad, the analog mic/line input 1 works with mono apps, inputs 1 and 2 with stereo apps (both dual mono and stereo), and all 8 analog inputs with 8-channel applications, like MultiTrack DAW and Music Studio.

Playback will use analog outputs 1 and 2 (there is no app supporting 8-channel playback at this time). The output signal 1/2 will be copied to outputs 7/8, SPDIF and ADAT, and can be processed independently (Volume/EQ/Dyn/FX Return).

Audio Routing and Processing . The UCX is also a very powerful tool in CC mode, and can even be pre-configured via TotalMix FX under Windows/Mac. Apart from the current configuration up to 6 previously saved configurations can be loaded from the setup memory, allowing for a quick reconfiguration without a connected host PC/Mac.

The input signal will pass through all activated functions of the TotalMix FX input channel, namely settings, EQ, and Dynamics, and is then sent to the iPad. Like under Windows and Mac, the input fader controls direct monitoring to any output. The FX send control for echo/reverb is also active. The iPad's output signal passes through all activated functions of the TotalMix FX hardware outputs, namely settings, EQ, and dynamics. The third row's fader sets the output level.

More details are found in the Tech Info Fireface UCX Class Compliant Mode - Technical background, mode of operation, practical use

Additional Features
SteadyClock
RME's unique jitter suppression technology guarantees perfect sound quality throughout, making the device completely independent from the quality of external clock signals. Due to the highly efficient jitter reduction, the UCX converters operate independently from the quality of the external clock signal, as if they are working with internal clock all the time - guaranteeing a prestine sound quality.

SteadyClock allows the Fireface UCX to control the sample rate freely on its own. The settings dialog includes a direct choice of the video and audio world's most often used sample rates.

ICC
Intelligent Clock Control not only displays every clock status, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck offer a quick detection of clock problems.

DIGICheck
The UCX comes with RME's unique software toolbox for metering, testing, measuring and analyzing digital audio streams. It provides a multi-track recorder, calculates the level meters peak and RMS in hardware and is able to analyze and display playback data from any software, no matter which format the software uses.

Stand Alone Operation with Setup Recall
Additionally internal memory allows for the permanent storage of six different states of the unit. Therefore the Fireface UCX is able to operate fully stand-alone, without any connected computer. In stand-alone operation it can transform into totally different devices by the simple click of a button. Furthermore, in this mode TotalMix FX can also be controlled via MIDI. Application examples include: 8-channel AD/DA converter, 4-channel mic preamp, monitor mixer, digital format converter, analog/digital routing matrix.

RME Fireface UCX 36-Channel USB 2.0 Audio Interface Features:

  • 36 total channels of audio
    8 Analog inputs and 8 analog outputs
    Low Latency mastering grade converters with outstanding specifications
    Two high-end preamps, excellent for recording acoustic instruments
    AutoSet, reduces gain automatically protecting from overload
    Self-developed Hammerfall USB2.0 and FireWire400 Audio Core technology
    TotalMix FX software with complete Fireface UFX DSP engine, including all effects up to 192kHz
    Class Compliant mode allows for easy connection to an iPad or iPad2
    Includes MIDI breakout cable with 2 MIDI inputs and outputs


RME Fireface UCX 36-Channel USB 2.0 Audio Interface Specifications:

  • 18 Input / 18 Output channels
    8 x Analog I/O
    2 x Mic/ Line Preamps, digitally controlled
    2 x Line / Instrument inputs, digitally controlled
    1 x SPDIF I/O coaxial
    1 x ADAT I/O (or 1 x SPDIF I/O optical)
    1 x Word Clock I/O
    2 x MIDI I/O (via breakout cable)
    1 x FireWire 400
    1 x USB 2.0 (USB 3 compatible)
    AD, Line In 5-8, rear:
    Signal to Noise ratio (SNR): 111dB RMS unweighted, 114dBA
    Frequency response @44.1kHz, -0.dB: 10Hz - 20.6kHz
    Frequency response @96kHz, -0.5dB: 5Hz - 45.3kHz
    Frequency response @192kHz, -1dB: -1dB: 5Hz - 90kHz
    THD: < -105dB, < 0.0005 %
    THD+N: < -98dB, < 0.0012%
    Maximum input level: +19dBu
    Channel separation: > 110dB
    Input: 6.3 mm TRS jack, electronically balanced
    Input sensitivity switchable to Lo Gain, +4dBu, -10 dBV
    Input level for 0dBFS @ Lo Gain: +19dBu
    Input level for 0dBFS @ +4dBu: +13dBu
    Input level for 0 dBFS @ -10dBV: +2dBV
    Line In 3-4, front:
    As AD, but:
    Additional Gain stage: 0 up to +12dB
    Maximum input level, Lo Gain, Gain 0dB:
    Line +19 dBu, Inst +13dBu
    Maximum input level, -10dBV, Gain 12dB, Line:
    -7,5 dBu, Inst: -13,5dBu
    Input impedance Inst: 470kOhm
    Input Gain Inst: +6dB
    Input mode: Line balanced (TRS), Inst unbalanced (TS)
    CLIP LED: 0dBFS
    SIG LED: -60dBFS
    Microphone/Line 1-2, front:
    as AD Line In 5-8, but:
    Input: Neutrik XLR/TRS Combo jack, electronically balanced
    Input impedance: XLR 2 kOhm, TRS 8kOhm balanced
    Signal to Noise ratio (SNR): 112dB RMS unweighted, 115dBA
    Low Roll Off -0.5dB: 18Hz, -1dB: 12Hz
    Gain range: 0dB, +10 up to +65dB
    Maximum input level XLR, Gain 0dB: +10dBu
    Maximum input level XLR, Gain 65dB: -55dBu
    Maximum input level TRS, Gain +0dB: +21dBu
    Maximum input level TRS, Gain +65dB: -44dBu
    CLIP LED: 0dBFS
    SIG LED: -60dBFS
    DA, Line Out 1-6, rear:
    Dynamic range (DR): 111dB, 114dBA @ 44.1kHz (unmuted)
    Frequency response @ 44.1kHz, -0.1dB: 5Hz - 20.4kHz
    Frequency response @ 96kHz, -0.5dB: 5Hz - 45kHz
    Frequency response @ 192kHz, -1dB: 5Hz - 90kHz
    THD: -100dB, < 0.001 %
    THD+N: -96dB, < 0.0015 %
    Channel separation: > 110dB
    Maximum output level: +19dBu
    Output: 6.3mm TRS jack, servo-balanced
    Output impedance: 75Ohm
    Output level switchable: Hi Gain, +4dBu, -10 dBV
    Output level at 0dBFS @ Hi Gain: +19dBu
    Output level at 0dBFS @ +4dBu: +13dBu
    Output level at 0dBFS @ -10dBV: +2dBV
    DA - Phones, 7/8, front:
    As DA, but:
    Output: 6.3mm TRS jack, unbalanced
    Output impedance: 30Ohm
    Word Clock:
    BNC, switch for internal termination 75Ohm
    System Requirements:
    USB: Computer with at least Pentium Core 2 Duo CPU (see the list of Tested Systems with USB chipsets)
    FireWire: Computer with OHCI compatible FireWire Port 400 (1394a) or FireWire 800 port (via adapter cable)


Product Reviews
(Based on 1 reviews)
Sort reviews:
Viewing Reviews 1 - 1 of 1
  • Great piece of pro gear

    As reviewed by Ian Alexander on 6/19/2013

    Lost my last interface in a plumbing accident. Wanted to go USB this time, to have a more modular setup for recovery from the next crisis. I'd read a lot of good things about RME from other engineers I know, so gave it a try. Worked exactly as expected right out of the box. Hardware, software, installation - all easy and right the first time. After a couple weeks of use, still impressed. Very clean, very solid, and very small. And the included software mixer is very flexible.

    1 of 1 people found this review helpful.
    Was this review helpful?
Questions about the Fireface UCX 36-Channel USB 2.0 Audio Interface (H85989)


To: GuitarCenter.com
PO Box 4769
Westlake Village, CA 91359
USA
866-498-7882
 
Order #: (if applicable)  * Denotes Required Field
*First Name:
*Last Name:
*Email:
Phone:
*Subject:
*Message:
Click to add file attachment
File Upload 5mb limit