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Product Specific Media
General Media
Great versatility, creative control, and sweet sonics
The RDE NT2-A Large-Capsule Studio Condenser Microphone is a professional, one-inch condenser microphone with variable pick-up patterns, high-pass filter, and pad.
3 - 3-position switches located on the mic body provide selection of figure 8, cardioid, or omni polar pick-up patterns; from a flat response to either 80Hz or 40Hz high-pass filter; and pad adjustments of 0dB, -5dB, or -10dB attenuation.
The heart of the NT2-A is the Australian-designed and manufactured Type HF1 dual-diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today's modern recording techniques and yet still evoke the silky smooth character of the legendary microphones of the '50s and '60s. Includes a soft pouch and clip.
The RDE NT2-A represents an uncommon technical achievement. Many mics today look similar, with 1" capsules, a mesh head, and a cylindrical body. It is only when you look a little deeper and listen carefully that the major differences become apparent. If there weren't differences, we would all buy $50.00 mics, and be very happy! Many microphones in the same category sell for thousands of dollars. The difference is that the costlier mics are made with the best parts and precision engineered. While these mics are superb, their smaller production volume makes them expensive. They're hand assembled with parts bought in small quantities
RDE has changed the industry by pioneering high quality volume production, investing in more design and tooling using the very finest components and capsules. RDE still offers the NT2-A at a price that would be impossible using older techniques and technologies.
Designed and manufactured at RDE's new $10,000,000.00 facility in Sydney, the NT2-A incorporates the latest innovations in transducer design, coupled to RDE's surface mount electronics, offering pure signal quality and the lowest noise levels of any microphones with the same features. RDE is so proud of the NT2-A that they now offer a full 10-year parts And labor guarantee. Requires phantom power.
R0DE NT2-A Large-Capsule Studio Condenser Microphone Features:
- Australian designed and manufactured HF1 1" edge terminated, gold sputtered, dual 5 um diaphragm capsule
- 3-position variable polar pattern: Omni, Cardioid & Figure 8; all controlled on the mic
- 3-position variable high-pass filter: Flat, 80Hz or 40Hz
- 3-position variable pad: 0dB, -5dB, or -10dB
- Ultra low noise, transformerless SMT circuitry
- Wide dynamic range
- High-strength heat-treated steel mesh head
- Durable satin nickel finish
- Internal capsule shockmounting
- Supplied complete with soft pouch and clip
- Designed and manufactured in Sydney, Australia
- Acoustic principle: Externally polarized 25 mm (1 in.) dual diaphragm
- Directional pattern: Multi-pattern
- Frequency range: 20Hz-20,000Hz
- Output impedance: 200
- Signal /Noise ratio DIN/IEC 651: 87 dB (1 kHz rel 1 Paper IEC651, IEC268-15)
- Equivalent noise: 7 dBA SPL (per IEC651, IEC268-15)
- Maximum SPL: 147 dB (@1%THD into 1k) 157 dB (@1%THD into 1k) - pad at maximum
- Sensitivity at 1 kHz into 1k: -36 dB re 1 Volt/Pascal (16 mV @94 dB SPL) +/- 2 dB
- Maximum output voltage: +16 dBu (@1%THD into 1k)
- Dynamic range of the mic amplifier: DIN/IEC 651 140 dB (per IEC651, IEC268-15)
- Power (Supply voltage): 48 Volts (P48)
- Output Connection: 3 pin XLR, balanced output between pin 2 (+) and pin 3 (-). Pin 1 ground
- Weight approx.: 860 grm (4.23 oz)
R0DE NT2-A Large-Capsule Studio Condenser Microphone Specifications:| Connectivity | XLR | | Frequency Response | 20Hz~20kHz | | Low Frequency Roll Off Switch | Yes | | Max SPL dB | 150-159 | | On Off Switch | No | | Polar Pattern | Multi-Pattern | | Style | Vocal, Instrument | | Suggested Applications | Studio Recording | | Type | Condenser | | dB Pad Switch | Yes |
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Best bang for your buck
This is by far the best sounding all-purpose microphone for the money. I have used many expensive microphones over the years, but this mic is just as good as any of those Neumann's or Blue's. This mic sounds great on male or female vocals, acoustic guitar, piano, group vocals...I've even used it as a drum overhead. The pickup pattern switch is VERY handy, as well as the filter and pad. Add this mic to your setup, you can't go wrong!
Reviewed by Misconduct2K on 10/4/2006 who plays Rock, Blues, Metal.
10 people found this review helpful.
1 person found this review unhelpful.
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NT-2A = Wow!!!
I'm from the "old" school of don't spend money on something you don't need... I now need another NT-2A. I can't live without it. Until getting this mic, most everything I did needed some EQ (I used dynamic mics almost exclusively). With the pad & roll-off, plus the pattern switch, I *might* cut the highs a smidgen every once in a while, but usually not. As another reviewer stated "... I like it best on acoustic guitar, but this mic is really versatile...", I agree. I've got a D-35 that actually sounds like a D-35 when recorded with the NT-2A. If my singing voice was any good, it'd be great on that (male baritone). My wife sounds fantastic, and this mic captures the whole sound, no emphasis on any part of her spectrum, which I like. As far as I can tell, there's no "sound" to this mic, no "colorization". I've even used it on drums & electric guitar (use the pad!!!).
One does have to be careful with background noise, as the mic is sensitive (as expected...), and will pickup lip "smacks" as the singer opens their mouth to sing, or even the ocassional "breath", in preparation to sing. A pop screen is a very good idea (I consider it a "requirement"). A shockmount is necessary in almost all situations (I would take off "points" in the "Features" area, but...). I purchased the Rode shockmount, and for the money, it's "OK", but it is plastic. However, at this price-point, I can't really complain too much about that... Would I purchase another? You bet I would!
Reviewed by jmail on 10/17/2006 who plays All of the above, and then some....
8 people found this review helpful.
1 person found this review unhelpful.
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A Pleasant Suprise
In my years of recording I have had the opportunity to experience many different microphones. I can remember the first vocals I ever recorded through an SM58, and I can remember the first time I ever heard someone sing through a Neumann. Knowing the vast range of microphones in existence I was intrigued when the Rode NT2-A began to receive awards and nominations from numerous organizations. Bearing all this in mind I went out to purchase this acclaimed microphone, and when I got it set up I was shocked. This microphone sounded great right out of the box; it needed little to no EQ. As far as features go it?s nice to have controls over patterns, pads, and LF roll offs right on the microphone.
This microphone is a great value for all of the features and quality you receive. My only real complaint is that the microphone did not include a shock mount, which is a definite must.
Reviewed by jwarnold on 9/27/2006 who plays any.
5 people found this review helpful.
1 person found this review unhelpful.
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R0DE NT2-A
This microphone easily beats the competition in features, sound and value. Switch from cardioid to omni to figure 8. The pad is very useful as well. I was so impressed by the low self noise of this mic - VERY quiet. I like it best on acoustic guitar, but this mic is really versatile. You can use it on vocals, guitar, piano, etc. Sounds great on omni with group vocals. This mic really should come with a shockmount though. Other than that, I can't say anything bad about it - add one of these to your setup...you won't be disappointed!
Reviewed by DSDub on 10/11/2006 who plays Rock, Blues, Funk.
4 people found this review helpful.
1 person found this review unhelpful.
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Swiss Army Knife of mics!
You simply cannot go wrong with this mic. It sounds excellent on just about everything I've put it on. Being able to change polar patterns on the mic itself is very handy. Rode has a real winner on its hands. You could easily spend twice the price and not find a better-sounding microphone. It's a no-brainer for me. I got several of 'em!
Reviewed by Mike_in_NJ on 9/29/2006 who plays Various.
3 people found this review helpful.
1 person found this review unhelpful.
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