This recording package includes a PreSonus StudioLive 16.4.2 mixer, AVID Pro Tools 9, a pair of Mackie HR624mk2 Monitors, an Audio-Technica AT4033CL mic, a Musician's Gear tripod stand, and 3 Gear One... Read More
This recording package includes a PreSonus StudioLive 16.4.2 mixer, AVID Pro Tools 9, a pair of Mackie HR624mk2 Monitors, an Audio-Technica AT4033CL mic, a Musician's Gear tripod stand, and 3 Gear One XLR cables (20' each).
PreSonus StudioLive 16.4.2
StudioLive is one of the most powerful and flexible 16-channel digital mixers the world has seen. Loaded with 16 high-headroom XMAX microphone preamplifiers, built-in 32x18 FireWire recording and playback engine, Fat-Channel processing with 4-band EQs, compressors, limiters and gates, DSP effects, 6 aux buses, 4 sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more, it breaks new boundaries for music performance and production.
Note: Since 5/26/09, you can make your StudioLive 16.4.2 64-bit compatible via a PreSonus web update. There is also a firmware update that includes a new graphic EQ and makes it possible to daisy-chain multiple StudioLive 16.4.2 units or other FireStudio-series interfaces.
Loaded with Racks of Effects
StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 high-pass filters, 2 stereo reverb/delays, 2 master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality.
Best In Both Worlds
StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.
StudioLive 16.4.2 gives you ultimate creative control in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production, opening endless creative possibilities.
Powerful and Easy Digital Mixing
The StudioLive mixer features the innovative and intuitive QuickTouch design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.
(EQ, Compressor, Limiter, Gate, on every channel)
The heart of StudioLive is the Fat Channel feature, engaged by pressing any "select" button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus' custom-designed digital EyeQ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus' award-winning ACP88 for complete dynamics control.
Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility.
Load and Save Your Settings
The PreSonus StudioLive allows you to save all of your digital settings for quick setup and recall. Save "scenes" (all settings) including fader levels with LED position matching, channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.
Professional Sound Quality
StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering a dynamic range of +118dB for spectacular sonic results and unmatched musicality.
Built-in 32x18 FireWire Recording
StudioLive includes PreSonus' award-winning FireWire technology with JetPLL synchronization delivering 22 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer's internal signal processing and summing algorithms. The StudioLive Mixer is compatible with Mac and Windows audio recording and music production software including Logic, Nuendo, Cubase, Sonar, Digital Performer, Audition and more.
Integrated Multi-Track Recording Software”CAPTURE
StudioLive 16.4.2 also ships complete with CAPTURE multi-track recording software so you can effortlessly record your shows right out of the box. CAPTURE software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, CAPTURE software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to WAV file formats for compatibility with ProTools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of the PreSonus StudioLive 16.4.2, then record the final mix back to CAPTURE.
XMAX Class A Preamplifiers
StudioLive includes sixteen custom-designed high-voltage, discrete, XMAX Class A microphone preamplifiers for all types of microphones. The job of a microphone preamplifier is to boost microphone level signals to line level so that the signal can be converted from analog to digital. This mic-to-line boost is generally a preamplification of over 400 times the voltage of the original mic level signal. This preamplification stage is one of the most important stages that the signal will go through before being converted to digital, and is why a high performance preamplifier is important to achieving great results.
All XMAX preamplifiers are built with the same three elements:
¢ High Voltage”The XMAX preamplifier runs on power rails of 30V. Most off the shelf op amp-based designs run on power rails of 10V to 18V. Higher voltage power rails deliver more headroom, deeper lows, smoother highs and an overall fuller sound. .
¢ Discrete”No op amps. Only transistors, resistors and capacitors. Op amps add noise, coloration and harshness to a signal. Discrete designs deliver ultra low noise and transparency.
¢ Class A”When a circuit is running in Class A mode the circuit is always in an "on" state operating at its optimal voltage requirements. Class A mode has zero crossover distortion and delivers purer, clearer and more musical sonics than class A/B designs which are found in most op-amp circuits.
The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range and wide frequency range, and most importantly, musicality and transparency”smooth highs, solid deep lows, and everything in between.
VSL Control Software
The optional PreSonus Virtual StudioLive software for Mac and Windows, which is offered as a free download, provides bidirectional control of the StudioLive 16.4.2 digital mixer. Now you can see and control the most-used mixer parameters onscreen, including channel, subgroup, aux send, and main levels, as well as Fat Channel, effects, and graphic EQ settings.
Control the mixer with a mouse or watch VSL update when you adjust the hardware. Drag Fat Channel presets onto all 16 channels in seconds. Mute or solo every channel with a sweep of the mouse. Apply a new Scene to the whole mixer just by dragging it on VSL from a list you see at all times, or collect and trade Scenes with other StudioLive users.
To top it off, you can use low-cost third-party software to control VSL”and therefore, your StudioLive mixer”from an iPhone, iPad, laptop, or any other device that supports VNC remote control of your computer. Now you can walk around the venue and tweak the mix, in real time, from any location, fixing monitor mixes from the stage and eliminating sonic problems on the spot.
Pro Tools 9 Software
Pro Tools 9 redefines one of the world's most popular, most advanced music and audio production platform with a completely re-architected, open version of Pro Tools software, giving you what many users of past versions have asked for”and so much more.
Work with an audio interface”or without. Create bigger, better-sounding mixes with more tracks, Automatic Delay Compensation, and other pro features”all included as standard. Open your workflow to projects created in other audio and video software”and to the entire Avid Artist Series and Pro Series (formerly Euphonix) console/controller line. With Pro Tools 9, you can compose, record, sequence, edit, and mix the way you want in more ways than ever.
Capture Your Creativity
Work the way you want
With Pro Tools 9, you get more recording flexibility than ever. Connect mics and instruments and get multitrack audio recording capabilities when you pair Pro Tools software with your favorite Avid audio interface or third-party Core Audio- or ASIO-compatible interface. Record virtual instrument performances through a MIDI keyboard or controller, or record and create music and audio with just your computer and the software alone for ultimate portability.
Capture high-quality sound
Whether you're tracking vocals, guitars, voiceovers, sound effects, or an orchestra, or recording virtual instrument performances, enjoy great-sounding audio without compromise. Capture high-resolution audio”up to 24-bit/192kHz”when you use an Avid or third-party audio interface with Pro Tools software. And get best-in-class sound with the included groundbreaking virtual instruments.
Nail the right performance
Let your spontaneity shine. Use Loop recording to record multiple takes of a performance on the same track, one after the other, to keep things flowing when you're in the zone”great for guitar solos or voiceovers. You can also create complex drum tracks using it with MIDI Merge, enabling you to build up tracks by merging new beats into the same region with each recording pass.
Punch your way to perfection
Nobodys perfect, but with Pro Tools 9 you can create seamless performances with nondestructive QuickPunch or TrackPunch. Quickly fix mistakes in audio tracks as Pro Tools punches in and out of record mode, replacing the questionable section as you perform with the playback. For easier file management (and the truly confident) use DestructivePunch to maintain a single audio file”no matter how many punches you do.
Slow down and record comfortably
Having trouble keeping up? With Pro Tools, you can pull off technically challenging parts by slowing down the session tempo, recording the performance at a more comfortable pace, and playing it back at normal speed”Elastic Time and Pitch will keep things in tune. You can also create interesting effects recording at normal speed and then playing back at different speeds.
Stretch your creativity with Elastic Time and Pitch
Freely experiment without the time or effort investment. With Elastic Time, you can change the tempo or timing of any music or sound file”or an entire composition”on the fly, without cutting up a single sample of audio. With Elastic Pitch, you can fix wrong notes, create harmonies, and transpose regions”in real time”without altering the tempo.
Make changes on-the-fly
Forget having to manually stop and restart playback to make changes to your mix or configuration”instead, you can make many common changes on the fly in Pro Tools 9 during playback. Create and edit regions, add or remove tracks, copy inserts and sends, change I/O routing, and more”all changes will dynamically update in real time.
Craft sound with precision
Shape and fine-tune your audio, instrument, and MIDI tracks with professional, sample-accurate audio editing tools. Create a flawless performance by comping together tracks from multiple takes. Get more flexibility when importing tracks with the full Import Session Data dialog. Speed up editing with the Smart Tool. Place sounds perfectly in sync with picture. Smooth transitions with crossfades. Everything you need to perfect your tracks is available right from within a single Edit window.
Get where you need to go fast
Instantly navigate to one or more sections within your session to speed up your editing and mixing workflow. Simply set location markers at specific points in the timeline, edit selections, or even a set of track display settings, and you can quickly recall each specific location at any time with a simple keyboard shortcut, ensuring Pro Tools keeps up with your pace.
Join groups for easy editing and rearranging
Easily rearrange songs, edit loops, and make global changes across multiple tracks in one fell swoop by grouping audio and/or MIDI regions together as a Region Group. For more complex sessions with lots of automation, create VCA groups in Pro Tools HD software or Pro Tools 9 with the Complete Production Toolkit 2 option, giving you another level of gain control over groups that already have automation.
Snoop out grooves with multitrack Beat Detective
Start things off on the right beat with Beat Detective, a powerful tool that enables you to analyze and adjust timing across multiple tracks. Quickly tighten up uneven drum performances. Change up the feel or groove of a beat, and keep your rhythm section "in the pocket" by extracting the timing and groove from a drumbeat and applying that groove template to the bass part.
Unrivaled Audio Mixing
Achieve the best mixes possible automatically
Get great-sounding, phase-accurate mixes with Automatic Delay Compensation (ADC). Mix in stereo or up to 7.1 surround (with Pro Tools HD 9 or Pro Tools 9 and the Complete Production Toolkit 2 option). And automate every element in the Pro Tools environment (rather than "riding the faders" in real time) to add life and ensure the best mix”from track volumes, mute, and panning, to every plug-in parameter.
Get the sounds you want with Pro Tools plug-ins
Create better sounding mixes using the collection of included sound-processing, effects, and instrument plug-ins”you can insert up to 10 plug-ins per track. And expand your creative palette with plug-ins from Avid and our Pro Tools Development Partners for almost anything you can imagine”from instruments to EQs, compressors, reverbs, amp emulators, noise reducers, surround encoding, and more.
Grab control of your mix
You can use a mouse to make changes one at a time, or mix faster and easier using a hardware control surface. Get unrivaled, fully integrated, hands-on Pro Tools control with a choice of Avid control surfaces to fit your needs and budget, including ICON consoles and C|24; full EUCON integration with MC Mix, MC Control, MC Pro, System 5-MC, System 5, and more; and third-party control surfaces.
No instrument? No problem
Easily create parts for practically any musical instrument using great-sounding virtual instruments, a MIDI keyboard/controller or your mouse, and the built-in Pro Tools MIDI Editor. Get started with the included virtual instruments and audio loops, and expand your arsenal with virtual instruments from Avid and third-party audio designers.
Get inspired with full MIDI and compositional tools
Take your songwriting from sketchpad to final production. Assign key signatures, create and move notes, transpose pitches, build dynamics, rearrange sections, and sculpt every note to perfection in the MIDI Editor. You can also view all MIDI parameters simultaneously for easier editing. and make your mixes shine by adding effects and automation.
Notate music with the Sibelius Score Editor
Compose and print professional music scores using the Sibelius Score Editor, which offers a wide range of standard notation tools. Generate ideas quickly with realtime note placement and editing, and change the meter, key signature, and more on-the-fly. Add chord symbols and diagrams. Transcribe MIDI parts in real time. Even export sessions as Sibelius (.sib) files for further finessing in Sibelius.
Work and collaborate on music from other audio apps
Collaboration has never been easier. With Pro Tools, you can exchange sessions with any Pro Tools user or studio. But you can also edit, remix, or even revisit projects created in other audio software”such as Logic, Cubase, Digital Performer, Sonar, Live, Reason, and other third-party apps”right in Pro Tools using built-in OMF/AAF/MXF interchange support, ReWire compatibility, or MP3 export.
Create, Edit, and Mix Audio for Post
Streamline the audio/video workflow
Work faster and easier with video using professional tools”now included as standard. Easily import and export projects to and from Pro Tools through built-in OMF/AAF/MXF interchange support. Keep track of all project assets and create and share custom catalogs with the robust DigiBase Pro file management. You can seamlessly move and share projects between the editorial and mix stage, with full compatibility, using a single automation system.
Create and cut sound to picture
With Pro Tools, you can create, edit, and mix audio to picture, with sample-accurate precision, using the built-in Time Code Ruler and support for one or up to 64 video tracks. Clean up production sound, and create sound effects and elements that define (or defy) reality. Record voiceovers, Foley, and ADR with perfect-frame accuracy. Easily execute and play back edits nondestructively using single-key edit commands.
Mix stereo and surround
Easily create larger-than-life mixes that move across the stereo field using advanced automation and variable stereo pan depths
Integrate directly into the Avid video workflow
Speed up workflow efficiency and eliminate the need for rendering effects, transcoding video, or copying Avid video files for audio post. With the Video Satellite option, you can instantly open and play Avid HD or SD video sequences in sync with your Pro Tools session (Pro Tools HD only). And because all video playback is offloaded onto a separate but synced computer, you maintain full Pro Tools audio track counts and processing power.
Mackie HR62mk2 Studio Monitors
The Mackie HR624mk2 high-resolution Active Studio Reference Monitor is the perfect alternative when space is limited. The HR624mk2 monitor offers the same design as the Mackie HR824mk2 in a more compact package. The new Zero Edge Baffle minimizes diffraction for a crystal clear audio image of your mix, and controls sound waves for wide, even dispersion. The Mackie HR624mk2 monitor's Acoustic Space, LF roll-off and HF controls let you easily tailor the sound to suit your space and your taste. Thanks to remarkably linear frequency response, with the HR624mk2 monitor, you always get accurate mix translation. Combine all this with superior bass extension, and the Mackie HR624mk2 monitor makes your studio's sweet spot a full-on sweet zone.
AT4033/CL Condenser Mic
The Audio-Technica AT4033CL Large Diaphragm Condenser Mic uses transformerless circuitry to virtually eliminate low-frequency distortion and enhance the capture of high-speed transients. An 80Hz high-pass filter easily switches between flat frequency response and a low-end roll-off that diminishes ambient noise and popping with closely-miked vocals. Requires 48V phantom power. Includes AT8449 shockmount.
MS-220 Tripod Mic Stand with Fixed Boom
The MS-220 Tripod Microphone Stand has a thread adapter and tubular legs. Its adjustable height from floor to top thread is 35" to 61-7/8". The 30-1/4" fixed boom is not adjustable.