This package includes a Presonus StudioLive 16.4.2 digital mixing console, a pair of Yamaha DSR112 powered speakers, a pair of standard speaker stands, 2 mics and 4 XLR cables.Presonus StudioLive 16.4... Click To Read More About This Product
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This package includes a Presonus StudioLive 16.4.2 digital mixing console, a pair of Yamaha DSR112 powered speakers, a pair of standard speaker stands, 2 mics and 4 XLR cables.
Presonus StudioLive 16.4.2
StudioLive is one of the most powerful and flexible 16-channel digital mixers on the market. Loaded with 16 high-headroom XMAX microphone preamplifiers, built-in 32x18 FireWire recording and playback engine, Fat-Channel processing with 4-band EQs, compressors, limiters and gates, DSP effects, 6 aux buses, 4 sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more, it breaks new boundaries for music performance and production.
For a more complete description of this richly detailed mixer, please see the Presonus StudioLive 16.4.2 product detail page.
The DSR112 Active Loudspeaker features an ideal combination of advanced digital sound processing and the latest acoustic technologies for Integral Digital Tuning, plus Yamaha's D-CONTOUR (Dynamic-CONTOUR) multi-band dynamic processing for Intelligent Dynamic Control. The DSR112 is loaded with 2 Class-D amplifiers with a PFC (Power Factor Correction) switching mode power supply. One amplifier deliver 850 watts to a premium grade 12" neodymium woofer with 3" voice coil and a second amplifiers supplies 450 watts to a large 2" high purity titanium diaphragm, neodymium, high frequency compression driver. A LTBD (Long Throw, Broad Dispersion) Constant Directivity Waveguide Horn spreads the sound across 90 x 60. The DSR112 has an impressive maximum SPL of 134dB peak.
The digital crossover networks use high-order FIR (Finite Impulse Response) filters providing linear phase response. Yamaha's proprietary FIR-X tuning technology simultaneously optimizes frequency and phase response, whilst adjusting the time alignment between the HF and LF transducers. The end result is substantially higher sound quality than can be achieved with conventional analog crossovers.