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Item # H93676 | Customer Ratings: Ratings ( 5 Based on 1 reviews)

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Presonus StudioLive 32.4.2 AI 32-channel Digital Mixer with Active Integration
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      Presonus StudioLive 32.4.2 AI 32-channel Digital Mixer with Active Integration (H93676)
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Radical new mixer technology.

With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, a StudioLive mixer will spoil you fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production. The 32-channel, 14-aux PreSonus® StudioLive™ 32.4.2AI starts with all the strengths of previous StudioLive models—and then pushes the technology to the next level.

StudioLive 32.4.2AI is built with next-generation Active Integration technology that adds unprecedented power for mixing consoles in this price class. So while the 32.4.2AI looks and feels much like its non-AI counterparts it has with far more computing power, which makes possible some very useful new features.

For starters, you get twice as many internal effects buses and 31-band graphic EQs. We’ve added six mute groups and user-assignable Quick Scene buttons. You’ll love the ability to create two complete sets of EQ and dynamics settings for a channel or bus and then make quick A/B comparisons at the touch of a button.

A built-in 48x34 FireWire S800 interface is standard equipment but Thunderbolt and Ethernet (Dante) cards are expected by the end of 2013. A dedicated USB 2 port and included Wi-Fi LAN adapter lets you control the mixer wirelessly—even without a Mac® or Windows® PC.

Of course, you get the latest version of our tightly integrated software bundle, including updated Capture™ 2.0 recording software, Studio One Artist® DAW, and Virtual StudioLive-AI editor/librarian/control software with Smaart Measurement Technology™. StudioLive Remote-AI for iPad® and QMix™-AI for iPhone®/iPod® touch will both be available free from the Apple App Store.
The deeper you dig into the StudioLive 32.4.2AI’s capabilities, the more you will realize that the future of digital mixing starts here and now.

Products that sense each other, interact and work together via wireless and wired communication, feature 32-bit floating-point DSP and seamlessly integrated software, and run on powerful CPUs is the coming wave of live audio. PreSonus has realized this dream with its new Active Integration technology. Thanks to Active Integration, the StudioLive 32.4.2AI mixer has 64 times the processing power and an incredible 10,000 times more RAM than the StudioLive 24.4.2.

A quick look at the StudioLive 32.4.2AI reveals a now-familiar, user-friendly mixing surface. It sports 100 mm faders for the 32 channels, 4 subgroups, and main bus. As with all StudioLive mixers, convenient knobs and buttons abound, and all core mixing features are immediately accessible from the mixing surface, without using the LCD, providing an intuitive, analog-like user experience.

The unique Fat Channel section delivers a compressor, limiter, gate/expander, and four-band fully parametric EQ on every channel, bus, and subgroup, plus a high-pass filter and polarity invert for each channel—not to mention routing, panning, and Scene and setting store and recall.

Select buttons assign the channels, buses, and subgroups to the Fat Channel for processing and routing. There’s a Talkback section, Cue section, and extensive metering.

And of course you get aux buses—14 of them—and 32-bit floating-point stereo reverb and delay on dedicated buses—two of each.
View the rear, and you’ll see a familiar StudioLive jackfield, with XLR mic and ¼” inputs and TRS insert points on every channel, along with a wealth of other inputs and outputs. A pair of FireWire ports—FireWire S800, rather than the FireWire 400 ports found on the StudioLive 24.4.2, 16.4.2, and 16.0.2—provides wired networking to a Mac or PC, with options for Thunderbolt and Ethernet (Dante). Stereo S/PDIF digital outputs—check! Analog direct channel outputs on DB25 connectors—check! Obviously, flexible connectivity is no problem.

The audio quality, as always with PreSonus, is first rate. Like all StudioLive models, StudioLive 32.4.2 offers PreSonus’ widely lauded Class A XMAX™ mic preamps and top-notch converters with 118 dB of dynamic range. Reviewers have raved about the high quality of StudioLive mixers’ dynamics processing, EQ, high-pass filters, and effects. The only difference with the StudioLive 32.4.2 is that PreSonus has given you even more of them.

The 32.4.2AI is a StudioLive, but it’s a major step beyond previous StudioLive mixers.


Presonus StudioLive 32.4.2 AI 32-channel Digital Mixer with Active Integration Features:

  • Active integration technology
    Impeccable audio quality
    Vast EQ and effects palette
    Instant A/B compare
    Great for live or studio
    Flexible connectivity


Presonus StudioLive 32.4.2 AI 32-channel Digital Mixer with Active Integration Specifications:

  • Mac
    Mac® OS X 10.7.2 or later
    Intel® Core™ Duo processor (Intel Core 2 Duo or Core i3 or better recommended)
    2 GB RAM (4 GB or more recommended)

    Windows
    Windows® 7 x64/x86 SP1, Windows 8 x64/x86
    Intel Core Duo or AMD Athlon™ X2 processor (Intel Core 2 Duo or AMD Athlon X4 or better recommended)
    2 GB RAM (4 GB or more recommended)

    Mac and Windows Systems
    FireWire S800 (IEEE 1394b) port
    Internet connection recommended
    DVD-ROM drive
    Internal or external 7200 RPM storage drive highly recommended
    Monitor with 1024x768 resolution

    The minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.

    Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals. Monitor resolution for both PC and Mac should be no lower than 1024x768 pixels.

    33 mic high-headroom Class A XMAX™ mic preamplifiers (32 channels plus Talkback)
    32 balanced TRS line inputs
    4 subgroups
    Stereo/mono main out
    14 auxiliary mixes
    48-in/34-out FireWire S800 digital recording interface (24-bit/44.1 kHz and 48 kHz)
    Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
    Capture™ 2.0 recording software for Mac® and Windows®
    StudioLive Remote-AI mixer-control software for iPad® available free from Apple App Store
    QMix™-AI aux-control software for iPhone® and iPod touch® available free from Apple App Store
    Direct recording interface compatible with Logic®, Nuendo, Cubase, Sonar™, Digital Performer™, Ableton™ Live, and more
    60 channel strips
    Trim control with –20 to +20 dBV line/-15 to +65 dBu mic gain range (80dB!)
    +48V phantom power switch for condenser microphones
    Digital Audio Input Select
    100 mm precision faders
    Lighted Solo and Mute buttons
    6 mute groups with All On/All Off switches
    Access to Fat Channel functions
    15-LED ladder metering + clip LED
    Analog ¼" insert (rear panel)
    4 subgroup buses, each with:
    Solo
    Mute
    Access to Fat Channel functions (except high-pass filter and phase reverse)
    14 aux sends, each with
    Solo
    Mute
    Pre/post-fader send
    Output-level control
    Access to Fat Channel functions (except phase reverse)
    Mix and Mix/Pan Fat Channel value displays
    Available sources: 32 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback
    4 internal effects sends (two reverbs, two delay effects), each with:
    Mute
    Pre/post-fader send
    Output-level control
    Access to Fat Channel (except phase reverse)
    Effects-send Select for Fat Channel metering
    Mix button for aux-bus mixing and Fat Channel value displays
    Master Section
    Aux Input A and B
    Level Control and Select (Fat Channel metering) switch
    Access to all Fat Channel functions (except phase reverse)
    Talkback System
    Mic Level control
    Output Select (Aux 1-2, 3-8, 9-14, Main)
    Talk button
    Rear-panel XLR mic input with trim control and continuous 48V phantom power
    2 Track In
    Level control
    Tape Input to Mains button
    Main Digital Audio Return on/off
    Solo Bus
    Cue Mix volume control
    PFL/AFL and Solo In Place (SIP) buttons
    Latch, Radio, and CR Modes
    Monitor Bus
    Headphone-output level control
    Control-room monitor-level control
    Solo Bus to Monitor button
    Tape Input to Monitor button
    Main Digital Audio Return to Monitor button
    Main Mix to Monitor button
    Fat Channel with rotary encoders:
    Pan with dedicated 15-LED display
    Stereo link for input channels, aux buses, and subgroups
    Phase reverse (main channels only)
    High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
    Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
    Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=8:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
    4-band fully parametric equalizer
    Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    Master EQ On/Off button
    Limiter: variable Threshold -28 dBfs to 0, 8:1 Ratio
    Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and busOutput Assign: 4 subgroups and main
    All settings can be copied among channels and buses and can be saved as user presets.
    50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
    4 internal digital effects-processors (2 reverbs, 2 delays), each with 50 customizable presets
    16 31-band graphic equalizers
    Assignable to each aux bus and the Main bus
    Scene Store and Recall
    Global Scene Storage: all current StudioLive settings
    Up to 80 at a time
    6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes
    Automatic Global AutoStore
    Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
    Individual channel-strip setting storage
    Up to 48 at a time, plus…
    50 factory presets for instruments and vocal
    Copy and Paste between channels
    Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)
    Lockout mode to keep inspired amateurs from changing your settings
    Metering/Displays
    24 x 16- LED Fat Channel matrix:
    Pre-dynamics/pre-fader input
    Post-dynamics/post-fader output
    Gain reduction
    Aux 1-14 and EFX A-D output
    Fader-position recall
    8 x 15-LED main meter bank
    Selected channel level
    Selected channel gain reduction
    Sub buses 1 to 4
    Main stereo outputs
    15-LED horizontal Pan/Balance display
    64 x 194 LCD matrix
    Effects parameters
    Scene creation, storage, and recall
    System menus
    Channel Info page with custom naming
    GEQ Select
    2-digit Channel Selected display
    Input/Output
    32 main inputs, each with XLR mic, ¼" line, and ¼" inserts
    2 ¼" balanced stereo (L/R) aux inputs
    1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
    Unbalanced RCA stereo (L/R) tape inputs and outputs
    XLR stereo (L/R) main outputs with level control
    ¼" balanced stereo (L/R) main outputs
    XLR mono output with level control
    ¼" balanced stereo (L/R) control-room outputs
    ¼" headphone output
    4 ¼" balanced subgroup outputs
    14 ¼" balanced aux outputs
    32 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24, 25-32 (DB25 sockets)
    Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
    Installed Option Card with:
    S/PDIF digital out
    2 FireWire S800 ports
    Optional I/O cards
    Thunderbolt-FireWire S800-S/PDIF Out
    Ethernet/Dante-FireWire S800-S/PDIF Out
    Digitalia
    High-definition analog-to-digital converters (118 dB dynamic range)
    Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
    Internal sample frequency 44.1 kHz and 48 kHz
    Ph


Presonus StudioLive 32.4.2 AI 32-channel Digital Mixer with Active Integration

One year parts and labor warranty.

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Now you can get added warranty protection for your new gear. Pro Coverage steps in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program offers you UPGRADED COVERAGE if your product ever fails!

Pro Coverage includes:

  • Accidental damage protection (new gear only)
  • Expedited Repair
  • Free Shipping (for returns or repairs)
  • 100% Coverage for Commercial Use
  • Extended Return Period
  • Extended Price Protection
  • No Lemon Guarantee
  • Free Transfer of Coverage to a new owner
  • Repair Costs Covered for up to 3 years from date of purchase
  • Repairs Can Be Authorized Toll-Free by Phone or the via the web
Product Reviews
(Based on 1 reviews)
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  • Serious tools for the Audio Engineer

    As reviewed by Loren Griffin on 1/10/2014

    Rick,(Presonus) I sent you a picture of the new Studiolive 32.4.2 we installed at the church I attend, The Rock Community, in Fair Haven, Michigan. We replaced a Yamaha LS9 with the SL 32.4.2, I thought the biggest difference would be more of a functional difference as there are features in the SL 32 that we would need to spend at last another $1000 to get and it still feature wise wouldn't quite match the SL 32.4.2. Again I though it would be ore of a lateral move, however WOW, not only was I surprised at the quality of the sound overall improvement to me (trained audio engineer) and to the musicians who also could hear a qualitative difference through the MyMix in ear monitors system (another great, audio tool and a fantastic partnering) but there also were a number of the people in the congregation that came to me after service, and made unsolicited comments of praise as to the quality of the sound. I will be doing some training for our church (I am the staff Audio Tech) as well as opening it up to other churches that either have the SL console or considering the SL 32.4.2 console for the audio system. I also do installs and consulting for the churches in the Great Lakes Region and whether it is a new plant/launch or an established church that wants to make the move to digital from analog I highly recommend The Presonus Studiolive 32.4.2 or one of the new AI Studiolive consoles, I have worked on consoles costing ten times the price of the SL both live and in the studio and I am sure there will be many that would want to debate the issue but if the would let there ears and ease of use guide you instead of name prestige and hype you would find it hard to beat the Presonus SL consoles in any price bracket. Thank you Rick and tank you Presonus. All The Best Loren ? NuVox Production, Inc

    4 of 4 people found this review helpful.
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