Accidental damage, normalNormal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Damage due to unexpected and unintentional spills, drops and impacts
Damage due to normal wear and tear
Damage caused by lightning/power surge
Damage due to dust, internal heat, humidity, heavy usage
No Lemon Policy on merchandise over $200- if it fails for the same reason 3 times, it is replaced on the 4th breakdown
Complete refund in the event of failure or substandard performance on merchandise under $200 (Gift Certificate sent for the full price plus applicable sales tax paid)
Manufacturer's Specs Coverage -- The product does not need to fail to be covered. If the product does not perform as it did the first day you bought it, we will repair or replace it so that it does
Free shipping to and from repair facility
Plans are transferable in the event merchandise is sold
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Every one of your mics will benefit from the PreSonus Eureka Pro Recording Channel. It is a high-quality single-channel recording front end with mic preamp, compression, EQ, phase inversion, rumble filter, and high-pass filter. The Class A transformer-coupled channel strip device features variable impedance and a saturation knob for tube saturation emulation. The full-featured compressor has variable threshold, attack, release, and gain makeup controls. Soft-knee compression mode and a hi-pass filter on the sidechain for frequency-dependent compression such as de-essing.
The audio transformer on the input stage offers a fully parametric 3-band EQ with overlapping bands and switchable staging for the EQ and compressor, enabling you to swap the order of the EQ and compression. Instrument, line, and microphone inputs as well as switchable gain reduction for the VU meter, dual outputs (TRS and XLR) that can be used simultaneously, and an optional digital output card capable of up to 24-bit 96kHz output on AES/EBU or S/PDIF. 48V phantom power unit with an 80Hz rumble filter, a 20dB pad, a phase inversion button, and balanced send and return jacks for inserting outboard gear.
PreSonus Eureka Pro Recording Channel
Features:
Class A transformer-coupled mic preamp channel strip device Variable impedance Saturation knob for tube saturation emulation Full-featured compressor with variable threshold, attack, release, and gain Soft-knee compression mode Hi-pass filter on the sidechain Audio transformer on the input stage Fully parametric 3-band EQ with overlapping bands Switchable staging for the EQ and compressor Instrument, line, and microphone inputs Switchable gain reduction for the VU meter Simultaneous dual TRS and XLR outs 48V phantom power unit 80Hz rumble filter 20dB pad Phase inversion button Balanced send and return jacks
Now you can get added warranty protection for your new gear. Pro Coverage steps
in where the manufacturer's "normal wear and tear" ends. Our PRO COVERAGE program
offers you UPGRADED COVERAGE if your product ever fails!
Pro Coverage includes:
Accidental damage protection (new gear only)
Expedited Repair
Free Shipping (for returns or repairs)
100% Coverage for Commercial Use
Extended Return Period
Extended Price Protection
No Lemon Guarantee
Free Transfer of Coverage to a new owner
Repair Costs Covered for up to 3 years from date of purchase
Repairs Can Be Authorized Toll-Free by Phone or the via the web
The Eureka is worth every penny and so is the optional DA card. The compressor is magnificent, the tube saturation emulation sounds pretty damn good and the variable impedance makes any mic shine. The EQ section works well, too. I had no problems with the Q being too narrow (as mentioned above). But I only use the EQ to smooth out problem freq. while tracking. All my real EQing is done mixing. Overall, I like Presonus gear. I own a lot and I'm glad I do.
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Get That "Big Studio" Sound Without Breaking the Bank!!!!!.
The Eureka channel strip may have a modest price, but don't let that fool you!. Upgrade to this guy, and you may never need another channel strip again!. Google the reviews on it-we're talking serious value hear!. Apart from a great signal path, the Eureka has variable input impedance, so you can match and tune it for all types of microphones and applications!. Use the "Saturate" feature to simulate tape-saturation effects-very cool!. You've also get a full-featured compressor and a parametric EQ!!!!!.
Presonus finally got it right. Having owned a firepod that worked when it wanted too, I was a little skeptical about the Eureka.Im happily surprised.This is a nice little strip, very transparent if you want it to be and about the best bass DI Ive ever heard in this price range. Very nice on all guitars also as well as vocals. The only downside is the EQ, its not very usable due to a very small Q range. Oh, and like everything presonus, the knobs are too small, too close together and so reflective you cant read them without getting close. Make it a two rack space peice and give us some room!. Overall a great piece of gear though, im very happy with it!
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