PRS's new 22 fret, 25" scale length Studio model electric guitar is a fresh, modern rendition of a traditional single-single-hum guitar set up with the beauty and brightness of a maple top. The possib... Click To Read More About This Product
PRS's new 22 fret, 25" scale length Studio model electric guitar is a fresh, modern rendition of a traditional single-single-hum guitar set up with the beauty and brightness of a maple top. The possibilities are vast with PRS's proprietary 57/08 Narrowfield pickups in the middle and bass positions in conjunction with a 57/08 humbucking bridge pickup. The Narrowfield„¢ pickups focus the string attack much like a single-coil but are hum canceling. The result is a new sounding pickup system, which blends features of single-coil, soap bar, and humbucking pickups. Screaming lead tones, crisp rhythm tones and 5-way blade switch also enhance the flexibility of this guitar in the studio or on stage.
Other features include mahogany neck, V12 finish, rosewood fretboard, "pattern neck" with "pattern thin option," 2011 birds, PRS tremolo bridge, PRS locking tuners, nickel or gold hardware, and redesigned lampshade knobs volume and push/pull tone controls.
Finish should enhance the look, sound, and feel of a guitar by accentuating the wood's inherent beauty and feel without hindering its natural resonance. And PRS Guitars' new "V12" finish does just that. Introduced at Experience PRS 2010, "V12" is a very thin, hard, and clear finish that will not crack or react with thinners. After roughly 12 years in development, it is halfway between acrylic and nitro but with a classic feel all its own. "PRS models with this new finish feel like old instruments," said Paul Reed Smith.
Pattern Neck Shape
Neck shapes have always been a high priority for us and a hallmark of our quality. A guitar should feel comfortable, like "home," as soon as you pick it up, and the neck is paramount to that connection. Perfected after years of prototyping, the new "Pattern" neck is an updated Wide Fat PRS neck style based on Paul's pre-factory design. These necks were found on the instruments built for Carlos Santana, Peter Frampton and Howard Leese from the late 70's to the mid 80's.