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Nady PM-200A Powered Personal Stage Monitor  

Item #: 
1274034485898
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The compact, rugged, and lightweight Nady PM-200A Powered Personal Stage Monitor can be mounted on a mic stand (with optional adapter), set on a keyboard, amp, or table for effective up-close monitori... Read More

Price:
$16049.00
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    $24999.00
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Overview

The compact, rugged, and lightweight Nady PM-200A Powered Personal Stage Monitor can be mounted on a mic stand (with optional adapter), set on a keyboard, amp, or table for effective up-close monitoring, or as a stage monitor with 4 different angled positions for optimum placement and versatility. The monitor is designed to reduce stage clutter and volume by putting the sound where you can most use it. The PM-200A features headphone outputs, line outputs, and external speaker outputs. The PM-200A stage monitor is also extremely versatile and can be configured in a number of ways to suit your special needs.

The PM-200A Powered Personal Stage Monitor is the perfect tool for monitoring audio on stage or in rehearsal. This unit puts the controls at your fingertips so you'll never have to scream for "More Monitors!" again. The Nady PM-200A is tailor-made to reduce feedback while allowing vocals and instruments to stand out in the mix. Simply input a line level feed from the main or monitor mixer and adjust the EQs and Volume to your personal liking. Or you can input your instrument/vocal signal directly, before outputting to the main PA, to hear yourself solo. You'll hear yourself loud and clear and never miss the bridge again with the PM-200A monitor by your side!

Features
  • Powerful internal 150W RMS amp
  • Specially designed dual ferro-fluid 5" drivers
  • Powers internal speakers plus up to 4 PM-100 Personal Stage Monitors
  • 2 external speaker outputs
  • 125dB maximum SPL cuts through loudest mixes
  • Balanced 1/4" TRS and XLR input jacks
  • Volume control
  • 3-band EQ controls Clipping LED indicators
  • High-powered headphone output
  • 1/4" balanced line output for daisy chaining with other PM-200A, or connecting to mixers and PAs
  • Works with most standard 5/8" microphone stands
Specifications
  • Mic Input: balanced XLR
  • Input Impedance: 2K
  • Maximum Input: -10.2dBm (235mV)
  • Sensitivity (for max output w/Volume max): -40dBm (7.5mV)
  • Line Input: balanced/unbalanced TRS 1/4"
  • Input Impedance: 20K ohms (10K ohms unbalanced)
  • Maximum Input: +22dBm (10V)
  • Sensitivity (for max output w/Volume max): -10dBm (230mV)
  • Line Output: balanced XLR
  • Output Impedance: 1.4kOhm
  • Maximum Output (w/10K load): 15.5dBm (4.3V)
  • EQ and Volume: rotary knobs
  • High: +/-12dB @ 10K Hz
  • Mid: +/-12dB @ 2.5K Hz
  • Bass: +/-12dB @ 120 Hz
  • Headphone Output: 1/4" TRS Stereo
  • Power: 2 x 80mW @ 32 ohms
  • Power Amp Output: 2 internal speakers, 2 external 1/4" outputs
  • Power: 2 x 50W RMS @ 8 ohms (Total 100W RMS)
  • 2 x 75W RMS @ 4 ohms (Total 150W RMS)
  • Frequency Response: 20Hz — 50KHz
  • THD: 0.055%
  • S/N: -81dB
  • Noise Floor: 200uV
  • Amplifier protection: clipping LED's, thermal runaway, short circuit, anti-thump on/off protection
  • Internal Speakers: 5" full-range
  • Impedance: 8 ohms
  • Voice Coil diameter: 1"
  • Power Requirements: Selectable, 115VAC/60Hz or 230VAC/50Hz
  • Fuse Requirements: 5x20mm glass tube F.B. 6A 250V @ 115VAC
  • 3A 250V @ 230VAC
  • Weight: 9.6 lbs. (4.4 Kg)
  • Dimensions (HWD): 11.1" x 7" x 6.1" (28 x 18 x 15.5 cm)
Warranty
MANUFACTURER'S WARRANTY
Wireless Equipment (Most) *1 Year
DKW-Duo, DKW-3 *90 Day
Pro-Audio (Most *1 Year
SPC-4C, ProPerformer microphones *90 Day
RSM-1,2,3,4,& 5 *1 Year
TRM-6 *1 Year
Speakers/Powered Speakers *1 Year
Headphones *1 Year
Power Amps *1 Year
Products identified as a "Blem" or "Refurb" carry a 90-day warranty.


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  • Expedited repair
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  • Extended return period
  • Extended price protection
  • No lemon guarantee
  • Free transfer of coverage to a new owner
  • Repair costs covered for up to three years from date of purchase
  • Repair authorization-toll-free by phone or via the web
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Review Snapshot

by PowerReviews
NadyPM-200A Powered Personal Stage Monitor
 
5.0

(based on 3 reviews)

Ratings Distribution

  • 5 Stars

     

    (3)

  • 4 Stars

     

    (0)

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Reviewed by 3 customers

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(3 of 3 customers found this review helpful)

 
5.0

Versatile, reliable, compact

By 

from Boston MA

Comments about Nady PM-200A Powered Personal Stage Monitor:

I've used this as a personal saxophone amplifier on jazz gigs for a few years, and also have used it with external speakers to supply music for gigs while the band was on break. It's got plenty of power, and decent tonal qualities (the horn sounds reasonably natural; there doesn't seem to be undesirable coloration, at least none that can't be dealt with by the existing tone controls). Have used it mounted on a mic stand or on the floor. The lack of a low-impedance input can be remedied with an inline transformer, although a nice combination is with the little Nady mixer with delay. So far, it's one of the best setups I've used in this application.

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(13 of 14 customers found this review helpful)

 
5.0

Nady PM 200A

By 

from Moultrie, Ga.

Comments about Nady PM-200A Powered Personal Stage Monitor:

The Nady personal monitor is a great investment. It prevents stage clutter, looks nice, and sounds GREAT. I am going ot order three more for my band. The other members were so impressed with the Nady PM 200A, they threatened to take mine if I did not get them one . I love it!

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(20 of 22 customers found this review helpful)

 
5.0

Power-on monitor I needed

By 

from Boston, MA

Comments about Nady PM-200A Powered Personal Stage Monitor:

Good stuff. I'm running live sound system at our church, and we were in need for power-on monitor, since we had no amp (existing system we rent with 2 power-on speakers). I've got a used one, for I figured we don't need a brand new as far as it's cheaper and it works. Boy, does it work.... I enjoy setting it up, and most importantly our worship team likes the way it sounds. Clear, strong, compact. Plus with ultra-cardioid vocal microphones we use you can stand 2 feet away from it without any sound issues (feedback for one). Another thing - ability to control sound on a spot. This way worship team leader has no need to talk to me with gestures like pro commando; he can adjust sound volume and equalize it on a spot. Yet, it is what you pay fore, so don't expect it make sound crispy and deep as 2,000 analog would.

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